magic show – Page 8 – MagicShow.Tips

Evaporation – Milk!

In my show the Evaporation gimmick that I use in a milk bottle. Really it’s a Sunny D bottle that has a milk label that I printed out on it. Recently while I was performing in Wyoming I found this milk bottle:

This is my dream bottle for a milk bottle for my Evaporation trick. The only problem is that it’s a unicorn. What makes this bottle perfect for milk is that it’s smooth, which makes it easy to clean and it’s clear, so the liquid is very visible. Unfortunately I’ve spend too much time trying to track down more of these bottles and all the ones I can find are frosted and not clear. With a frosted bottle it’s hard to see the liquid inside.

Normally milk is in a frosted or opaque bottle as light isn’t good for milk. That convinces me that these were an error at the place that makes the bottles. Unfortunately I won’t be able to offer these for sale to magicians as there’s only two and I’m going to be using them. However if you want my standard Evaporation that’s gimmicked for milk, shoot me a note and I can make you one.

-Louie

It’s a Wrap on Library Shows for 2025

Well, I’m doing doing library shows for the summer. When I was putting together the show, one of the goals was that it was one trip in and one trip out of the library. I also wanted that to be only one thing in each hand. Here’s what the show looked liked when packed up.

What’s pictured above is everything for the show. The show was was expandable from it’s most basic form which was the prop box on the table to set up that filled a larger space.

The other goal was for the show was that is played big. It didn’t feel like a suitcase magic show where everything is flat. The show had a lot of textures and I really liked doing this show.

I’m proud of this show and I think I may keep it to cycle back into the rotation for kid shows in the future. The more important thing was that I used this show to learn to do things that will have a life outside of this show. I learned to use and get confident with the iQpro app to run video for my show and I using ankle switches for my show.

One of the goals for my summer library show is that I work on something that I can use outside of that specific show. Whether it’s a routine that I can use in another show or in this case, production stuff.

Always look for a second life for things!

-Louie

Recording My Show

When Ray Ban first put out their Ray Ban Stories glasses with a video camera in it, I thought about getting them. The current version is the Ray Ban Meta, which does more than just record. They’re also voice assistants, and does a few other things.

I had been on the fence about getting them for years and I finally picked up a pair.

The current version of them when the record, there’s a LED that flashes. Obviously I don’t like that it’s distracting. It’s purpose is so that you can’t secretly record people, and that makes sense. However to use them to record another angle of my show that’s already being recorded by a camera or two I personally have no issue using them without the LED flashing.

The challenge is disabling the LED. You can’t simply cover it, if you do, you’ll get an error. What I did was read a bunch on Reddit and found a few solutions and picked the one that I thought was best and fit my level of how much I wanted to alter the glasses.

If you’re thinking of getting a pair of these, read up on what they do and don’t do to decide if they’re right for you. Also if you want to disable the LED, be sure to read up on different ways to do it to make sure you are comfortable with the level of risk of damage to the glasses that can happen.

-Louie

A Simple Trick to Not Forget Anything

One of the challenges of doing your show is packing up. Specifically not forgetting anything. One thing I do is the “Dummy Check” where after you’re packed out, you visually look where your stuff was one more time to look for anything you forgot.

One of the challenges with this summers library show is that the show used a lot of power and I tried to charge the batteries while I was packing up a show. For a normal day of two to three libraries, it’s not a big deal. However there were many days where I had four or five shows in a day. That meant that if I could charge the batteries for 10 or 15 mins while I packed up, it made a huge difference for that last show.

The technique I would use to not forget to the batteries was to put my keys near where they were charging as the plug wasn’t always near the performing area. Without my car key, I couldn’t load out. For me this was a fool proof system to make sure I left with the batteries!

If you’re worried about not packing something, put your keys near it!

-Louie

Best Spoons and Forks for Metal Bending!

Frequently, I see people ask in social media groups “what are the best spoons/forks for metal bending?” The answers are all over the place, from ones specifically being sold at magic shops to Walmart. For me, you can’t the the Costco spoons and forks!

The cheap ones less than 31 cents per fork and less than 27 cents per spoon. They’re soft and ready to go out of the package. The normal Costco doesn’t normally stock these but the Business Costco does! A normal Costco membership will get you into the business Costco and walking around you might find other things you need for your show that the normal Costco doesn’t have.

I don’t know if Costco sells them online, but you should be able to search based on the info in the pictures above.

Happy spoon/fork bending!

-Louie

Challenging Stage

This is a cool looking stage, but a hard one to work on. In the picture you can’t see the depth of the stage behind the proscenium arch. It’s about 8 feet deep to the video wall with name on it, then the stage sticks out about 20 feet or so in front of the proscenium arch.

The challenge is sight lines for the audience, no matter where you stand, there are people that can’t see your face. The drawing below might help visualize what’s happening:

No matter where you are, either the side of the arch is blocking or people are behind you. That’s just the seats on the floor, there’s spots above that are almost on the same wall as the arch!

This makes showing things really difficult and time consuming as you have to show everything to the extreme right and left sides.

Challenges aside, this is a really fun room to work! I’m glad I got to do seven shows there, and was able to dial in the show to just work worked in the room. It would have been a shame if I only did one show there and that was it. This is also a good reason to travel with back up material, two of the routines that I planned to do in the room weren’t ideal for this space.

-Louie

Mentalism for Kids…

Years ago, when I was a teenager I saw Lee Earle lecture. He did his gumball prediction and then warned that it’s not a kid show trick and that mentalism doesn’t work for kids. Lee said something like, “before you can read someone’s mind, they must first have a mind”. That’s a great quote, but it’s wrong.

You absolutely can do mentalism for kids, but ultimately it comes down to how you frame it. In my library / summer camp show for this year I do three mentalism tricks.

They aren’t framed as “mind reading” and that’s what makes them work, but they are still 100% mentalism. All three are essentially predictions.

One of them I used a Cootie Catcher / Fortune Teller to determine what I’m going to have for lunch or dinner that day.

Another is a card prediction followed by a series of coincidence effects. The third is a strange happening, which is really a multiple revelation of predictions. All three of them are highlights of the show and frequently mentioned when I ask kids in the autograph line what their favorite tricks were.

Don’t be afraid of mentalism for kids, you just need to make it fun and relatable to them.

-Louie

Night and Day with Library Venues

The differences in venues for library shows can be enormous! In two days I did a library show that had about 75 people in a packed meeting room.

Then the next day I had a library show for over 300 people in an old auditorium!

The skills needed to work in both venues are very different. When you’re standing on the floor a few feet from the audience is easier to control that in a giant theater that’s super echoy and everything in it makes noise from the floorboards to the chairs.

I heard that a previous performer in the auditorium struggled with the echos and crowd control. Being armed with knowledge of this, I really had to keep on top of crowd management and my expectations of the audience. In a giant room with a lot of echo, it’s really easy to lose control and hard to get it back!

-Louie

Fireworks and Street Performing

My town had their Fourth of July festival last night. The event started at 6pm and ended with fireworks that started at 10pm. People set up their chairs at 6pm to get their space to watch the fireworks four hours later.

The fireworks ran about 28 minutes. The fireworks kinda went in four-ish minute cycles. At the end of each cycle was an finale for that cycle and they were all fairly repetitive. The only real variation was the grand finale, but all the previous cycles felt like watching the same thing on a loop.

OK, so what I noticed is once the second cycle happened people started packing up and leaving. These are people who had brought their own chairs and waited four hours to make sure they had a good viewing spot. My guess is that people felt like they had seen something and were ready to leave. This is similar to street performing. Once the audience feels like they’ve seen something, people will leave. In street performing one technique to keep a crowd is having unfinished business. Like a dollar is borrowed early on and that dollar trick isn’t finished till the end of the show. Less people will walk at the end of tricks during the show because the dollar trick hasn’t been finished.

Personally when I’m doing street (found space) shows, I take it personally when people walk. However watching people walk away a few minutes into a $60,000+ firework show that they waited all day to see gives me some perspective on why people walk during my show.

-Louie

Magician’s Tie Bar

Somehow I got into collecting dead magician’s tie bars! Recently I was visiting with Alan Sands and he gave me one of George Sands tie bars!

If you’re not familiar with George Sands, he created the Sandsational Rope Routine. Most modern cut and restored rope routines are built off of his routine.

Thanks Alan, this will go into my collection!

-Louie