Production Cocktail Parasol

After goofing around with the cocktail parasols that I bought, I figured out a way to make them self opening.

To make them self opening, it just takes a little loop of elastic…and a lot of help from my reading glasses!

I’m not sure what to do with a parasol that opens by itself, but it makes the ending of most tricks better than if I had to manually open it.

-Louie

Parasol Magic

When I was 17 years old I won a magic contest at a magic convention.  I don’t remember if there was any cash in the prize, but there was a lot of magic donated from the dealers.  One of the things that I got was Shimada’s Stevens Greater Magic VHS tape. That tape introduced me to magic Shimada. One of the acts that Shimada was famous for was his parasol act.


I’ve always thought that producing parasols looked great and better than a more modern umbrella.  I think that people connect umbrellas with the self opening feature and less so with a more Asian parasol. Yes, I understand that umbrella and parasol mean the same thing, and intentionally using them to refer to different things.

Parasol productions are very cool, visual and fill the stage, however I don’t think most routines pass the “drive home test”.  That’s were people in the audience talk about the tricks on the drive home. Parasols pack small and pop open and everyone knows that. That’s the weak spot in parasol productions.

cocktail parasol magic trick

OK, so I’ve wanted to do a parasol magic for years, but is doesn’t really fit my personality (and costuming). Then the other day I was at the store and saw some cocktail parasols. I bought a couple of packs of them and started playing with different ideas of things to do with them.

Let’s see what I come up with…

-Louie

On The High Wire by Philippe Petitt

On The High Wire by Philippe Petitt

My airplane reading last week was On The High Wire by Philippe Petitt. While not magic, it’s about variety/circus arts which is relatable. I thought this going more of a biography, but it’s not it’s a technical manual for high wire walking!

By technical manual, there’s not a lot of specific and it teaches it in very general terms. It’s a very fun read. The way he talks about high wire walking, he’s clearly in love with it and that passion carries the book.

It got me wondering why there aren’t really magic biographies for the general public written as technical manuals that teach techniques in broad strokes. They wouldn’t have to really give away any specific secrets that would spoil any tricks. It’d be an interesting read if someone was able to write one. I’m nowhere near a good enough writer to do that.

-Louie

Custom Printed Gimmicked Deck

I finally used MakePlayingCards.com to have a custom gimmicked deck made! I’ve used them in the past to get large size double blank cards, but those weren’t custom printed.

custom printed gimmicked playing cards

There wasn’t much from a design standpoint as I just used their standard card faces. This deck is a deck of double faced cards, but the back is all the same card. I had these made to do my version of something that Eric Stevens had shown recently at the NW Ring of Fire magic club.

The cards came out great, and I would totally use them again!

-Louie

Let Them Understand You!

duolingo spanish

One of the constant struggles I have with performing is audiences that don’t speak English. I never really learned a foreign language when I was in high school and it’s one of my biggest regrets in life. Since I perform a lot in Southern California and Arizona, being able to speak Spanish would really help me out.

The last year I’ve been working on my Spanish with Duolingo and I’ve gotten to the point where I can pretty much do my close up set in Spanish. It’s not conversational, but I’m able to communicate what I’m doing to an audience who primarily speaks Spanish. This is one of the best decisions I’ve made as far as learning a new skill goes!

If you’re a talking act that only speaks one language, starting learning another language. It will open a lot of doors!

-Louie

Nick Trost’s Mexican Monte

Here’s a packet trick from the 1980’s that I came across.

nick trost's mexican monte card trick

I think Nick Trost’s Mexican Monte is a pretty solid routine. Here’s me doing the routine and my thought on how to improve it:

It’s really a small change at the end, and I think Nick really nailed it with this one. I’d change the patter, but it’s good and worth checking out if you find one at a magic swap meet!

-Louie

A Day Booking Fairs

My core market is performing at state and county fairs across the USA. I do perform in a lot of other markets, but that’s the one that’s the biggest chunk of my income. Magicians and other performers frequently ask me how to get into fairs. Most fairs book at conventions, and here’s what a day looks like at a fair convention.

Get up and head to the coffee shop for breakfast and to do my morning writing and to get any work out of the way as I’m going to be busy until I go to bed. Then it’s a walk back to hotel to get changed and head to the convention center.

I’ll be exhibiting at the trade show as well as showcasing my act later in the day. I get the tradeshow floor early to chat with people and do some networking. You can get a lot of work from friends referring you for a gig because they’re unavailable, or from an unrelated act that a booker mentions they need a magician to.

The trade show was open 5 hours, so I spent most of that time talking to people and doing close up magic at the booth.

fair trade show

After a couple hours in the booth, I ran over to the showcase stage and did a 15 minute showcase.

louie foxx fair magic show

After the showcase and briefly talking to people at the stage, I headed back to the booth to wrap up the tradeshow day doing close up magic. The trade show booth is immediately packed up once the trade show closes.

trade show
close up bar magic

Now that the tradeshow day is over, I head back to the hotel room and freshen up before I head out for an evening of networking. This is where the real relationship building happens. I’m out around town meeting and hanging out with people. I normally just hang out and don’t do a lot of magic for people, but occasionally I do when it makes sense. Also when hanging out, many of the people who run fairs are my friends, so I’m chatting with friends and not always trying to sell my show.

Another thing that I like to do at these is find other magicians and jam with them.

magic jam in salt lake city

Some performers think that jamming is a waste of time at these because you’re not out talking to bookers. I do it for a couple of reasons. First it shows bookers who are all around and see this know that I’m a MAGICIAN, not some dude that does a couple of magic tricks, and second I love jamming magic!

Then I go to bed, and get up and hop a flight home!

These conferences take place over several days and it’s exhausting, but also a lot of fun. I think they’re a great way to book shows, however they’re not necessarily the best way for everyone to book shows. Some people aren’t good in a trade show booth, or can’t nail their show every time at a showcase. Then there’s the financial consideration, these are expensive to go to, and without any sort of guarantee of a payout…and the gig won’t happen for months!

-Louie

The Wagon of Whimsy

A few months ago I was performing at an event with Ky Dobson and his Wagon of Whimsy. This is a pedal tractor that pulls a wagon that’s got a buttons that do all sorts of funny things, and he tells jokes and does magic and juggling. Ky is a trained clown, and very personable.

He wanted a something to do with an egg that was dinosaur related. This is what we came up with:

Ky had some dinosaur parts and for me the obvious thing was using the dinosaur head like Bob Farmer’s Little Hand trick. It’s a fun simple little trick that was getting great reactions from the kids!

-Louie

The First Ambitious Card

I love magic history, and learning where things I did come from. I’m still working through the JP Vallarino book and got to Vallarino’s Ambitious Card routine.

JP Vallarino book

In it he mentions the first place that the Ambitious Card was publish. It was in a french book called Recueil de Tours de Physique Amusante. That title sounded familiar, so I went to my bookshelf and I have that book!

Recueil de Tours de Physique Amusante

Unfortunately I can’t read french, so I can’t confirm it’s in there. It was cool to be reminded of a bit of history that lived on my shelf!

-Louie

Remembering an Old Seattle Magician

Recently I was hanging out with some magicians working on some new magic and someone looked up and saw the cards on the ceiling and wondered who put them there.

card on ceiling magic trick by cliff gustafson

I immediately knew, it was Cliff!!

I'm here on Wednesdays
A short film about magic cliff gustafson

In the 1990’s I met Cliff Gustafson, he was a Seattle magician who worked a lot of bars in the Seattle area. It feels like he worked 1-2 bars a night seven nights a week! He stood out, he wore a tuxedo with a bowtie and everyone knew him!

Cliff wasn’t the best technical or original magician in the world, don’t get me wrong, all the tricks he did were solid! What he excelled at the hardest part of performing magic, he was likable! When you watched Cliff perform, you instantly liked him!

Cliff was always really cool to me, and you can watch a short documentary about him that has some clips of him performing at: robhanna.com

Cliff passed away in 2016, and Seattle lost it’s hardest working magician!

-Louie