magic show tips – Page 68

Finding Little Things to Change…

Yesterday was the end of the third week on the road performing my new school assembly show. This week I was really focusing on getting more out of the people who help me onstage in the show and letting them “shine” more.

One bit in the show where I draw a picture of a kid. I have the kid face the audience and do different emotions. I was using and older kid in the 3rd to 6th grade range and they weren’t really doing much interesting. My reasoning for an older kid was they are standing on stage by themself, so I was worried a kid that a younger kid would be uncomfortable onstage alone. Turns out I think that was the issue with an older kid, they feel a bit self conscious.

This week I switched a kindergarten or first grade kid and the difference is HUGE! Every kid I’ve used was great, and really played up the emotions that I was asking them to do. Also there’s something that all ages love is seeing a little kid have fun. Their joy is infectious!

It’s little things like this that make a good show great! My show still has a lot of these little things to be fixed.

-Louie

What Qualifies as Original?

I’ve recently started posting on Tik Tok, and you can follow me there @LouieFoxx. When I post magic trick videos, I have some criteria. The trick has to have something original about it. I’m not just buying a trick like the card to watch trick and doing it.

@louiefoxx

What qualifies as original?

It could be in method, presentation, or prop. For example, I do a trick that was popular on instagram in 2020 where you make a pen float and pass a hoop over it. The original angle is that I’m doing it with a chicken wing. Then there’s some tricks that are 100% original like this one:

@louiefoxx Kitchen Magic with Louie Foxx! #magic #magictrick #egg #whiskey #magician #magicshow #fyp #foryourpage #kitchenmagician ♬ original sound – Louie Foxx

My goal is to use Tik Tok as an outlet for ideas that I have, and ones that I’ll probably never do in my show, but I think still has some sort of merit. My goal is to publish a trick every 2-3 days, which is a lot!

We’ll see how long I can keep it up.

-Louie

Laughs Per Minute…

Last night I reviewed the video of the first show of this tour and calculated my laughs per minute. I came in at 1.57 laughs per minute or about three laughs every too minutes. Normally my goal is about 3.5 LPM’s, however this show has more content than my standard magic and comedy show.

I think my short term goal is going to be two Laughs Per Minute, but ideally getting this close to three LPM’s.

If you’re a comedy magician and don’t know your laughs per minute, you need to know them. I’m always amazed by how many comedy acts I talk to and when I ask what their LPM’s are, they either don’t know or say a crazy number like 10. To put it in perspective a stand up comic is in the ballpark of 4-6 LPM’s, maybe as high as 8. You need to know the actual number that you’re getting. Once you know this, it allows you to improve.

The way to figure out your LPM’s is to record your show and count the laughs. Then divide the length of your show in minutes by the number of laughs and you get your LPM’s.

Another metric is “reactions per minute”, so this is more than just a laugh. It could be applause, the audience going whoa or whatever. Having a metric allows you to set a goal.

-Louie

The Road Giveth and The Road Taketh

I started the tour on Monday and had to cancel all of Tuesday’s show because my radiator had a hole magically appear! I had to do some sweet talking to the mechanic in a small town to get him to fit me into his schedule. It helps that his grandchild was at my show, and liked the show.

I’ve often said that magic is problem solving, so is magic on the road. In my first show on this tour I use Phil Smith’s Quinta Force and did the very basic math incorrectly in my head and forced the wrong object. With some quick thinking and a solid foundation in magic and mentalism principles I was able to make the trick work and no one knew that I had majorly screwed up the trick!

The moral of today’s blog post is that you need to be flexible, not just in your magic show, but in life.

-louie

Learning a Show Quickly

I’ve completed day one of the school assembly tour. The show went better than I expected. One way that I worked on the show was listening to recordings of it while I drove my car. This is a very effective way to learn a show. It’s also a great way to work on the show. While listening to the show you will hear bits where you need filler or it will spark ideas for bits.

After the first two shows, I learned that my audio needed some tweaking, it needed to be louder or quieter at different spots.

Another thing I’ve notice is that my style for school assembly shows has really changed. I’m lower energy, but still fairly energetic. I also am not doing rules for the kids and for two shows it seemed to work. We’ll see how it plays out in the long run.

I also noticed that I have two tricks that are virtually the same trick in the show. Both are essentially a one out of five prediction, but both are presented very differently and also 30 mins apart in the show. I don’t think anyone notices that they are the same effect.

I’m also thinking that next week I’ll be doing the show with just a hand held microphone and not a headset microphone. This will allow me to set up quicker, but also I need to keep up with my handheld microphone technique.

I took this tour to work on stuff and I’m definitely doing that! There’s only one trick in the show that I’ve done in a show before.
-Louie

Choices Routine…

I’ve been working on a trick for my platform/stage show that’s essentially an invisible deck. Well, it started out as an invisible deck and has gone through a lot of changes and doesn’t really resemble a traditional invisible deck routine.

The effect is that the audience eliminates half of the cards over and over until there is one card left, and that card matches the prediction.

I’m working on a platform version of it for my carry on luggage magic show. This will end with the card in an envelope in my wallet. Here’s video of an early test of it:

This is essentially Mark Oberon’s Bang On, but modified so that I only need two wallets and can show the back of the card as it comes out of the wallet.

This routine is really no longer the invisible deck or the Bang On routine. It’s now a mix of methods and you couldn’t do the trick how I do it with the standard props that come with either of those tricks. To me this is what more magicians should be doing. Taking standard tricks and really making them their own, not just with adding a joke or “filtering it through your personality” but actually changing the trick to fit your artistic vision.

Got out there a make actual art, not paint by numbers art.

-Louie

Prestige Mentalism Trick

One of the ways to add a bonus trick to a routine, is to introduce the prop you’re going to use for the routine as part of a prediction. In the school assembly show that I’m working on, I’m doing a routine with a tennis ball and will be using it as the reveal of a prediction, then going into the tennis ball routine.

The way I’m going to be doing this is using a trick called Prestige. This prop is visually similar to Tom Stone’s routine Of Dice and Men. It has 5 numbered options on cards and someone from the audience names one of the numbers and on the back of that is your force item.

I picked up the dry erase version of Prestige, I’m not sure this was the right version as I have a feeling I’m going to have to keep redrawing the pictures on the cards. I guess I could draw them in Sharpie and it won’t be an issue.

The trick comes with numbers that stick to the cards with magnets.

The magnet numbers are used for a bonus trick where all the numbers disappear except for the chosen number. I’m not doing that and having the numbers removable add bulk to the folded up packet and makes setting up a little bit harder.

I took some vinyl numbers and stuck them to the outside of the sleeves.

This has less stuff for me to break, or lose while I’m on the road and a good solution for the routine that I’ll be doing. We’ll see how this trick goes next month…

-Louie

The Third Row and Beyond

When I was at a booking conference last month, one of the acts that I saw was a magician. He did a sponge ball routine where most of the action happened on the table top.

What do you notice in the picture?

What I see is an audience that can’t see what’s happening. The back two rows are all leaning trying to see through gaps between the heads of people in the front two rows.

In theory, sponge balls can be done “high”, but in practice it’s a “low” effect. What I mean by that, is you can ask the person to hold the sponge balls at shoulder height, but in reality, that’s not a very natural position. They’re going to hold them at belly or waist height. That takes a lot of the visibility out of the trick.

How can you sponge balls play higher?

I have no idea, I don’t do the trick and when I used to, it was close up, not onstage. The challenge is when they open their hand and the balls are there, they will fall, and that makes if very difficult to the audience to know how many balls are there before they fall.

Another possible solution is to not do close up tricks onstage. I’ve been guilty of that, doing close up tricks that translate to a small parlor audience. The success the close up trick gives you for 20-30 people makes you think it will work for 75 or more, and it really doesn’t.

Watch other performers from the back of the audience and make note of what’s visible and what isn’t. It’ll really help you look at your own show and know what plays beyond the second row!

-Louie

Holiday Magic Shows…

Recently I did a holiday party for a company that was in a situation that I normally would have declined the show as the conditions weren’t right for a successful show. Sometimes what I talk about with the client and the reality of what the show is when I get there are completely different. I’m not saying that the client was trying to deceive me, but sometimes we speak different technical languages, or they assume things like a table is movable when it isn’t.

Here’s the view from the back of the audience looking towards the performing area.

There are big tables with people only on one side. This puts huge gaps between the groups of people, which makes having them come together as an audience much harder. The other challenge was that most of the guests showed up late, and they were still eating when it was my showtime. We pushed it back 15 mins, but that’s all I could do. If I didn’t have another show after this one, I would have pushed the show back 30 mins or more.

Some performers really lose their crap about corporate holiday shows starting late. The reality of these shows is that 95% of them start late. If you have another engagement, be clear with the client the situation. Personally if I had a choice of starting the show late, or performing while people are eating, I’d pick starting the show late every time. Obviously there are things reasons to not start the show late, like having another engagement, personal plans with your family, or it’s going to start hours late!

Sometimes you just need to make the best of situations. The audience was great, and had a good time!

-Louie

School Assembly Show…

In less than a month I’ll be debuting a new school/library show. I’ll be on a school assembly tour for five weeks. The show is called “Incredible Idioms” and is themed on idioms.

The great thing about breaking in shows by doing three a day for over a month is that the show gets really good, really quick…Or you realize by the end of the 5 weeks you don’t like the show and never do it again.

The key to these is actually putting in the work. I’ll be doing a lot of reviewing video and writing every night and the first week or two the show will be rough, but then it’ll be super tight for the rest of the tour. Oh, by rough, I mean just good, and not great. I’ve done school shows for a long time, and have a good general sense of what kids like (but the do surprise me sometimes).

Right now I have a ton of half built props and half written routines. It feels like the show won’t be ready in less than a month, but once one routine gets completed, they’ll all domino into being built.

-Louie