Here’s a packet trick from the 1980’s that I came across.
I think Nick Trost’s Mexican Monte is a pretty solid routine. Here’s me doing the routine and my thought on how to improve it:
It’s really a small change at the end, and I think Nick really nailed it with this one. I’d change the patter, but it’s good and worth checking out if you find one at a magic swap meet!
-Louie
I love magic history, and learning where things I did come from. I’m still working through the JP Vallarino book and got to Vallarino’s Ambitious Card routine.
In it he mentions the first place that the Ambitious Card was publish. It was in a french book called Recueil de Tours de Physique Amusante. That title sounded familiar, so I went to my bookshelf and I have that book!
Unfortunately I can’t read french, so I can’t confirm it’s in there. It was cool to be reminded of a bit of history that lived on my shelf!
-Louie
Recently I was hanging out with some magicians working on some new magic and someone looked up and saw the cards on the ceiling and wondered who put them there.
I immediately knew, it was Cliff!!
In the 1990’s I met Cliff Gustafson, he was a Seattle magician who worked a lot of bars in the Seattle area. It feels like he worked 1-2 bars a night seven nights a week! He stood out, he wore a tuxedo with a bowtie and everyone knew him!
Cliff wasn’t the best technical or original magician in the world, don’t get me wrong, all the tricks he did were solid! What he excelled at the hardest part of performing magic, he was likable! When you watched Cliff perform, you instantly liked him!
Cliff was always really cool to me, and you can watch a short documentary about him that has some clips of him performing at: robhanna.com
Cliff passed away in 2016, and Seattle lost it’s hardest working magician!
-Louie
I don’t know if Ricky Jay ever really published a book on the material he performed. It appears he published mostly historical stuff, and not so much technical “how to” material.
Here’s a notecard that I came across where Ricky Jay explains a cup and ball style routine that he did on the Mike Douglas show:
I did some internet searching and couldn’t find video of this appearance, if you have it, I’d love to see it!
-Louie
One of the holiday parties I did this month was a HUGE event with 1,600 people. One thing the event planner didn’t give me was any sort of credentials to get in and out of the building once the event started. I honestly didn’t think about it until after my roving set and I was going to move that gear and clothes to my car to make packing out after the show quicker.
Luckily the green room was for all the “vendors” and I happened to be chatting with someone from the security company. I asked if the security at the parking lot door would let me back in and he said no. His suggestion was to call the event planner and ask for a lanyard. With the event underway and an event this large (it took up two floors of the convention center!) they last thing I want to do is bug the event planner for a lanyard/badge. They’re probably dealing with a lot of problems, like catering issues or whatever.
Here’s the solution I came up with. I learned that the security company was all retired cops and they all knew each other. I took a picture with the guy I was chatting with and got his name and number.
When I tired to get back into the building I was stopped by security how pressed me about me not having a lanyard with a badge. I showed them the picture and told them to call Jeff and he’d vouch for me. As soon as they saw the picture, they let me in!
Sure, asking the event planner for a badge is 100% reasonable. However I try to be easy to work with and minor problems myself. That’s a big secret to success in entertainment, be easy to work!
-Louie
My favorite deck of cards are the old Cincinnati, OH Bicycle Cards. They moved to Kentucky in 2009, so these cards having been made in almost 15 years! As I travel I visit junk shops and whenever I find these unopened or decks with the seals intact, I buy them.
Here’s my current hoard of them!
I don’t use these cards for shows, I use them as my person practice/fun decks.
When I find something I like, I stock up on them!
-Louie
Inspiration comes in some strange places. I was cleaning out my storage closet in the office and found a gimmick that was for an ACAAN that was marketed in the late 1990’s. The trick was garbage, and was about to throw it away when I realized part of the gimmick had potential for a different trick.
Here’s the video I sent to my brainstorming group a while ago:
I like the concept of the card turning blank from a deck that’s in order. It makes it very easy to determine that the selected card is the one that’s blank. I don’t think I’ve seen a trick like this before, where a card turns blank in a deck that’s in order. Usually trick where the selected card turns blank, it’s away from the deck or it happens from a packet, like Gordon Beam’s Limited Edition trick.
I’ve been having fun doing this trick which I call Placeholder.
-Louie
Yesterday I wrote about a failed attempt at making sponge bunnies that look like Marshmallow Peeps (read about it here). I made a second attempt, and this one turned out much better. Instead of using actual Marshmallow Peeps to create the mold, I sculpted them out of clay.
My mold is one full size bunny and then two smaller ones. My thinking is that I can get a full set out of two castings in the mold. I can make additional molds if this is something I want to make a lot of.
I used foam in the mold as I already had that at home, so it was easy to make a test with.
They came out with a workable density, I think that I would like them to be a little bit softer, so I’ll have to explore some other densities of foam. The next step will be to play with adding pigment to them so that they’re yellow.
-Louie
Last year around easter I had the idea to make sponge bunnies out that look like the Marshmallow Peeps.
I bought this pack of them last year and I just got around to trying to make a set. The first step was to make a mold of them.
I started to make the mold using actual Peep’s, but unfortunately it was a failure. I think the sugar or some ingredient of the Peep didn’t play well with the mold material.
I’m going to give it another try, but I think I’ll have to make the Peep’s out of clay and then make a mold of that. Hopefully it will be sooner than another year before I make another attempt!
-Louie
One prop I don’t really like, but spend way too much time thinking about is the Money Paddle. I’m not sure what it’s supposed to be.
Is it an olde tyme drink stirrer?
And if it is, how do you give it context for a modern audience?
One thing that it reminds me of is a strop for sharpening blades.
The strop pictured above is probably 18 -24 inches long, where a money paddle is about 6 inches. That’s a small point to give it context. A knife and a strop belong together, so the props are connected.
I glued some black and white paper to my money paddle and now the next thing is to try to figure out a routine to do with them.
Also on a side note, the only reason I own a money paddle is that some were made out of wood from Houdini’s house in New York. I thought that was a fun thing to own, but since it see it everyday, I want to figure out something to do with it!
-Louie
