About a month ago I went to Disneyland with a bunch of entertainers after an event we were all at. While not everyone was specifically a magician, everyone there had a magic component in their show. Somehow the “10 Count” with sponge balls came up.
The 10 Count is a little thing where a sponge ball travels from one hand to the other while you count to ten. Each number has a physical action associated with it. It’s a great framing for a quick trick and isn’t limited to sponge balls. I first learned the 10 Count from a sponge ball book when I was a teenager, however it looks like it was probably created by Martin Gardner using matchsticks.
This is my final post about the Harlem Globetrotters…but seriously, if you’re a family, comedy magician, you can learn a lot from watching this show. Like how many of the players have defined characters, and how the “game” is structured.
They have a lot of audience participation bits, but they aren’t done in a row. They’re separated by bits without audience participation.
In your show, is it a constant stream of people coming up and down from the stage. Are you only interesting when you’re interreacting with people from the audience?
One of the takeaways from seeing the Harlem Globetrotters is while its a fun show, the audience is definitely aware that everyone on the basketball court is very skilled! Before the game started one of the Globetrotters (Moose, I think) was nailing baskets from half court with one hand and his back to the hoop!
How does that relate to performing magic?
Simple, in my opinion the audience must know you are skilled at what you do. I guess you don’t need an overt display of skill like a manipulation act, but something that shows you’re not just doing push button magic.
How do you do that in magic? There are a lot of ways, many years ago when I went to Caesar’s Magical Empire in Las Vegas the stage show as done by The Pendragons. One of the things that he did was sat on the edge of the stage and did a torn and restored cigarette paper. It stood out because The Pendragon’s show is soo big, then he does a little bit with a tiny piece of paper. That routine just used his hands and the cigarette paper and showed that he can do sleight of hand.
Whatever you do to show skill doesn’t have to overtly look like you have skill like producing cards from backpalm, but the audience needs to know you have skill.
On this episode it is all things accordion with accordion duo Creosote. We learn about the different types of accordions, get some history about the accordion and how it is still one of the most popular instruments in the world.
Jamie and Gabe discuss how they met, what makes they do so unique and some of the cool opportunities they have gotten throughout their years of playing. We also learn both of their completely different accordion origin stories. A really fun interview with a some fantastic people.
Over the weekend I went to see the Harlem Globetrotters. It’s a fun show, and totally worth checking out if they’re in your area. One thing that they do (as most sporting events do) is they have an introduction video.
The pictures above don’t really do the intro video justice. It’s really just a quick sizzle reel to hype up the crowd and also give them a little bit of context as to what they’re about to see.
This is something my old agent Sunny had me do for showcasing and it’s carried into many shows where they have the capability of an intro video. It tells the audience it’s start time and will introduce me and my show better than 90% of people who introduce me. My intro video won’t say my name wrong, and will get my intro right 100% of the time and not try to add in things that it thinks is funny, but isn’t.
These don’t have to be very long, maybe 30-60 seconds and are really just a sizzle reel, to get the crowd to shift their attention to the stage.
Way back in 2021 there was some discussion of the Tommy Wonder Vanishing Birdcage by JM Magic on The Magic Cafe. In their advertising they say that it’s exactly like in the book, and I bought one of sets from the first run. The cage wasn’t made right and neither was the pull, and I mentioned this is a thread on The Magic Cafe.
I probably get an email every couple months about this post and just got one and figured I would share my most recent response with my experience with the cage. Before you read my thoughts and experience on the Tommy Wonder Vanishing Birdcage by JM Magic, I want to be clear that I’ve heard they’ve correct some (possibly all) of the issues below.
The message begins below:
Yes, that’s the TW cage set I was referring to. I bought one from the first run and when I brought up the issue with the reel not having the second lock, here’s their reply:
MESSAGE FROM THEIR REP IN THE USA:
We are aware of the second lock. It has two functions as described in the book: “They guide the cord as it winds around the reel-drum, and they halt the cord-stop, so that the ratchet arm can lock it in place.”
But we found two problems when we made it according to the book.
The first is that the locking device will produce a certain resistance, hinder the cord to pull back, and will wear the cord, make the cord break very soon. If that happens, we need to replace the cord frequently, and that will increase the risk of breaking the cord during the performance.
The second is that our reel’s pulling force is large enough, the gravity of the cage or other forces will not pull the cord out, only when people pull the cord out. So the lock is dispensable and will produce additional friction.
It’s great for making yourself and repairing yourself but people do not want to “buy” a product that they will constantly have to fix. This was the case with the double lock.
For this reason, we have made the following improvements: In order to reduce the friction between the cord and other parts when the line is pulled back, we made a rubber pad at the opening of the tube, and the inner part of the housing is chamfered.
Therefore, based on the above considerations of friction, service life and functionality, we did not make this locking device
JM Magic USA rep
Their response is 100% BS, first of all it contradicts their marketing that the props are exactly like what’s in the book. If they made it correctly, there is no issue…AND their reel definitely wasn’t strong enough to resist the force of the vanish without giving out some line.
Then a few days later I got this email from their main email.
MESSAGE FROM JM MAGIC
Thank you very much for your purchase and feedback.
After receiving your feedback, our team studied the problem again and found that the problem is very serious, so we will make a new version of the reel as soon as possible, and add this second lock. Then we will contact our agent, who will contact you to send back the reel and replace it for the new version.
We think you are a person who knows TW’s props very well. Are there any other problems with the vanishing birdcage you received?
And your insight makes us do better. In order to express our gratitude, we will send you another set of props made by our team. Could you provide us with your address?
Hope ur reply
JM Magic (asia)
OK, so they’ve admitted they’ve made it incorrectly. They never sent me a replacement set as they promised two years ago, however here was my reply with the things wrong with it. I replied with the other issues with the set, like the double action pull being made wrong and parts of the cage being made backwards, so you can’t hold it properly. The attached pics are what are referenced in the following email:
MY MESSAGE TO JM MAGIC
The “Single action double action” pull that came with my birdcage set was made incorrectly. I attached a picture titled: pull
The pull that I received had the cord stop circled in the green placed on the wrong side of the pulley. It was placed where the red dot is, making it non-functioning.
Also for the shoulder strap circled in Blue in the picture wasn’t there. It had a metal pin and loop, that I’m not sure how I was supposed to attach it to my shoulder based on the description in the books.
As for the cage, if you look at the attached picture: cage1
In the picture you will see the two circled pieces. The pieces circled in red and blue are different shapes in the books. The cage I got had two shaped like what I circled in red. Both of those being the same shape makes it very difficult to hold the cage properly. You need the one shaped like what is circled in blue.
Now look at the attached picture: cage2
The rivets in the cage you sent were like what is circled in red. Tommy made them like what is circled in blue. The reason for this reduces the chances they could snag and decreases the wear on the cage with use.
Hope that helps, and I look forward to seeing the this made correctly!
Louie
That’s the end of our correspondence, and I never got a replacement set or even a thank you. I have no idea if they corrected the issues or not, however I will not buy anything from their TW line as it’s not how they advertise it as being what’s in the books and are cutting corners.
I’m a huge fan of Richard Himber and his magic. One of the things that magicians say is that he had a huge ego and they support that by mentioning that he named his tricks the “himber wallet“, “himber ring” etc. That’s not quite true, those tricks were marketed under different names that didn’t have himber in the titles. Magicians started calling them himber ____.
At a magic auction a while ago ago I picked up a Silver Rocket Box that Richard Himber put out. It’s a super clever trick for producing silks.
I added the cup production. One thing that most silk productions lack is an ending. Usually they end with one big silk, which I think isn’t a good ending. You need to bunch up the silks and produce a bowling ball or whatever.
About 10 years ago I worked at an event where there was a Street Organ / Busker Organ. These are hand crank organs that are cranked by an “organ grinder”. I was fascinated by it, and it’s something I’ve thought about doing. I even bought a set of John Smith‘s plans for make my own, but never did.
Then few months ago I was in Mexico City and these street organs were everywhere!
A few nights ago I was dinking around with a deck of cards while watching a movie with my wife and came up with a production of the top card of a face down deck.
It’s not the greatest production, but it’s something. The action of the card reminds me of something in Ernest Earick‘s book By Forces Unseen.
I think the next step to making it better would be a way to have it come out of the center of the deck…but not sure if that’s possible!
Whenever I travel I always try to meet up with the magicians in that area! Since Chris Beason and I were in Canada last week to see Harrison Greenbaum’s show, there were a lot more magicians out than if I was just randomly in that town.
Before the show we got to have dinner with many of the the magicians in British Columbia!
Then after the show we got to have second dinner with the Norden’s and Harrison.
And the next day we got to have lunch with Reg Donnelly and Paul Romhany!
Paul knew, but didn’t mention that he had won the literary award from the magic castle! They announced it the next day.
It’s always fun to hang out and swap stories with magicians! If I’m ever in your area, shoot me an note, if I’m available, I’d love to kick it!
