MagicShow.Tips – Page 241 – A daily blog about magic by Louie Foxx

Silk Thru…

When I was a kid I remember reading in Tarbell Vol 4 called The Penetrative Silk. This was a handkerchief that you can pull thru and upright pole and used a very simple set up. I’m not positive if this trick predates the Silk Thru Mic Stand trick or not. They are essentially the same … Continue reading “Silk Thru…”

When I was a kid I remember reading in Tarbell Vol 4 called The Penetrative Silk. This was a handkerchief that you can pull thru and upright pole and used a very simple set up. I’m not positive if this trick predates the Silk Thru Mic Stand trick or not. They are essentially the same trick with different methods.

If you aren’t familiar with the trick, here’s what it looks like:

In my show I’m always looking for tricks that can be done solo, with just me on stage. I like the concept of pulling a silk through something. This is something that is visual, so would play big. I found a P & L fingertip reel at a decent price and started messing with it.

The hard part now is figure out a routine with it and what’s going to make the trick uniquely me. I’ve found a couple of interesting moves that I don’t think have been done before, or at least I haven’t seen before. Hopefully this ends up being something that gets used in my show!

Power Through It…

Before I went to bed last night I started feeling sick. I could feel the beginning of a cold coming on and this morning I’ve got a sore throat and a stuffy nose. I’m not dying, but don’t feel as good as I could, and this afternoon I’ve got a school assembly to perform at.

Luckily I’m not a singer, so a little bit diminished quality of my voice won’t hurt the show. There are a couple places where I do a falsetto voice that I won’t be able to do. The hard part of the show is going to be getting through the show and not showing how “tired” my body is.

Frequently you hear about performers saying they always rock the show when they are sick. I think this is because they are “acting” a lot more than they normally would in their show. They need to act well, they need to act for their reactions, they are acting the whole time.

Maybe in shows where I feel normal, I need to “act” a bit harder???

The Last Laugh…

One of the things that drives me nuts on facebook groups of magicians is when they get upset about common jokes that audience member have. Things like, “make my wife disappear“, “can you make me lose weight” or whatever. I’m not sure why it drives magicians so crazy to hear this. Sure they hear it … Continue reading “The Last Laugh…”

One of the things that drives me nuts on facebook groups of magicians is when they get upset about common jokes that audience member have. Things like, “make my wife disappear“, “can you make me lose weight” or whatever.

I’m not sure why it drives magicians so crazy to hear this. Sure they hear it all the time, but these are the same magicians that use stock line, which is essentially the same thing these people are doing, but they actually had an original thought (to them). My guess is that the magicians are very insecure and that if someone gets a bigger laugh than them it diminishes their act/show.

A while ago I was having dinner with a pretty successful comedy magician and we were talking about giving away big laughs to audience members. I’m for it, he’s against it. His thinking was that the audience will remember the person onstage getting the laugh, and not consider it your laugh. My thinking is that the show is getting the laugh, and it’s part of the whole show.

The beauty of a live show is anything can happen, and by setting up people from the audience to get big laughs, it feels unplanned. How you respond then counts as well. If you are setting them up for the laugh, then you also know what your response will be. Sometimes your response isn’t a joke, it’s a reaction to their joke, letting the “win”.

David Copperfield used to do a great bit where someone asked him how a trick worked. David told the person, “I could tell you, but I’d have to kill you” and the person form the audience said, “tell my wife!” That’s was a huge laugh, that he’s setting up and giving away. My point is that you should try to not be a selfish performer and let the person get the laugh.

Breaking In Tricks…..

Before my show at a library I did some tricks that I’m working on as my preshow. One of the tricks is a dollar production called Sketch Money by Joao Miranda. It’s a drawing of a dollar bill that turns into a real dollar bill and other I did was the gypsy thread. Sketch Money … Continue reading “Breaking In Tricks…..”

Before my show at a library I did some tricks that I’m working on as my preshow. One of the tricks is a dollar production called Sketch Money by Joao Miranda. It’s a drawing of a dollar bill that turns into a real dollar bill and other I did was the gypsy thread.

Sketch Money played better than I thought it would, and I added a switch at the end to get rid of the gimmicked dollar bill. Basically I’m going an “under the box” type switch with the pad of paper instead of a box. It worked well, and I thought there’d be a ton of heat after the dollar production, but there was none. That was very unexpected.

The Gypsy Thread trick from a technical end is fine, I just need to work on selling the end. The trick is missing the magic moment. I think I need to verbally tell them what’s going to happen right before it does happen. I’m doing this trick for kids, and I think the moment of licking the string overshadows the restoration. The string licking is a very funny moment for the kids. I need some more separation between it and the restoration, and to give the restoration a magic moment, like a snap.

I’m happy with how these tricks are coming along and both are for my summer library shows, so hopefully they’ll be solid tricks by the end of the season.

Break In Time…

I’m frequently working on new material, and need places to try it out. that’s the thing with magic, it needs an audience to see how it actually plays. Frequently I break in new material as the “preshow” while the audience is waiting for the show to start.

Yesterday before a show I started breaking in the three ball trick that I’m working on. What’s interesting about the trick is that my method which is a little unusual for the three ball trick seems to work and be deceptive to the audience. Trying out an unusual method for a trick is one of the most stressful things that I do. You never know if people will see right through it, or not. I’m glad I tried it out, I’m going to keep moving forward with the trick.

Taking the leap and putting stuff in front of the audience is very rewarding when the trick plays out. You can learn a lot from a method or presentation that doesn’t. Whenever I”m breaking in new material I try to record it, so I can watch how the audience responds and use that info for future development.

Ball Trick…

One trick that I keep going back to over the years is the Three Ball Trick. It’s a great trick, and personally I really like the idea of these older tricks that are known, but not used as much as something like coins across, or linking rings. The slightly less common ground is good for … Continue reading “Ball Trick…”

There are a lot of variations of this, so it could be a “balls across” or “two in the hand, one in the pocket” type routine. Most routines end with everything vanishing. This for roving magic is good, it signals the end of the routine and doesn’t take up much pocket space. Some routines end with a production of a large item.

The version of this trick I’ve been playing with this week isn’t a close up trick, but for cabaret sized audiences. Unlike most versions of the trick that use a net held by two spectators to catch the balls, my version is just me onstage and no table.

Here’s the routine. Three balls go into the left fist, and one at a time they invisibly travel to the right hand. One is put into my pocket, then it travells back to my hand. All three are put into my pocket and three balls reappear in my hand, but these are large balls!

There’s not much to the routine, aside from the production of three large balls, where most routines only have a single production. I think Fernando Koeps has a routine with multiple large balls appearing. For me the fun of putting together a routine is having something unique, whether in method, or sequence. While I hate to call myself an artist, but that’s the artist in my that doesn’t really want to do someone else’s version of a trick.

Preshow Warm Up…

Before a show, I try to warm up…but what does that mean for a comedy magician? I’ll get to that in a minute. I got started warming up many years ago when I started working in variety shows with other acts. All of the physical acts like trapeze act, or dancers warm up a lot before the show, where the magicians just hung out.

I had a friend Noelle Wood who does an amazing pole dance act, she’d warm up for an hour to do an 8 minute act. One day before a show while she was warming up, she asked me what I did to warm up. My response was, “try to not get too drunk”. This joke answer, was the answer.

Before a show, I like to joke around and be playful, it gets me into the performing mindset of having fun on stage, but also gets my “comedy brain” warmed up. Here’s a quick example of something that happened before a show that helped me warm up:

It’s this playfulness that gets me into “character” and ready for the show. Sure, if I’ve got something new, I’ll run lines before the show, but it’s important for me to play before the show whenever possible.

People Love Magic…

There’s a stereotype that people think magic is for kids, or magicians are nerdy. That’s an older stereotype, and not a modern look at magic at all. David Blaine changed all of that, then people like Cris Angel and shows like America’s Got Talent cemented the idea that magic is good.

Here’s my proof. Frequently when I travel, I try to initially tell people that I meet that I’m a magician. I tell them I’m a performer, or variety act. When they want more specifics, I tell them I juggle, tell some jokes, magic tricks, balance things… They always stop me at magic tricks and ask more about that. That’s how you know the public is interested in it. Not the juggling, not the jokes, the magic.

Your job comes in here. When you show someone a magic trick, or perform, you need to be able to deliver. You should do good magic that’s not cheesy. Give the people a reason to continue to enjoy magic!

Sketch Money…

Right now I’m on the road performing in Alaska and I tend to practice more when I travel than when at home. There are a few reasons for this, but the big one is that I think I just have less distractions. All of the things that I can use to put off practicing at … Continue reading “Sketch Money…”

For my summer show I needed a way to produce a dollar bill and I remember seeing a review of this trick. This is follow up to the trick Sketch, which was a similar production of a card. The one with the dollar bill was also very poorly reviewed, where the card got good reviews.

I think the main reason for the difference in reviews was that the card one was better for close up where the dollar one has a problem, that can really only be solved by distance between you and the audience. I think most of the people that bought it were looking for a close up trick and that’s the why no one liked it.

The solution on the instructional video was for you to simply step back 6 feet from the audience. That’s a horrible solution to the problem, as it’s strange if you are table hopping and doing stuff under the audience’s noses, then step back two meters. This is a platform trick, not a close up.

I did some reworking of the gimmick to make it slimmer, and I’ve got some ideas to improve it even more, however they were beyond what I could make in a hotel room. The gimmick supplied could be made better, however I understand why it is the way it is. It’s got to be made to hit a price point, and make it reasonably easy for the average person to be able to make.

This is where being willing to rebuild something you paid for is a good trait. You can take something and make it better than the mass market version. Your custom version will be better 99% of the time!

Coin Size…

Recently someone asked me about what size coins I use. Personally I use silver dollar size coins, and I believe you should too. The reason is simple, they are bigger and more visible. There’s really no reason to use anything smaller. Sure some things are easier with smaller coins, but if you take that argument … Continue reading “Coin Size…”

Sure some things are easier with smaller coins, but if you take that argument to cards you’ll see it wrong. Poker sized cards are what 99% of magicians use, however there are bridge size cards which hardly anyone uses for magic. These cards are smaller making a lot of card magic easier with them.

Currently it’s easier than ever to get gimmicked coins custom made and they aren’t that much more expensive than standard gimmicked coins. If you wanted a larger size gimmicked coin you can do that. You’re no longer limited to what’s a stock item.

You owe it to yourself and your audience to use dollar sized coins…Unless you are making an artistic choice to use a smaller coin. For example my coin in bottle routine uses a half dollar, but there is a reason I’m using that coin in the presentation. This also doesn’t apply if you are using a borrowed coin for something like coin in ball of yarn.