A long time ago I wrote a blog post about the three ball routine that I do called Sankey’s Balls. This is a three ball routine that uses two balls, and a third one for the finale. This is the opener for my family shows.
The hard thing about doing a three ball routine is finding suitable small balls. I have a set that I like, but they aren’t made anymore. I needed one more set for one of my cases. I’m trying to have each case have all the props needed for the show in it. So no props move from case to case.
To get another set of balls, I had to make some. This set is fresh out of the mold, I need to trim the fill spots and then they’re good to go.
I made these out of polyurethane and they handle really well.
One of the easiest ways to create things is to put conditions onto what you want to do. For example, I’ve always loved the Three Ball Routine or Balls in Net. What I didn’t like is having to bring two people onto the stage to hold the net. I felt it added blocking issues and … Continue reading “Simple Step To Creativity”
One of the easiest ways to create things is to put conditions onto what you want to do. For example, I’ve always loved the Three Ball Routine or Balls in Net. What I didn’t like is having to bring two people onto the stage to hold the net. I felt it added blocking issues and a lot of wasted time bringing the people onto the stage.
The condition I added to the Three Ball Routine was that it needed to be done with just me onstage. With that condition in place, it created a lot of challenges, like where to put the balls. John Rogers has an interesting solution to this in his The Walrus Three Ball Routine, however that wasn’t what I was going for. Some options were having the net hung between two mic stands like a hammock or simply setting them halfway into your top jacket pocket.
I wanted the whole routine being done in the hand as the cleanest way to do it. It got me thinking of Coins Across routines that are done entirely in the hands, specifically Jay Sankey’s Mexican Jumping Coins. With Jay’s routine in mind, I got to work on putting together my routine with balls.
Here’s what I came up with:
By putting in the condition of having no one from the audience onstage, it made the routine much easier to build. I think if I had initially added a “no net” condition I may have gotten to the solution much faster. Honestly I want the net from the beginning, but figured I may need it to hold the balls.
Look at the tricks that you do, and figure out what you don’t like about them. Add removing that as a condition and you’ll be on your way to creating something new!
One of the things that’s driving me nuts about this trick with crackers is it makes a mess in my table top box. There’s crackers crumbs everywhere inside it. Then they get stuck to thinks like the rubber balls I use for the three ball routine. It’s not the idea situation. While brainstorming with a … Continue reading “Small Bits Help!”
One of the things that’s driving me nuts about this trick with crackers is it makes a mess in my table top box. There’s crackers crumbs everywhere inside it. Then they get stuck to thinks like the rubber balls I use for the three ball routine. It’s not the idea situation.
While brainstorming with a friend yesterday, he suggested that I put the crackers into a card box. I like the idea, and I can get about seven crackers into a card box, and that’s enough to do the trick. With seven crackers there’s enough to do the trick.
Seven crackers are wedged in there pretty good. I pull out one cracker, then dump out the remaining six crackers. It makes more sense than just pulling out the crackers and illustrates the idea of what’s going to happen more than just bringing out a handfull of crackers.
Something that’s important to doing magic is your internal script. What that means is what you are thinking when the magic happens, or how is it happening. A good example is when Lance Burton made a lady float, the energy he had coming off his hands was almost like he had strings going from his … Continue reading “Internal Script…”
Something that’s important to doing magic is your internal script. What that means is what you are thinking when the magic happens, or how is it happening. A good example is when Lance Burton made a lady float, the energy he had coming off his hands was almost like he had strings going from his hands to the girl.
In my three ball routine, where balls travel from one hand to another, I imagine that they get sucked into my palm, then go up my arm, down the other and finally out of my other palm. I was doing it the other day, and a kid asked me if they went through my arms. That meant that my silent script worked.
For a silent script to work you, the audience doesn’t have to know what it is. What it does it help you sell the trick to the audience. Sometimes it can be obvious, sometimes it’s just something internal that helps you act out a part of the trick and sell it to the audience.
One trick that I keep going back to over the years is the Three Ball Trick. It’s a great trick, and personally I really like the idea of these older tricks that are known, but not used as much as something like coins across, or linking rings. The slightly less common ground is good for … Continue reading “Ball Trick…”
One trick that I keep going back to over the years is the Three Ball Trick. It’s a great trick, and personally I really like the idea of these older tricks that are known, but not used as much as something like coins across, or linking rings. The slightly less common ground is good for me, as it allows me to find my version much more easily.
If you don’t know the Three Ball Trick, here’s a version of it:
There are a lot of variations of this, so it could be a “balls across” or “two in the hand, one in the pocket” type routine. Most routines end with everything vanishing. This for roving magic is good, it signals the end of the routine and doesn’t take up much pocket space. Some routines end with a production of a large item.
The version of this trick I’ve been playing with this week isn’t a close up trick, but for cabaret sized audiences. Unlike most versions of the trick that use a net held by two spectators to catch the balls, my version is just me onstage and no table.
Here’s the routine. Three balls go into the left fist, and one at a time they invisibly travel to the right hand. One is put into my pocket, then it travells back to my hand. All three are put into my pocket and three balls reappear in my hand, but these are large balls!
There’s not much to the routine, aside from the production of three large balls, where most routines only have a single production. I think Fernando Koeps has a routine with multiple large balls appearing. For me the fun of putting together a routine is having something unique, whether in method, or sequence. While I hate to call myself an artist, but that’s the artist in my that doesn’t really want to do someone else’s version of a trick.
After playing some more with the Three Ball Routine, I started to write up a little routine. The routine changed from what I had written yesterday for an ending, however the ending that I wrote make more sense with the routine. I still like the egg idea from yesterday’s post, just not with this routine. … Continue reading “Three Ball Routine…”
After playing some more with the Three Ball Routine, I started to write up a little routine. The routine changed from what I had written yesterday for an ending, however the ending that I wrote make more sense with the routine. I still like the egg idea from yesterday’s post, just not with this routine.
Here’s the routine (so far):
“This trick uses three balls, that’s why there are 2 billion chinese. 3 balls, one for each year of high school I completed.
What I love about this trick is how pure of a magic trick it is, no fancy boxes, no dancing girls, no dignity. It’s 91% sleight of hand, 7% my gift of gab, and 2% old school “Magic”
This is probably the most international trick I do. These balls were made in factory in china, but I bought them in shop mexico and the trick is presented by me, who is from…my mother.
One…two…three.
That’s one, two…did you see the third one go? It hasn’t yet. And faster than you even begin to throw money onto the stage, there is it! Don’t reach for your wallet…the moment’s past.
Let’s do it again in spanish.
Tres Bolas. Uno…Dos…Tres
Uno…Dos… .Y No Trace
Let’s try it in chinese. Ee…Ar…San. San goes into the pocket.
Ee..ar…and San.
One more time…Ee..Ar …and sam goes into the pocket. This trick has literally taken around the world…topull flags out of fist and name countries”
I like the ending with the flags of the nations because it fits with the theme of the routine. Also the flags should play pretty big, and move the action up towards my face. The patter isn’t finished yet, and I need to come up with one more language to do the final count instead of repeating Chinese. I think there’s something in this routine…
One of my current projects is working on a routine for the three ball routine. That’s a trick, where aside from the patter, there’s not a lot new you can put into to. The balls go from hand to hand, your pocket to hand and then maybe end up with the balls turning into a … Continue reading “Three Ball Routine”
One of my current projects is working on a routine for the three ball routine. That’s a trick, where aside from the patter, there’s not a lot new you can put into to. The balls go from hand to hand, your pocket to hand and then maybe end up with the balls turning into a larger item. The less common effect within the routine would be a color change of the balls, or using it with three different colored balls.
My routine’s framework is pretty simple. The balls go hand to hand twice. They go from the pocket to the hand once. The second time they go from the pocket to the hand, there will be a surprise production. I’m thinking I might do an egg production.
There’s an coin in egg trick by Nefesch that I think is called Hatchling. It’s a signed coin in egg…where the coin is actually in the egg. It’s interesting, and I think that the production of the egg could be topped by the object in the egg. Especially if it’s unexpected, so not linear where you borrow the object, it disappears, then the reappears. Making something like a signed card reappear in the egg that was used earlier in the show.
The next step is to work out the patter, and figure out what I’m going to put into the egg…and the general logistics of how it will play out.
There are tricks that I’ve wanted in my show because I like the idea of them. Many of these classic tricks are very briefly in the show as they don’t work with me and how I work. One of these tricks is the Three Ball Routine. I’ve put it in and taken it out of … Continue reading “”
There are tricks that I’ve wanted in my show because I like the idea of them. Many of these classic tricks are very briefly in the show as they don’t work with me and how I work. One of these tricks is the Three Ball Routine. I’ve put it in and taken it out of the show probably a dozen times.
Recently a company called The Hands of Magic put out a set of silicone balls for the trick. I just picked up a set, and while I haven’t used them in a show, they work great when I practice with them.
These balls are a bit different from the bouncy balls you’d get at the two store. They less dense and have a bit of give to them. This is helpful when you accidentally drop them, they don’t go as far as super balls.
These balls also have a nice gloss on them, that hopefully won’t wear off. The gloss will make them look a little bit bigger and will make them play a bit bigger than a matte ball.
So far I like these balls and would recommend them…now to find a spot in my show for them.
