Tricks – Page 50 – MagicShow.Tips

Senior Shows Zoom Training Session

A while ago I had an idea to host a zoom session about performing for seniors. It’s been a while since I’ve done any meaningful performing on zoom, so it was a little bit stressful. I did need to redownload and relearn the basics of using OBS (production program).

With all of the technical stress, the nice thing about giving presentations on Zoom is that I can tape my notes to the wall behind my computer! Also with this not being a show, I didn’t feel the need to dig out the backdrop or set up all of the lights.

My goal with the zoom session was to solve problems, not really as a lecture. There were a lot of questions and a topic that came up a couple times was the best way to contact senior communities. For me the best way to do that is with postcards or letters. While it may or may not be the method with the highest closing percentage, for me it’s the most efficient. I can spend less than an hour total and have a couple hundred postcards in the mail, where using phone or email will take a lot longer than that. With email, unless you already have a complete and up to date list, this can be fairly time consuming!

Another topic that came up a couple times is what to bring into a senior show and what type of material to do. My show fits in a briefcase and the audio has it’s own case. The other thing I travel with is a folding step stool.

When I do seniors shows, since they aren’t the best paying gigs, I need to be able to set up and pack quickly. This show can set up in about 15 mins and pack up in about 10 mins!

There will probably be another Senior Show Zoom at some point, if you want to be updated about it, contact me and ask to be on the mailing list!

-Louie
PS If you are interested in performing in senior communities and don’t have my book How to Perform for Seniors, you can get it here:
https://www.magicshow.tips/how-to-perform-for-seniors-book/

Always be Practicing!

While I was at the airport recently, I looked out the window and say one of the aircraft marshaller’s juggling the marshalling batons:

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A post shared by Louie Foxx | Comedy Magician (@louiefoxx)

This guy is using his downtime at work to practice and get good at a skill!
Practicing in your downtime with other tasks in a great way to pick up new skills! I learned to do rubik’s cube and a lot yo yo tricks in the time between when I finish setting up my show and my show’s start time. Sometimes it’s just 15 mins, or whatever. That’s time I could be scrolling through Instagram, or learning something new!

-Louie

Christmas Themed Shows?

One thing that I don’t really do anymore are themed shows. However there’s one exception, and next week I’m doing a show with some Christmas/winter themed magic. It’s for a client that’s used me for close to two decades, so I’m willing to do things for them that I normally wouldn’t do.

This is a family show, but geared to kids as I’m the opening act for Santa. I agreed to do 30% of the show themed for them. I ordered a few things for this event that I’ll be doing two back to back shows at. All of the tricks are similar to things that I’ve done in the past, so I’m familiar with them.

These trick are easy to plug into my show. This show will be what I consider “commercial art”. This show isn’t what’s in my heart (well 30% isn’t), but it helps keep me funded to do my art!

-Louie

Packing The Right Size…

Here’s what loading in my 60 minute stage show looks like!

That’s actually not quite right, the doctor bag on top isn’t part of the stage show, and neither is the brown tabletop on the left side of the luggage cart. I just didn’t want to leave them in the car. So the actual props I’m moving is slightly smaller.

I’m not a believer in the “briefcase show” where you have 60 mins in a briefcase. There are a handful of people that can pull it off, however most look like every trick was selected because it’s flat and the show has no visual texture.

So my advice is to pack as small as your artistic vision allows!

-Louie

Jerry Andrus Optical Illusions

One of my hobbies is treasure hunting through old boxes of magic tricks. There are two things I like about it, the first is finding something really cool or collectible and the second is trying to figure out what things are. I love finding parts to tricks that I’m unfamiliar with and trying to reverse engineer what they’re supposed to do.

One of the things from a recent magic box that I got were some Jerry Andrus optical illusions:

jerry andrus trizonal space warper optical illusion

This is a Trizonal Space Warper from 1981 and it’s the size of a record! It’s actually intended to be put onto a record player to create the spin. I was chatting with someone who knows a lot more about Jerry Andrus that me and he said that there were about 25 of this one made and of the 25 only about ten ever sold. that would make this is a pretty rare product from Jerry!

This is a fun one to have in my collection!

-Louie

Adding Effects to Sizzle Reel

I’m playing with adding some visual effects to sizzle reels, or social media videos. Here’s two versions of a sizzle reel, one without effects and one with some visual effects.

Here’s the one without:

And here’s the one with:

The goal is to not use the visual effects simply because I can, but to hopefully use them to enhance what you’re watching. I don’t want to be like soo many of the videos in the early days of consumer level video editing where every transition was a a huge deal, with star wipes or whatever.

Let me know which you think is better!

-Louie

Happy Thanksgiving!

Every year I post this trick on Thanksgiving. It’s a good example of adding a theme to a trick that already exists.

The base routine was something that I had read in a Jim Steinmeyer book. For holidays, look at what you already do and look for logical connections then make the trick!

-Louie

Justin Willman’s Show

A few days ago a few of us Seattle magicians went out to see Justin Willman‘s show at the Moore Theatre. Justin does an amazing show that’s super smart how it’s done. From his opening effect that’s a “sucker” effect, but not really done like a traditional sucker effect. It really gets everyone in the audience on his side.

Justin’s show is a great example of how you don’t need a lot of props to fill a theater. Sure he does use video projection, however it doesn’t feel like he’s using the projection to make small things play big. His use of the projector enhances what he’s already doing. There were no close up tricks that needed the projector AND he only used it few times for close ups and they felt fun when he used it.

He did have the show on the projector behind him, and his is kinda the standard thing now. Micheal Carbonaro also does it that way as well. It just makes the show play better in the back.

One of the tricks that Justin does is a “roulette” with a borrowed cellphone and a hammer. The beauty of this trick is how it connects with the audience. Our lives are in our phones. At it’s core, the trick is a Key R Rect or 7 Keys to Baldplate, but after seeing this, why would anyone do it with keys. There’s literally no attachment with keys.

That’s where Justin shines, he’s great at finding relatable hooks for everything in the show. He’s also great at creating places for real interactions with people and then finding the comedy in those places.

If he’s playing in your area, this show is a great example of how to play a theater with a parlor size act!

-Louie

Building Applause Please 2’s

Yesterday I started work on the current batch of Applause Please 2. This is the prop used for my “object in lightbulb” routines. The base and outer shell of the applause sign are made by Brian over at Magic Crafter and look amazing!

Yesterday I added the switch and lightbulb holder to the bases.

Applause please 2: the encore by Louie Foxx

I also made all of the electronic parts and added the remote controls.

Today I’ll be adding the electronics to the boxes and packing everything up. Hopefully I can get all of my preorders out in the mail tomorrow!

I only have one left if you want to order the Applause Please 2 from me, however four of these are going to Hocus-Pocus.com, so they’ll have them in a few days.

How I Like To Book Gigs

One of my preferred ways of booking gigs is through showcases. A showcase is where you do a sample of your show in front of people that book entertainment. These exist for pretty much every market that uses entertainment regularly.

What I like about this is that I get to let my show do the selling. If my show is good, I get booked. My calendar has nothing to do with how good I write ad copy or can layout a brochure.

There are downsides to booking gigs through showcases. Normally I have to travel to them, so there’s plane, car and hotel costs. Then there’s usually a fee associated with showcasing (not always) and that’s not cheap! Also the caliber of entertainment is usually fairly high, so you need to be able to deliver a good, short version of your show. Another challenge is that you could have a bad show, and it’s no fault of yours. Like the audio or lights could be bad, or someone in the audience has a heart attack right before you start or you could just be off that night.

This isn’t a good way for beginners to get work, there’s no do overs, you have to crush it every time!

-Louie