Support the Variety Arts!

In Seattle we have the legendary Moisture Festival, which is the largest and longest running variety arts festival in the world. You may see the posts about the podcast that I cohost on this blog as well. Previously you had to attend the festival in person, but his year they are doing a virtual festival.

The festival runs April 1-4 and you can get tickets at:
https://moisturefestival.strangertickets.com/upcominghttps://moisturefestival.strangertickets.com/upcoming



Each show is different and it’ll be a ton of fun! Here’s the line up:

April 1st: Ron W. Bailey, Manuela Horn, Georgetown Orbits, Roxana Küwen, Mathieu Bolillo, Charly Castors, Christine Lavin, Alex Feldman, Della Moustachella, Leah V. Jones, Avner the Eccentric, Frank Olivier, Bill Robison, Paul Morocco & Olé

April 2nd: Kevin Joyce, Doc Sprinsock & the SANCApators, Pam Severns, Hilary Chaplain, Gazzo, Carla Ulbrich, Benedikt Negro, Al Simmons, Circus Luminescence, Jody Poth, TAQUEET$!, Tempo Turn, Tom Noddy, Mik Kuhlman, Esther de Monteflores

April 3rd: Lindsay Benner, Naked Truth, Jack and Jeri Kalvan, Kenny Raskin, Junior Cesar, Steve Owens, Stevie Coyle, Martin Mall, Miss Ekaterina, Al Simmons, PJ Perry

April 4th: Caela Bailey, Fremont Philharmonic Orchestra, Wang Hong, Unique Derique, Ropeworks Interactive Jump Rope, Mr P.P., Amy G, Sylvia Rose, Mat Plendl, Uncle Bonsai, Michael Paul, Duo Rose, Godfrey Daniels

Quarantining With Props….

Yesterday I mentioned that I’m out of town performing. I had to fly to this gig and it’s been a while since I’ve had to fly. Here’s the gear I use to fly:

The Pelican Air 1615 carries my show props, then the suitcase holds my costumes, non show clothes and other personal items. The particular gig I’m out for right now required me to go from the airport to the hotel and quarantine for two days. Then I have to go direct from the hotel to the gig…in addition to passing several COVID tests over the course of about a week.

This has presented some unusual challenges. Normally I would buy a few of the “grocery store” props once I got to the city I’m performing in. That’s not an option for this gig due to the quarantine. I had carry onto the plane some items that are semi fragile.

One of the hard things was travelling with bananas that I intend to use several days later was finding green bananas (that would be nice and yellow in three days). I ended up having to go to a restaurant supply place and had to buy a box of green bananas!

I could have had the production provide the bananas, however in the past when I’ve had them provided for me, they always give me the worst bananas. Same with the crackers…I rarely get exactly what I ask for. The trick is pretty specific to what I need. For example, I use unsalted crackers as they are easier to write on than salted crackers. I’m just trying to eliminate a headache before it happens.

Three Inches Too Long…

Yesterday I was back home briefly before flying to Los Angeles to record a few routines for a TV show. While I was packing up to fly, I learned that the speaker stand that I’ve been using in my virtual shows as my table base didn’t fit into my case, it was about 3 inches too long! I switched to using a speaker stand early into doing virtual shows because I was able to raise it higher than a traditional magician’s table. That made it easier to frame my face and table in the same camera shot. You can read more about that here:

http://www.magicshow.tips/magic-show-tips/a-sturdy-base/

The solution was pretty simple, I unscrewed the attachment at the top, then cut off a few inches with my Dremel. Also if you don’t have a Dremel or similar tool, you should get one, they are super handy!

While I was out there I also noticed the smaller bar that moves up and down didn’t need to be as long as it was, so I chopped it in half. That will reduce weight for future trips if I fly with this again. Ideally I’ll just use a speaker stand provided by the venue.

Luckily it was a simple solution to shorten the speaker stand. I’ve always said that being a professional magician is 90% problem solving!

Adding Production Elements

While I was on the road last week I ran the production for my buddy’s in person show. I’ve been running the production for his virtual show, so I know his show well. I can’t imaging having to run tech for a show I’ve never seen off of a cue sheet!

One of the cool things about doing virtual shows is that it’s taken a bit of the mystery out of using production elements in my show. Typically I’m a one person operation, so one of the challenges for me was how to use video projection.

Here’s what I did the other night:

The ATEM mini camera switcher that I’ve recently added to my virtual shows, I used for the camera feed in my in person show the other night.

I simply used the Fade To Black (FTB) button on the right to turn the video projection on or off. This was on the floor and luckily due to the placement of the button, it was easy to tap with my toe!

This allowed me to add the camera and be able to easily control it without adding a laptop and running the Media Star software to the mix. I’m not opposed to using a laptop as part of my show production…but this is a lot smaller and more convenient for smaller shows.

Virtual Road Gig…

A couple days ago I got to do my first virtual gig while performing on the road from a hotel. I was in Lincoln City, OR performing at a festival. Here’s the set up I was using:

There’s not much to it, and I think I could eliminate using the ATEM mini to simplify it. I did over pack, I brought more stands than I needed.

Here’s what I’m using:

White: laptop running OBS

Green: Soft box light: https://amzn.to/2PmDnsM

Yellow: Sony FDR-AX33 (could pretty much be any camera

Orange: Yeti Blue snowball:https://amzn.to/3cZvTnL

Red: ATEM mini:https://amzn.to/2NGmuZK

Blue: Stream Deck:https://amzn.to/3c9TSBt

Purple: Old iphone running camera vision app, attached via HDMI with:https://amzn.to/3vTpzXR

There’s probably a better/more efficient way to set this up. some of my gear and gear choices have been selected due to what I already had on hand a year ago

Keep it Unique!

Oh man, so I’ve written about how crowd sourcing advice on Facebook is pretty much a bad idea as everyone has an equal position to give their opinion. Now everyone’s opinion and “taste” is different and yes their opinion is valid, but you also need to know their background. Especially when getting advice about your show or the marketing of your show.

The other day Katrina Kroetch posted a picture on Facebook asking if it was a good promo pic. She got many people telling her it didn’t “scream magic” and that should should have a top hat, cards, or rabbit in the picture. That’s horrible advice, but before I tell you why, here’s the picture:

This is a fantastic picture, there’s a lot going on in it. Now Let me tell you why:

  • There is a story happening: She is doing something with the string/rope, but the cat is attacking it without her knowing. If I saw this pic in a program I’d think, is she a cat trainer…I don’t know, but I want to know more.
  • It’s not a generic magician picture: People won’t be bringing a mindset of the stereotypical magic show when they see this. If I saw this pic in the program, I’d expect a light hearted, fun show.

Now let me tell you why everyone that is telling her she needs to have a top hat, doves, or that the pic doesn’t “say magic” are wrong. No one goes and sees a magic show based solely on a picture with no context. They days of a venue having a sign in the window that says “now appearing” and just a headshot taped below it with a showtime are long gone. You’re marketing or advertisement will always have context with it now, it’s not 1990 and hasn’t been for two decades.

Personally I think if I saw just a pic of a guy holding a top hat in the window of a venue, I’d think it’s a children’s magic show and keep on walking. If I saw just Katrina’s pic I’d probably want more information. However, I like I said before in 2021 you’ll rarely encounter just a headshot without context.

The more unique pictures you use, the harder it is for someone to put their “box” of preconceived ideas about your artform around you.

Adding People…

When I do virtual shows the format I’ve been using is fairly similar to the structure of my in person shows. I usually alternate a trick where I’m solo on stage, followed by a trick where I use someone from the audience onstage, then repeat that. It’s a nice break from a constant stream of people coming up from the audience.

Last night at a virtual show I started using more people on screen than I normally would. In the solo tricks, I just talking to the people and joking with them.

It played out really well and it made the show a lot more fun for me. For a virtual show it really helped bring up the energy and forced me to be more present in the show during my solo tricks.

Take Up Reels are out there!

After about a year of me selling my Take Up Reel via word of mouth, I’ve finally made them available through a magic shop.

If you don’t k now what a take up reel is click here for more info!

take up reel

You can get them from Hocus-Pocus.com. People frequently ask me if I would prefer they ordered from me or them. The nice thing when you order from a magic shop is you are supporting a magic shop, and helping to pay their employees. Sure, I make more in my pocket when you buy direct, but when I agree to sell them a product to a magic shop I’m happy with the terms. The advantage is that they normally have them in stock and can ship quickly. If you order direct sometimes there will be a delay due to me travelling, or whatever.

I’m not saying “do not order from me“, but more trying to show you the advantages and disadvantages of ordering from a magic shop. You can’t complain about them disappearing, if you don’t support them.

Taking Away One…

One of the first tricks that I started working on since the COVID pandemic started a year ago was my Polaroid to Envelope trick. This trick started as Goshman’s Cards thru Newspaper, but then evolved a lot. It’s pretty much been unchanged for months, here’s what it looked like:

Yesterday I was going to work on it some more as I was going to be doing the Nashville Magic Company’s Tricks of the Trade magic open mic in the evening. That’s when it hit me, I don’t need four pictures, I just need three. One of them doesn’t do anything, it cleans up some clutter and tightens up the routine a little bit.

After the open mic they do a little bit of a workshop for the performers to ask other performers for thoughts on what they performed. I got a couple of great suggestions and ideas. Someone asked why the pictures appeared face down, instead of face up. This is a great idea, that because I was building from a another trick, I didn’t think about that.

I started playing with having the pictures face up and I think I got a workable sequence out of it. Having just three pictures is soo much more manageable than four! I’ll probably record a video of the new sequence later today and post it when I get a chance.

If you’re not using these virtual open mics to work on material they are a huge resource that didn’t really exist a year ago. Not only to practice material, but to get specific feedback from other performers.

Making Some Take Up Reels…

One of the magic products that I put out and that I’m the most proud of is the Take Up Reel that I created. What a Take Up Reel is used for is to shorten a length of string and was popularized by Billy McComb and Tommy Wonder in their Vanishing Birdcage routines.

As far as I know I’m currently the only person / company that makes a Take Up Reel for sale. I’m working on a batch of them this week. It takes about a full week to make one from start to finish. Here’s one of the locks coming out of my 3D printer:

Magic is being revolutionized by 3D printing, especially stage magic. It allows you to affordably make soo many custom props that would have cost tons of money to have fabricated 5 or 10 years ago.

If you’re not out printing stuff, I highly recommend learning how. It’s pretty easy, and you don’t even need to own a 3D printer as there are companies you send the file to and they’ll make it for you.

Click here for more info on my Take Up Reel!