On this podcast we welcome in the troubadour himself Eric Haines. We discuss all the disciplines Eric implements into his show, how he came to be so good at all of them and how he found his calling with the One Man Band. We learn why someone would want to play so many instruments at once and all the great opportunities it has granted him. A really great conversation over Zoom with a one man Moisture Fest.
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The other day I posted about an act leaving their backdrop onstage during my show. Besides it being clutter on stage I did voice a concern about it in the wind.
They blew off my suggestions
Well, the next day it got windy and the backdrop started swaying and I took this picture as it blew onto another act on the stage!
The sound guy and I jumped onto the stage, pulled it off of the other act and laid the backdrop flat on the ground. I then went to the backdrop’s owner’s trailer and of course they weren’t onsite. I told them about it when they returned and they blew me off again.
I have a mindset onstage that’s “Your convenience is not my inconvenience“. What that means is that if something makes your show easier to set up, but makes my show harder to do, then I say NO and am firm about it.
Before my next show the act that had the back drop was trying to tether it and I told them it could not be up during my show. They said they’d tether it better and I told them it couldn’t be up onstage during my shows. It’s a safety issue for me, my props and anyone from the audience onstage.
They told me that the event said they could leave it onstage, so I sent the picture of it falling on the other act to our boss along with me voicing my safety concern. Included in the message was that I wanted a record of my safety concern for their backdrop onstage incase something happened during my show to reduce my liability.
Guess what?
They had to take it down during other peoples shows. I’ve watched them set it up and take it down after their shows and it literally takes a few minutes. The only reason to leave it up is laziness.
Don’t let someone else’s laziness affect your show. Working with a band that wants to leave guitars in your performing area, tell them to move them. It’s your stage during your set, if you need 10 X 10 feet or whatever to perform in, tell them that and they need to move their stuff.
Now your show is a success or failure on your terms, not because you have to deal with a backdrop smashing your stuff or shrinking your show because a band won’t move a guitar.
-Louie
The other act I was sharing the stage with had a large banner that they left onstage, I’m not a huge fan of other people’s stuff in my performing area. They cleared it with the “boss” to leave it up, so I put my pop up banner in front of it.
It’s nice that it shortened the depth of the the stage, so that was the silver lining.
I try to play nice with other acts, but honestly it’s not a big deal for them to move their back drop off the stage after each show.
-Louie
About a week ago I was able to switch back to using the ProMystic Color Match and I’ve been using it with 100% success! I’m glad to be able to not Anverdi Color Match set where I was constantly getting a missed signal. That doesn’t mean that the Anverdi set is bad, it just doesn’t work for how I work.
The ProMystic set is the set I’ve used for years, and that may be why I prefer it. I know why it works, and when it doesn’t, I know why it’s not working. I feel like I definitely committed giving the Anverdi set a chance. I know tons of people that prefer the Anverdi set over the ProMystic. I think ultimately your performing style will dictate which works better for you.
-Louie
My friends that do roving acts like stilt walkers or unicycle have mentioned to me that kids the last year or so ask them to “do a back flip“. I think this is a Tik Tok thing, but I’m not positive. They’ve tried to come up with something witty to say, but really there’s no where to go with that and it’s something completely unrelated to what they do.
It’s never happened to me…until last week. I wanted to come up with something to do, so here’s what I came up with:
@louiefoxx Do a Back Flip! #doabackflip #backflipchallenge #backflip #louiefoxx #magic #magictrick, #surpriseending #old #magician #cardtrick ♬ original sound – Louie Foxx
Here’s the problem, by rewarding them saying that, it could simple open the door to them yelling more in the show. Also, I should be clear that I don’t consider a kid asking me to do a back flip a heckle. It’s really not malicious, they’re having fun…but it’s still an interruption in the show and I don’t want to encourage that.
Since I made that card, I haven’t had someone ask me to do a back flip, so I don’t know how it plays, or if it encourages interruptions. The nice thing is that it doesn’t take up any space, so it’s not a big deal to have with me during the show.
If I ever get to use it, I’ll report back on what happens…
-Louie
Right now I’m reading Doc Dixon’s book The Show is the Mother of Invention. It’s about having a show that you can take as carry on luggage onto a plane and making that stuff play big. I’m about 2/3’s of the way through it right now and I really like it!
For me this is a very interesting read as I do travel a lot, both by car and by plane. Even when travelling by car, it’s important to try to pack small, or at least efficiently!
I used to be a “Pack as small as your artistic vision will allow you to…” sort of person. That led me to travelling around the country with a four foot metal spoon that required it’s own case! And that prop was used only for a 15 second gag! I’m no longer that person, I still have that spoon and case, and can do the routine whenever I want, but the it’s not currently in my show.
Doc’s book has a lot of strategies for getting more time out of what you already have, and how to make small things play larger. There are many techniques that I already do, that I didn’t know were techniques, like telling stories about what’s happened when you did the trick at another show.
Making a show that I can hand carry onto a plane is something that I’ve been playing with for a while now and you can see my current version at:
https://www.magicshow.tips/tag/carry-on-magic-show/
One thing that’s important to me is texture. I don’t want the show to feel like it was designed to fit into a case…even though it was. For example one of the things that’s in my show is my Applause Please trick, which is an applause sign that’s part of a larger routine. This is technically an “illusionette” in that it’s bigger than a hand held item, yet smaller than a zig zag. This prop has a lot of negative space that I can use to fill with other things when it’s packed up.
In addition to confirming what I was already doing, I’ve learned several new things that make Doc Dixon’s book totally worth buying for me! If packing smaller and getting more mileage out of what you already are doing is something that interests you, I highly recommend getting this book!
Louie
About a month ago I worked with Roy McCoy, The Quick Draw Cowboy in Wyoming. Roy is an cartoonist, and his show is him drawing stuff (there’s a couple of other things in it as well). Roy only does the fair where he lives, however he has one of the best stage set ups that I’ve seen.
I think if he was doing more than one fair, he’d probably have less stage dressing to lug around, set up and strike. The show was probably as good as it could get for someone who doesn’t do a lot of shows. It’s missing a lot of the bits to fill dead time, however for what it is, it’s fantastic!
I really enjoyed this show, it was something different and fun!
-Louie
Last week the fair I was at had a very long walk from the audience to the stage. This made bringing someone up from the audience a bit of a speed bump in the show. The general format in my magic show is every other trick has someone from the audience onstage. Figuring out how to deal with the time that it takes to bring someone onstage was a challenge.
The first thing to fill the time was simply writing jokes to address the issue and fill the dead space. I wrote lines like, “The walk to the stage is longer than the line at the DMV“.
One of the emergency props that I have in my case is a thumb tip with a silk. I can do a solid 5 minute routine with that that’s full of laughs. That routine uses two people from the audience.
Obviously, bringing two people onstage wasn’t he solution to the long walk to the stage, but the silk was. I started simply vanish the silk while the person walked to the stage. It filled the dead space, but needed more. Then during my morning writing I came up with the idea of doing silk in balloon. That gave some sort of a payout to the vanishing silk. However, the breakthrough was the next day during my morning writing I had the idea of silk in selected balloon.
I had a line of balloons tied to string from my case to the microphone stand. The silk vanishes while they are coming onto the stage. Then a balloon is selected and when popped the silk appears inside that balloon.
What I ended up with is a routine for when there is a long walk to the stage (or any show), but not a solution to fill that time for existing routines that I do.
I’m not disappointed that I didn’t come up with a solution for the long walk, as a routine that fills the stage and packs very small is still a win!
-Louie
The 2024 International Brotherhood of Magicians convention is going to be in Tacoma, WA next summer. That’s about 30 mins from where I live, so I figured I should go.
Being local takes out a lot of the travel burden as I don’t have to pay for travel. I would really like to go to more magic conventions, but it’s difficult in the summer as I’d have to turn down a 5-10 day gig to attend.
This should be a fun convention, and you can register at:
https://www.magician.org/convention/online-registration-2024
-Louie
Well, I had the Anverdi Color Match fail at every show yesterday, and one show all five of the pens didn’t work! The show where they didn’t work, I got a constant 5 buzz on the receiver. I’m lucky that I have an out for this trick that I can use as the method and can instantly switch to my out as the main method in an instant.
That really saved my butt!!!
That also inspired me to actually put the second set of transmitters into one set of pens.
In my hotel room right now they are working at about the same time. As is, they don’t trigger at the exact same time, like a promystic set does, they’re a little bit off. I think I need to designate a primary receiver and if I’m not happy with what that is sending me or need to verify it, then I pay attention to the second one.
We’ll see how this works…
-Louie
