Pictures – Page 38 – MagicShow.Tips

Magic Mondays in Seattle

In the Seattle area we have a show called Magic Mondays. This is essentially a magic open mic, and a great resource for local magicians to work on material, or just have a chance to perform in front of a real audience. This show has been running for years and has a built in fan base, and the audience came back when the show returned after 2 years off during the pandemic.

Last night we got to see Jim Earnshaw perform some coin magic, then David Regal’s Will The Socks Match. I really liked the sock trick!

Next we had Frederick Turner doing a “do as I do” style card trick, with a bell as the transition prop. I really liked the used of the bell and it was great signal at the end of the trick.

In the show was a new to the Seattle area performer, David Hirata. He did some great rope magic, card magic and was a lot of fun to watch!

Finally we had Master Payne who did his fabulous coin in bottle routine. He’s going to be doing a presentation at FISM in a couple of weeks and will be doing this routine, so he was practicing it.

Last night’s show was solid show and best of all, it’s FREE to the audience!
This is a great show to catch is you’re in the Seattle area on the second Monday of the month at Third Place Books (Ravenna).
-Louie

Summer Day Camp Shows…

When I was a lot younger I used to do a ton of summer day camps. By a lot, I mean 2-3 a day all summer. Now I do about a dozen or two a summer. I really enjoy doing them, however I’m trying to get 5-14 day contracts and having a single day camp show can get in the way of booking those longer contracts.

Here’s my case from one that I recently did:

While this show isn’t what I would consider what “my art” is, it still has a lot of things in it that I find interesting. One of those is my hat coil routine. It runs about 5 mins and is what currently is closing the show. There’s not much to it, it uses a hat, electric deck, two loose cards and a hat coil.

A while ago I had a use for hat coils and had bought a bunch of them, then stopped doing the routine, it just wasn’t playing how I wanted it to. So they sat for a while and I decided I wanted to get rid of them, so I started throwing a couple in my case to try to find a use for them. Over a few years I eventually came up with a routine that works.

One the surface, hat coils are expensive at about $4-$5 each retail plus any shipping. However, I had bought a bunch of them initially, so I didn’t pay that much for them. Now whenever I’m at magic swap meets, frequently I can find them and pay virtually nothing for them. Enough old time magicians have these in their collections to keep me doing this routine for a while! Even if I have to pay retail, the routine is worth it!

-Louie

Google Alerts…

One thing you should do if you haven’t already is set up a Google Alert for your name or the name of your show. In theory whenever Google indexes something new with your alert terms, it will email you. I just got this alert:

So it looks like I’ll be on Masters of Illusion next week on Saturday 7/16/22. It’s a new episode and I haven’t seen the official press release, so I don’t know what routine I’m doing on the show. Hopefully I’ll get the official press release later today and can better promote it.
-Louie

Medina/Chanin/Rivera Shell Game Set

Yesterday was an exciting day at the post office, I had one of Rolando Medina’s Chanin/Rivera shell game sets arrive and an extra set of peas!

These are made from the original mold and look great!

I like the shape of this shell with it’s high top. It covers any flash if your fingers have a gap at the back of the shell. The shape of the shell really poops the pea out the back nicely!

I have several sets of shells made from this mold:

What I like the Medina Set is that it looks semi realistic, less like plastic that’s pretending to be a shell than the other sets. I’m home for a couple of weeks doing local shows that are all stage shows, so I won’t be able to try them out for real until I hit the road…but I’m excited to try them!

-Louie

What’s in a Name…

One thing that magicians frequently complain about is having a generic “magician” on a post and not their name. Here’s a 20 year old poster advertising a fair that I came across:

Look at the listing, at the bottom they list acts by name. There are specific titles and generic ones. For example, Scott Land Marionettes is the name of his show, so the full title ends up on the poster. Then there’s the generic Face Painter. Both of those titles tell the person going to the fair what will be there. A generic face painter may not do good for the face painter’s ego, but it is probably more exciting to a ticket buyer than “Shelby Winters”, unless that’s a prominent person from the community.

Let’s take a closer look at the listing, I circled an act:

I circled Grinn & Barrett, I know what what this act is and know the two people in the act, but 99% of the people going to the fair have no idea what it is. In that place a generic “comedy juggler” or “juggling show” would have gotten more people excited about than the name of the act.

This is something I’ve changed recently with my show. I used to bill it at fairs as Louie Foxx’s One Man Side Show, which is still the name of the show, but I don’t use that at events like fairs or festivals. It doesn’t really tell the audience what they are going to see. I’m now using The Magic of Louie Foxx and since I made that change, I’m seeing bigger starting audiences at my shows. This is nice, as I don’t have to build as hard as I did in the past.

Take a peek at how you’re being advertised in a program and think about if you didn’t know who you are and what you do, would you go see the show? Personally I’d rather be listed as a generic “magic show” in a program than just “Louie Foxx”.

-Louie

Flying with sound

Last night I hopped onto a plane to head to a gig and my carry on is my sound system. This PA fits in the overhead compartment, so I don’t have to check it. I do frequently check it inside of a suitcase, however I’m travelling light this trip.

I use a Roland Street Cube EX, what I like about it is that it can run off of battery power. It uses 8 AA batteries and not an internal battery. If it had the internal battery, I’m not supposed to check it. Also if I forget to charge it, it’s easy to replace them. I do use rechargeable AA batteries in the system, so I’m not constantly buying them.

When I bought this, I needed three inputs for my show, however I currently only need two. If I was to buy one now, I’d get the standard Street Cube and save a couple of bucks.

-Louie

Vanishing Parakeets!

Oh man, I just got home from being on the road for little while and I had a package from Jonathan Neal waiting for me! This arrived the day after I left and I’ve been anxiously awaiting it! I had ordered two of his parakeets for the vanishing birdcage! These aren’t rubber, they are silk on the outside.

These little guys are amazing looking and collapse into virtually nothing! I like them as they visually have more “pop” than the plain ol’ yellow canary that I had been using.

Unfortunately my cage is in California right now and I’m in Seattle, so I can’t try them out just yet.

-Louie

Vanishing Alarm Clock

A little while ago I agreed to do a school assembly tour next year. I’ll be doing 2-4 shows a day for about 8 weeks. For me doing these tours is about generating new material. Doing 15-20 shows a week, you really can take something and polish it, or know it’s not for you.

I was trying to think of a something to tie a bunch of unrelated ideas together. It hit me the other day, use idioms as the thing that links everything. An idiom is a saying, like “a broken clock is right twice a day” or “keep me in the loop“.

Those are two examples of things I’m working on right now for the show.

A while ago I ended up with a lot of vintage magic props. One of them is the stand for an old vanishing alarm clock. I went out and ordered an alarm clock with bells that ring and rigged it to work with a remote control. The idea is that alarm clock will come out of a box. It will be covered up with a handkerchief and hang on the stand. It will ring, then vanish. Then there will be ringing from the box it originally came out of and it will be back inside the box!

I’m excited to be able to have a use for a prop like this in my show, as this style of prop doesn’t normally have a spot in what I do.

-Louie

Fair and Festival Roving…

I think I was scrolling through facebook and I came across this video on the props that another magician uses for strolling at a fair:

There’s a lot of stuff in this that I disagree with, but the first thing is what he says he wears. He says his costume (whatever you wear while performing is a costume) is a t shirt and cargo shorts. I’m someone who is pretty dressed down compared to most magicians, but I don’t think I would perform in a Tshirt and shorts.

The other thing that I don’t agree with is how much material the he’s taking. I should say that I don’t agree with it “for me”. You really don’t need that many props, you’re doing roving, not a formal 22 minute magic castle close up set.

Here’s the props for my roving set:

That’s a 20 minute set if I wanted to do it as a long chunk, however I normally wouldn’t do it that way. Normally I’d do it as a 5-10 minute set. There’s a lot of variety in what you see there. Obviously there’s a lot that I can do with the deck of cards, then there’s the linking pins and finally the wallet. The wallet is a card to wallet, but inside it I have my Splitting Image trick, and a bunch of business cards that I can do mentalism with.

That’s the core set, then if I’m working on something new, I will add that to my those props. The whole works will fit into my two front pockets. Just because you have a ton of pocket space, it doesn’t mean you need to fill them with tricks!

-Louie

Remote Control Alarm Clock as a Running Gag!

When I made a remote control alarm clock a few weeks ago, my intent was to use it with my Vanishing Alarm Clock stand. This summer for the kid shows I’m doing, I put in the remote control alarm clock in the place of my Remote Control Chattering teeth as a running gag in the show.

At the beginning of the show I take out the alarm clock and say “It’s time to start the show” and the alarm clock rings. Then throughout the show whenever I say the word “time” the alarm clock rings. I don’t call attention to the connection of the word time and the ringing of the alarm clock. I let the audience discover that, and the do fairly quickly.

This gag definitely has it’s roots in Pee Wee’s Playhouse with their use of a secret word and when it’s said everyone screams. I like the gag because it’s not exactly a look don’t see as it’s an action that’s triggered by something else happening, so it’s funny, but the kids don’t feel a need to explain anything to you after the connection of the word and action are established.

I have a feeling this is going to be a great lead into the vanishing alarm clock once I have finished making the couple of extra props that I need for it.

-Louie