I’ve had a lot of people ask me where I got my new Tshirt!
I’d love to sell them, but I’m not in the Tshirt business. I had sold shirts in the past with my Straight Outa Tarbell shirts and dealing with sizes is a pain in butt.
So if you want a Tarbell/Erdnase shirt, simply go on etsy and search “custom campaign shirt” and have one made…and do it with my blessing!
-Louie
Last month I was at an AirBnB. I was sharing the house with a bunch of the other performers at the Ohio State Fair. Behind the painting on the walls we found strange “Alien Postcards” from October of 2016
The first one was behind the paint of an apple, then we started searching the AirBnb and found the second one inside of a picture of Groucho!
OK, so that’s what happened in real life, now how do I turn it into a bit for my show?
I started by telling the story.
I’m staying at an AirBnB with some amazing performing, acrobats, jugglers…and a mime. He’s not even performing here. But that guy never shuts up.
One night I was looking behind the paintings and found some “alien postcards”. When I mentioned it to my wife on the phone she said, “why were you looking behind the paintings”, not “what’s an alien postcard.
I was looking for my keys.
Here are the postcards. On the front they say, “Materials deployed for reflective and connective purposes”. On the back this one says, “Thank you for signaling that you are anticipating my transmission”.
The other says, “Thank you for sending the signal that you are invested in receiving this signal…You’re going to die…JK, LOL LOL…but seriously, we’re watching…no parties!”
So now I’m searching the AirBnB for cameras, and you know what I found?
My KEYS!
That’s the story. I’ve embellished it a little bit added some punchlines. The nice thing about being in a house with other performers is that we could workshop the story a little bit.
The next step is going to be figuring out what to do with this. Is it a little stand alone bit, or is it a segue to something else. Like a trick with a key and/or postcards?
One idea is to have borrow a key, cover it up with a handkerchief and have that held by someone in the audience. Then 5 postcards are shown, each has a place where I’ve found my keys. These could be funny places, like in pie, or whatever. One is selected, and the key disappears and ends up inside of the postcard.
I don’t know what will happen with this bit…
-Louie
Last month I got to work with Billy Kidd for a week.
Billy does a great show, and has a strong stage presence and persona. Off stage she is super cool as well!
If you get a chance to check out Billy’s show, I highly recommend it! You can learn a lot about performing from it. Like how she talks to the audience, not at the audience, which is a skill a lot of people need to be aware of!
-Louie
Sometimes the “professional sound company” was professional in the early 1980’s! This was the mixer that the sound company had for an event I was performing at recently.
You’ll notice that this mixer has no XLR inputs. Those are the standard inputs for microphones, so this was unusable by me. Of course the sound company didn’t have any adapters to get an XLR to 1/4. I think that this mixer is more for a guitar, than vocals.
So what did I do? I used their corded mic with a Microphone Holder and did the show with no music. Always having one of the Microphone Holders with my gear is frequently a life saver!
-Louie
I’ve been playing with my Coin Tray (see post at https://www.magicshow.tips/magic-show-tips/3d-printing-magic-tricks/) that looks like one of the “take a penny” trays at that corner stores have on the counter.
The routine starts with a gag, where I ask to borrow 10 pennies from a person in the audience. When they don’t have them, I take out the tray and it get’s a laugh.
I’m just doing a pretty basic routine where three coins are removed and disappear. Then the coins reappear in someone’s hand. It’s a strong routine and plays well. I’m glad I’ve started playing with it!
-Louie
When you work corporate parties (especially in December) you will frequently encounter a dance floor between the stage and the audience. A lot of performers call this the “dance floor of death” because it’s really hard to connect with the audience when the first row is 30 feet away.
This moat between you and the audience isn’t exclusive to corporate gigs, I recently encountered it at a county fair that I was performing at. Here are two view, one is from the stage looking towards the audience and the other is from the audience looking towards the stage.
You can see my show set up on the stage, and since I was the first show of the day, I left my gear up there until just before I started to “talk up” my show. About 10 minutes before the magic show’s start time, I moved my gear to the floor and in front of the stage. That closed the gap between me and the audience.
Since the audience was seated in bleachers, I didn’t have to worry about people not being able to see things as I wasn’t on the raised stage. It worked out great and I filled the bleachers for both of my shows!
Being on the stage is a power position, but sometimes the floor can be more powerful!
-Louie
Last week I wrapped up a 12 day gig at the Ohio State Fair. One of the challenges for me was how big the stage was. It was very wide and deep, then the backwall was about 6 feet beyond the end of the stage. That makes a lot of magic hard to focus on. Especially for an act like me that uses handheld props.
Here’s what the stage looks like:
Over the two weeks I learned to play my show BIG using large gestures and working to get bigger reactions out of people onstage. Here’s the highlights of week one:
@louiefoxx Comedy Magic at the Ohio State Fair: Week 1 highlights #ohio #columbus #comedy #magic #statefair #louiefoxx #sizzlereel #familyfun ♬ original sound – Louie Foxx
This stage was a fun challenge!
-Louie
Recently I wrapped up a twelve day run at a fair. I was doing 30 minute stage magic shows. Here’s what my case and tabletop set up looks like:
The show set list is pretty simple:
ACAAN
Rope Trick
Cup Trick
Drawing Routine
Tape Measure Prediction
Marshmallow, blindfold, or whip and safety pin routines
Hoop and Cup
The second to the end position is a variable spot in the set let. It could be one of three routines based on time, how much of the audience are repeat, and general vibe I’m feeling. That variable is great when there are people who just saw the show, you can have a slightly different show for them!
-Louie
I’m a huge fan of antique magic, and I think when the current young generation of magicians gets old the antique magic trade will have greatly diminish. The kids coming up in magic over the last decade or so are growing up with downloads, so they aren’t connected as emotionally connected physical props.
I recently found a Merv Taylor Glass Penetration at an auction in Indiana and was the winning bidder!
Looking for auction houses that have some magic stuff is one of my hobbies when I’ve got time between shows. The auction house was only a couple of hours away from where I was performing in Ohio! This was a great find to add to my collection!
-Louie
One of the things that drives me nuts are magicians, or any performer that uses a flag in their show and doesn’t understand the US Flag Code. These are rules that define what a US Flag is, how it should be displayed and handled.
You can read the Flag Code here.
Someone recently posted in a magician’s group of their show and the American Flag in the picture being backwards was all that I could see!
There are a couple of flag code violations in the pictures above. First the flag is backwards, and then there are props on top of the flag. This isn’t a huge deal to most people, but it’s like doing a gospel magic show, but all of your crosses are upside down! It takes virtually the same energy to correctly hang a flag as it does to incorrectly display the flag.
If you use a flag, learn to handle it respectfully!
-Louie
