On The Job Training…

One thing that’s been a staple of my close up work is the Three Shell Game. It’s been something I’ve done since I was a teenager. It’s a great trick, everyone knows what it is and how to play it. This week at my gig at the airport I added the Trade Show Shells. These … Continue reading “On The Job Training…”

One thing that’s been a staple of my close up work is the Three Shell Game. It’s been something I’ve done since I was a teenager. It’s a great trick, everyone knows what it is and how to play it.


This week at my gig at the airport I added the Trade Show Shells. These are a jumbo set of shells and they work differently than a standard set of shells.


I’ve owned a set of a long time, and never really had a place to use them. When I do stage work, it’s hard to make them play, as I’m usually on a raised stage with the audience below me. That makes it hard to see the pea or follow it.


What’s cool about doing this at the airport is that they want the people to win. We’re playing it for prizes, so it’s not a “magic routine“. What that means is that I get to practice handling the props and doing the manipulation. In each group, there’s one person that I use the gimmicks on and am working out a routine that way. Essentially I’m getting paid to work out a routine for the trick!!! It’s great!

Don’t Speak Up…

Whenever possible I try to go out and support magic shows. Last night I went out and saw a friend’s show. The show also had a musician and burlesque dancer in addition to my buddy’s magic show. It was a fun show. My main critique of the show was that lack of the use of … Continue reading “Don’t Speak Up…”

Whenever possible I try to go out and support magic shows. Last night I went out and saw a friend’s show. The show also had a musician and burlesque dancer in addition to my buddy’s magic show. It was a fun show.

My main critique of the show was that lack of the use of a microphone. There was a handheld mic, but only the singer used it. Using a mic is an important thing to do, it makes the show so much easier to pay attention to. My hearing is reasonably good, but I’m always amazed at how much I have to strain to hear an unmic’d performer.


Using a mic in whatever form is pretty cheap right now, compared to 15 years ago. You can get a cheapo headset mic and wireless pack and be good to go for probably less than about a hundred bucks. Would it be the best mic…no. Would it be better than no mic…probably.

Connecting…

When I was in Austin last week I swung by the Museum of the Weird and saw the Black Scorpion perform. At the museum the sideshow acts do a lot of short shows all day. His show was good and it consisted of him talking about his Ectrodactyly, which people used to be called “Lobster … Continue reading “Connecting…”

When I was in Austin last week I swung by the Museum of the Weird and saw the Black Scorpion perform. At the museum the sideshow acts do a lot of short shows all day. His show was good and it consisted of him talking about his
Ectrodactyly, which people used to be called “Lobster Hands”, then he did glass walking.

Black scorpion sideshow performer

My main dislike of his show was that it felt like he was talking at us and not talking to us. The best way to describe how he talks is like an 1980’s pro wrestler talking to the TV camera. I get that he has made a stylistic choice in how he delivers material, however for me it made it hard to connect with him.


Unfortunately due to my time restrictions when I was there, I really didn’t get to see the rest of the museum on this visit (or the next one). I guess I’ll have to get back to Austin another time.

Custom Props…

The more you do magic, the less “off the rack” magic props you will use. The more you use props professionally, the more you figure out exactly how you’d like them to feel, handle, or whatever. Sometimes this means using custom made props, sometimes this will mean using props that are altered. Recently while travelling … Continue reading “Custom Props…”

The more you do magic, the less “off the rack” magic props you will use. The more you use props professionally, the more you figure out exactly how you’d like them to feel, handle, or whatever. Sometimes this means using custom made props, sometimes this will mean using props that are altered.


Recently while travelling the TSA screened my checked baggage and lost my two table tops. After two weeks of phone calls I managed to find track them down at an airport lost and found at McCarren Airport in Las Vegas. They are sending them to me via overnight FedEx at my cost! It’s crazy, that they were in the TSA’s control, and I need to file an claim to get reimbursed shipping to me.




The worst case scenario was that the tables were gone and I had to get them remade. This scenario where I’m out a few bucks to get them back is still cheaper than having to have them remade. Also it gets them to me quicker, I don’t have to wait while someone remakes them.


Memory = Creativity

One of the books I’m reading is Moonwalking With Einstein, which is a book about memory competitions. It’s a great book and really breaks down memory systems and why they work. It doesn’t really teach memory systems, but it’s a great overview of different techniques. In the book in there’s a mention of creativity and … Continue reading “Memory = Creativity”

One of the books I’m reading is Moonwalking With Einstein, which is a book about memory competitions. It’s a great book and really breaks down memory systems and why they work. It doesn’t really teach memory systems, but it’s a great overview of different techniques.

In the book in there’s a mention of creativity and how people with good memories tend to be more creative. Then it basically breaks down how creativity works in less than a sentence. I’m paraphrasing, but the book says, “creativity is to be able to connect two unrelated ideas”.

I totally agree with this. The better you are at connecting two ideas the more creative you are. That’s what makes a joke work, connecting a set up an punchline. That’s what makes a magic trick work, connecting a prop with an effect. Of course there’s also the craft part of it, where you turn the two ideas into a workable chunk of material.

The better your mental file cabinet is, the more ideas you’ll have.

Laughs Per Minute…

In my trek through all of the Greater Magic Videos on MagicFlix, I recently watched Tom Mullica‘s video. This is an interesting video, because it’s a huge change from what was before in magic. Tom is funny, and good. I mean all of the tricks are good…and he’s technically amazing on the video! The video … Continue reading “Laughs Per Minute…”

In my trek through all of the Greater Magic Videos on MagicFlix, I recently watched Tom Mullica‘s video. This is an interesting video, because it’s a huge change from what was before in magic. Tom is funny, and good. I mean all of the tricks are good…and he’s technically amazing on the video!

The video before Tom was Charlie Miller. Charlie is a slice of a different era, where people performed comedy magic differently. I’m also aware that the video of Charlie recorded when he was older, so he was probably past his prime.


The huge difference was that Charlie did more “classic” magic tricks, where what Tom did felt fresh. It’s not that the root effect was new, but the way he did them was new. Tom wasn’t relying on things that worked, he took a path that forwarded his character. Watch Charlie, then watch Tom and you’ll see where magic made a turn.

Ummmm….

My current reading is Ken Weber’s book Maximum Entertainment 2.0. This is the expanded version of the original book. It’s something every magician should have. It’ll make you think about your show, and hopefully make some changes. In one part of the book Ken writes about performers saying “ummm…” and how it’s a bad thing. … Continue reading “Ummmm….”

My current reading is Ken Weber’s book Maximum Entertainment 2.0. This is the expanded version of the original book. It’s something every magician should have. It’ll make you think about your show, and hopefully make some changes.

In one part of the book Ken writes about performers saying “ummm…” and how it’s a bad thing. I’ve been hyper aware of it, and a ton of performers say it a lot! I went back and reviewed some video and I say it a lot in my newer routines. I need to go back and work on my learning my scripts


Go watch video of yourself performing and listen for the “Ummms“, I was really surprised when I heard them!

Little Things…

With a magic trick, all of the little things matter and they matter a lot! There’s a trick that I do in the show that when I started doing it, it used three thumb thumb tips. At one point I had to remove something from one of them, and put it into a different thumb … Continue reading “Little Things…”

With a magic trick, all of the little things matter and they matter a lot! There’s a trick that I do in the show that when I started doing it, it used three thumb thumb tips. At one point I had to remove something from one of them, and put it into a different thumb tip!


After really thinking about how the trick flowed, I managed to figure out a way to do it with only two thumb tips. One of the tips is a XXL thumb tip, and that solved the the problem of having to move something from one thumb tip to another, and it also meant one less time that I need to go to the bin on my table.

The next problem was prop management. On my table, there’s a bin. In that bin are my props, and the thumb tips used to just lay on the bottom of the bin. The problem is that they roll around, especially if my table is carried out, and not preset. I solved this by 3D printing this holder:


The foot on the holder is to provide a more steady base, so that it can’t tip over. Hopefully the thumb tips will stay upright!

Do As I Do…

There are certain “plots” in card magic that I’m really not a fan of. One of them is the Do As I Do type of tricks. These are typically very procedure heavy and the payoff isn’t that great. Usually it ends with you and a spectator finding the other person’s card. Last night I was … Continue reading “Do As I Do…”

There are certain “plots” in card magic that I’m really not a fan of. One of them is the Do As I Do type of tricks. These are typically very procedure heavy and the payoff isn’t that great. Usually it ends with you and a spectator finding the other person’s card.


Last night I was reading Principia by Harapan Ong and came across his trick called Perspective.

What makes this Do As I Do trick great is that it’s not a “pick a card” type trick. It’s a color change type of card trick, but the cards change for both you and the spectator! Best of all there’s no procedure! The top cards on both halves of the deck keep changing, it’s great!

I love encountering tricks that change how I feel about magic plots!

Playing Bigger…

Making the tricks that I currently do play bigger is something I’m always working on. There are a lot of ways to do this, however one challenge has always been card tricks. I don’t do a lot of them in the show, but those that I do are generally limited to poker sized cards. One … Continue reading “Playing Bigger…”

Making the tricks that I currently do play bigger is something I’m always working on. There are a lot of ways to do this, however one challenge has always been card tricks. I don’t do a lot of them in the show, but those that I do are generally limited to poker sized cards.


One trick that I do uses cards in a holder on a pole. This is one of the rare instances where I can use jumbo cards, but haven’t. Last night I 3D printed out a new holder for the trick that will take jumbo cards.

My concern is that the pole won’t be able to hold the larger cards. When the cards on the end, the weight will make the pole bend. I do have a shorter pole than I normally use, and that would help with the bending a little bit.

Larger cards will help solve the problem of cards being visible from a distance.