Pictures – Page 109 – MagicShow.Tips

The Vanishing Bird Cage is one of the hardest tricks I’ve ever worked on. It seems like every problem I solve, another problem pops up. In the recent past when I did the cage, the plan wasn’t for it to stay in the show for very long. Because of this, I didn’t put a ton … Continue reading “”

The Vanishing Bird Cage is one of the hardest tricks I’ve ever worked on. It seems like every problem I solve, another problem pops up. In the recent past when I did the cage, the plan wasn’t for it to stay in the show for very long. Because of this, I didn’t put a ton of time into it.

Now that I think this is something that’s going to be in the show for a little while, I’m putting more time into it. I want to do the vanish of the bird cage faster than the “slow motion” vanish. I’m having a frequent problem with the cage hanging up on my sleeve at the exact same spot. I think it has to do with the coat more than the cage. Material seems to bunch about 3 inches inside my sleeve and the cage gets stuck about 20% of the time.

My solution was to have it not run up the sleeve. I’m having it run across my hand. This gives me a more unusual grip of the cage, the cage sits on the palm of my hand. It’s similar to the one handed grip that John Carney uses in the CARNEY 2013 video on the Vanishing Bird Cage.

The main difference Carney’s grip and mine is that my hand is completely palm up. The cage can be displayed with no support from either hand, aside from my right palm as a base.

Adjusting my grip has reduced the cage hanging up to less than 5%. This is good, but still a long way to go!

No Outs and Snagging…

Honestly, I’m not sure how I used to do the vanishing birdcage. I think I was very lucky in that years ago it never really hung up on my sleeve in a show. I also think that I’m currently more aware of failure without an “out” in tricks that I do in the show. Billy … Continue reading “No Outs and Snagging…”

Honestly, I’m not sure how I used to do the vanishing birdcage. I think I was very lucky in that years ago it never really hung up on my sleeve in a show. I also think that I’m currently more aware of failure without an “out” in tricks that I do in the show. Billy McComb in an interview on the Greater Magic Video Series says, “…there is no out when the cage is hanging out of your sleeve.”

Currently I’m following Tommy Wonder‘s advice. Every time the cage snags on something, I’m trying to figure why it snagged and what I can do to stop it from snagging. It’s a smart approach, and one that’s a lot of work and will end up with a fairly altered jacket.

Another Bonus Trick…

About a month ago I wrote about getting bonus tricks out of the tricks you are already doing (you can read the post here). These are little things that frequently happen and when they do, you can take advantage of them. The example I used was having a card selected, top change it, and have it signed. Most people don’t process that the card has changed, and they remember signing the card they picked, not that the one the one you switched it for.

Using this an idea that was inspired by a trick in the book Be More Funny by Christopher Barnes, I came up with this trick. Someone picks a card (5 of spades) and signs it. You could do a quick ambitious card sequence, then have a card selected from another deck. You say both cards will match, but they don’t, the second card is the 4 of spades. You rip out the middle spade of the 5 of spades to turn it into the 4 of spades. The audience is then amazed that the signed 5 of spades actually turns into a 4 of spades (still signed)

So how do we do this?

I have two methods. The first is simply to top change the card. The second is to use a gimmicked card, this card would be a five of spades, but the corners show the four of spades:

The gimmicked card is better if you want to do a trick with the card before you rip out the center pip and it will reinforce the idea that the card is still a 5 for a lot longer. You’ll have a hard time passing of a 4 as a 5 if they keep seeing the face.

I’m going to try to make up a few gimmicked cards this week and try them out!

Fantastic Book!

One of the best books I’ve read about comedy magic (i’m still reading it) is Be More Funny by Christopher Barnes. This book is a solid book on techniques to create comedy magic, and probably the best that breaks it down into different types of comedy. His examples of the routines to illustrate the comedy … Continue reading “Fantastic Book!”

His examples of the routines to illustrate the comedy principles are great and all of the tricks are unique. He doesn’t just take a basic trick and make it funny, he builds a whole unique routine. He’s not just doing funny patter with Hippity Hop Rabbits, but creating an original ride to take the audience on in each trick.

While reading this book I came up with the idea of a card trick with crackers. The trick is coming along, it still has a way to go. I can’t think of the last time I read a magic book and ended up with a unique routine out of it. Honestly, I think this book is one of the best $50 you can spend on a magic book. I think that even if you aren’t a comedy magician you’ll learn something out of it because it teaches you how to create your own routines, not just make existing ones funnier!

Another Idea Becomes Reality…

There are magic tricks that I’ve always been fascinated by and wanted to do in my show. Over the years some of these tricks have been in a version of my show and having done them, I don’t need to do them again. There are other tricks that I keep revisiting, trying to find a … Continue reading “Another Idea Becomes Reality…”

There are magic tricks that I’ve always been fascinated by and wanted to do in my show. Over the years some of these tricks have been in a version of my show and having done them, I don’t need to do them again. There are other tricks that I keep revisiting, trying to find a way to make them work for me. One of those tricks is Coin in Ball of Yarn.

The basic effect is that a borrowed or marked item disappears and reappears inside of a ball of yarn. There are a lot of ways to do this effect, and a lot of ways to present it. Usually the method dictates whether the ball of yarn can be shown before the trick has started or not, which will affect how the trick is presented.

Years ago I was working on an Object in Ball of Yarn and wanted a fishing pole for the person to be able to reel in the yarn. Unfortunately commercially made fishing pole reels aren’t designed to handle yarn. A fly fishing reel almost works, but they are too small to hold a meaningful quantity of yarn. I hand built a contraption on a vintage hand drill that reeled in yarn, but was super heavy, hard to work (for someone in the audience) and ugly as heck.

About a month ago I started working on a new version of Object in Ball of Yarn and a friend of mine suggested that I use a fishing pole. I told him that they don’t work for yarn. He suggested I make one using old movie film reels. Then it hit me, I have a 3D Printer, why not just print it out and it will be exactly how I want it to be. Here’s what I printed out yesterday:

It finished printing out last night and I tried it out this morning and I’m happy to report it works great! The nice thing is that the fishing pole is made from a “travel fishing pole”, so it collapses and easily fits in my luggage. Another prop that I have for this trick is bowl to hold the yarn, and this bowl has a fitting on it to screw into a mic stand. Between the fishing pole that collapses and not having to travel with a stand for the bowl, this is becoming a pack medium, play big routine!

Making the best…

A couple of days ago I wrote about seeing an amazing act perform under horrible conditions (you can read it here). Yesterday I was performing at a festival and I got to be a good act performing with not so idea conditions. I’m not one to complain, as I’m honestly grateful for any gig and do my best to make it work.

The gig yesterday had a raised stage, which is good. Unfortunately the stage was only about 6 inches high, so it didn’t offer the same visual advantage as a 12 or 18 inch stage would have.

The ground that the audience sat on sloped downward away from the stage, so any advantage from the short stage was quickly lost. The picture was taken with my camera held at eye level from about the 8th row. You’ll notice that you can only see one performer on the stage, in reality there were six people! They were a Taiko Drum act, a they have some very large props, however you’ll also notice you can’t see them in the picture.

The stage also had to metal poles that block sight lines and a barricade in front of the stage. The metal pole and barricade are more psychological barriers for the audience. However there were four giant pillars in the middle of the audience blocking the sight lines, which were actual barriers.

How do you make this work?

There are some things you can’t control, like the big pillars or the sloping ground. The first thing I did was move the barrier from in front of the stage. Now there’s one less thing between me and the audience. Then I did a lot of my standing on the stool that I keep in my car for situations like this. It makes the show much more visible. These two things made a huge difference in how the show was received.

You can complain about situations, or you can do you best to make them the best they can be!

Amazing Package!

Unique acts are something that I always love seeing. They can be good, bad, or whatever, if it’s something I’ve never seen before, I’m in! Earlier this week I performed with the Marshall Shore the Hip Historian. He does an act based on Arizona’s history, and it’s run like a game show. His show has … Continue reading “Amazing Package!”

Unique acts are something that I always love seeing. They can be good, bad, or whatever, if it’s something I’ve never seen before, I’m in! Earlier this week I performed with the Marshall Shore the Hip Historian. He does an act based on Arizona’s history, and it’s run like a game show.
His show has amazing “curb appeal”. The look of the show looks fun and exciting.

Let’s start with his costume. He wears boots with the Arizona flag on them, and his jacket also has the Arizona flag on the back of it. He’s looks like a cool version of Colonel Sanders. One of his props is a chicken bucket with his face in place of the Colonel’s face.

His show is a game show where people try to be the first to correctly answer Arizona trivia. I think this is something that could be expanded into a much bigger show. He could use some video elements, and different types of games, not just head to head trivia. This is something that would play really well in a hipster bar or black box theater. I also think this is something that if he packaged it right, he could get a ton of bookings in middle and high schools!

The Whole World Isn’t a Stage…

Variety shows are a blast to perform in, and whenever possible I try to be in them. Earlier this week I was in a show in Phoenix and got to work with a physical comedian, a hula hooper, a sideshow clown and a historian! What I love about these shows is how diverse the range … Continue reading “The Whole World Isn’t a Stage…”

One thing that I’m hyper aware of is when you’re not performing on a raised stage. Anything that happens below the armpit disappears for people beyond the second row. I’m aware of this because years ago when I used to do cups and balls in my show I noticed everyone that wasn’t in front having trouble seeing.

In the variety show the majority of the hula hooper’s first set was done with her on the floor, or lower to the ground. Her act was good, but not visible to the whole audience. Sure, artistically doing stuff on the floor makes sense, however moving it up higher in general will make it play better and bigger! This is why juggler’s build larger crowds than a magician, and usually end on something high up like a unicycle.

Magic Crackers…

During the three hour drive from the airport to the hotel, I started thinking about the card trick using crackers. I think it’s going to be more than a “card trick” with crackers. It’s going to a magic trick with crackers. Here’s how I’m thinking it’s going to flow: Someone picks a cracker and signs … Continue reading “Magic Crackers…”

During the three hour drive from the airport to the hotel, I started thinking about the card trick using crackers. I think it’s going to be more than a “card trick” with crackers. It’s going to a magic trick with crackers.

Here’s how I’m thinking it’s going to flow:

Someone picks a cracker and signs it. The signed cracker is mixed with the other crackers into a bowl. The crackers are flung into the air, you reach out and grab a cracker in your fist! When you open your hand it’s just crumbs. An envelope is opened and inside is a cracker…with the wrong name on it. You put the cracker in your hand, and say you’ll make it disappear. You reach into your pocket for some “magic dust” which the audience thinks is the cracker you just put into your hand that you are crunching up. When you open your hand, the cracker is still there, but it’s now got the correct signature on it!

This routine above has a few twists and turns into it. I think if I started doing this, it would change a bit with doing it. The one huge downfall of t he routine would be how messy it is. This is easily fixed with a drop cloth.

Just Do It!

One thing that drives me nuts is when people talk about performing for money and they say, “I don’t leave the house for less that $XXX”. They are missing a ton of great chances to be in some cool shows with cool people.

Next week I’m performing at Valley Variety in Phoenix. When I originally got the gig I was going to be in the area, however now I’m basically flying in for it, so I’m doing it at a financial loss. I didn’t cancel the gig because it’s fun show with some acts that I’m interested in seeing.

There are a ton of amazing shows that people can perform in. Sure most of them don’t pay very much, but you get network with other great performers. Also typically you are doing an act, not a whole show, so it’s a great chance to work on new material.