Recently a booker of a gig send me a screenshot from a magician inquiring about performing at an event that I was already booked at.
This is where the magician who was trying to get a gig could have let it the conversation drop, asked for the gig next year, or talked bad about me, but here’s his reponse:
The guy called me a “legend” and that I was “top rank”. That was really cool of him to do! When everyone is out there being awesome and a good experience for bookers, it’s good for everyone!
Way back in about January of 2020 I added a task to my To Do List, and that was to remake my promo video as it was about two years old at that point. It was a low priority item, so I didn’t immediately get to work on it. Then the whole “2020 thing” went down and making a stage magic promo video became super low priority!
Well, four years later I finally got around to making a new promo video for my stage magic show.
This one took me about a 20 + hours to make. Most of that time wasn’t the actual editing, but going through 6 years of video to find the videos that I wanted to pull clips from. It’s pretty easy to know right off the bat if a video is useable based on the background and general video quality. That removes about 60%-70% of videos right way, but it’s still a time consuming process!
The other super time consuming thing is watching the final video over and over again to notice small things, correcting them and then making a new final video. Then repeating that until I’m at final video version 12 or so. There is a point when you just need to be done with the video and barring something crazy you didn’t realize, it’s time to put it out into the world!
I’m glad I finally did it and can remove it from my To Do List!
One of the takeaways from seeing the Harlem Globetrotters is while its a fun show, the audience is definitely aware that everyone on the basketball court is very skilled! Before the game started one of the Globetrotters (Moose, I think) was nailing baskets from half court with one hand and his back to the hoop!
How does that relate to performing magic?
Simple, in my opinion the audience must know you are skilled at what you do. I guess you don’t need an overt display of skill like a manipulation act, but something that shows you’re not just doing push button magic.
How do you do that in magic? There are a lot of ways, many years ago when I went to Caesar’s Magical Empire in Las Vegas the stage show as done by The Pendragons. One of the things that he did was sat on the edge of the stage and did a torn and restored cigarette paper. It stood out because The Pendragon’s show is soo big, then he does a little bit with a tiny piece of paper. That routine just used his hands and the cigarette paper and showed that he can do sleight of hand.
Whatever you do to show skill doesn’t have to overtly look like you have skill like producing cards from backpalm, but the audience needs to know you have skill.
Way back in 2021 there was some discussion of the Tommy Wonder Vanishing Birdcage by JM Magic on The Magic Cafe. In their advertising they say that it’s exactly like in the book, and I bought one of sets from the first run. The cage wasn’t made right and neither was the pull, and I mentioned this is a thread on The Magic Cafe.
I probably get an email every couple months about this post and just got one and figured I would share my most recent response with my experience with the cage. Before you read my thoughts and experience on the Tommy Wonder Vanishing Birdcage by JM Magic, I want to be clear that I’ve heard they’ve correct some (possibly all) of the issues below.
The message begins below:
Yes, that’s the TW cage set I was referring to. I bought one from the first run and when I brought up the issue with the reel not having the second lock, here’s their reply:
MESSAGE FROM THEIR REP IN THE USA:
We are aware of the second lock. It has two functions as described in the book: “They guide the cord as it winds around the reel-drum, and they halt the cord-stop, so that the ratchet arm can lock it in place.”
But we found two problems when we made it according to the book.
The first is that the locking device will produce a certain resistance, hinder the cord to pull back, and will wear the cord, make the cord break very soon. If that happens, we need to replace the cord frequently, and that will increase the risk of breaking the cord during the performance.
The second is that our reel’s pulling force is large enough, the gravity of the cage or other forces will not pull the cord out, only when people pull the cord out. So the lock is dispensable and will produce additional friction.
It’s great for making yourself and repairing yourself but people do not want to “buy” a product that they will constantly have to fix. This was the case with the double lock.
For this reason, we have made the following improvements: In order to reduce the friction between the cord and other parts when the line is pulled back, we made a rubber pad at the opening of the tube, and the inner part of the housing is chamfered.
Therefore, based on the above considerations of friction, service life and functionality, we did not make this locking device
JM Magic USA rep
Their response is 100% BS, first of all it contradicts their marketing that the props are exactly like what’s in the book. If they made it correctly, there is no issue…AND their reel definitely wasn’t strong enough to resist the force of the vanish without giving out some line.
Then a few days later I got this email from their main email.
MESSAGE FROM JM MAGIC
Thank you very much for your purchase and feedback.
After receiving your feedback, our team studied the problem again and found that the problem is very serious, so we will make a new version of the reel as soon as possible, and add this second lock. Then we will contact our agent, who will contact you to send back the reel and replace it for the new version.
We think you are a person who knows TW’s props very well. Are there any other problems with the vanishing birdcage you received?
And your insight makes us do better. In order to express our gratitude, we will send you another set of props made by our team. Could you provide us with your address?
Hope ur reply
JM Magic (asia)
OK, so they’ve admitted they’ve made it incorrectly. They never sent me a replacement set as they promised two years ago, however here was my reply with the things wrong with it. I replied with the other issues with the set, like the double action pull being made wrong and parts of the cage being made backwards, so you can’t hold it properly. The attached pics are what are referenced in the following email:
MY MESSAGE TO JM MAGIC
The “Single action double action” pull that came with my birdcage set was made incorrectly. I attached a picture titled: pull
The pull that I received had the cord stop circled in the green placed on the wrong side of the pulley. It was placed where the red dot is, making it non-functioning.
Also for the shoulder strap circled in Blue in the picture wasn’t there. It had a metal pin and loop, that I’m not sure how I was supposed to attach it to my shoulder based on the description in the books.
As for the cage, if you look at the attached picture: cage1
In the picture you will see the two circled pieces. The pieces circled in red and blue are different shapes in the books. The cage I got had two shaped like what I circled in red. Both of those being the same shape makes it very difficult to hold the cage properly. You need the one shaped like what is circled in blue.
Now look at the attached picture: cage2
The rivets in the cage you sent were like what is circled in red. Tommy made them like what is circled in blue. The reason for this reduces the chances they could snag and decreases the wear on the cage with use.
Hope that helps, and I look forward to seeing the this made correctly!
Louie
That’s the end of our correspondence, and I never got a replacement set or even a thank you. I have no idea if they corrected the issues or not, however I will not buy anything from their TW line as it’s not how they advertise it as being what’s in the books and are cutting corners.
For every show that I do, I have a written set list. I know my show, but I always have one. For my main show, it’s taped to the inside of the lid of my case. Recently I was in a show where I did three five minute spots, so the list was written on a piece of paper inside the bin on my table top.
I do this for a couple reasons, for my main show if I’m repacking it, it’s easy to go down the list as I pack to make sure I have all of my props. For unusual configurations of my show, it makes sure I have all the correct props set. It also takes brainpower out of what I’m doing, I can glance at the list and know what to do!
While I was in Canada last weekend I was chatting with some magicians after the Harrison Greenbaum show and someone mention there was a guy about an hour away that was making vanishing birdcages and gave me his phone number. I called him the next day, and was invited over and got to see some of his cages!
These cages are great and since he’s not mass producing them, he’s open to doing custom sizes. The cages have a great action to them and look great!
I’m very fortunate to have gotten to see these cages and I’m on the list for a cage the next time he makes them!!!
Talking to people and then following up on opportunities when they present themselves is one of the biggest secrets to success. Not just in prop hunting, but in life!
Last weekend I drove up to Canada with my buddy Chris Beason to see Harrison Greenbaum‘s show. I had heard a lot about him, but never really have seen him perform. I had seen a version of his lecture at an online magic convention.
In the show he did six tricks in 90+ minutes. That’s about one trick every 15 minutes. He doesn’t get 15 minutes out of the trick in a traditional sense. Before tricks he has stand up comedy that segues from the previous trick to the next trick. This is the way to do it, none of the routines feel like they’re dragging out.
Harrison’s show is also very much in the moment, and he does a lot crowd work (talking to the crowd, ad libbing with them, then using that info in the show). This makes the show feel like you are definitely seeing a unique show that will never happen again.
Watching Harrison’s show is a good lesson in how much you can do with a huge personality and very minimal props. He doesn’t just stand in one spot, he moves all over the stage and really fills the space. It doesn’t feel like a bar show that happens to be on a stage, it feels like a stage show that happens to use smaller props.
In my tech sheet that I send out for stage gigs, one of the things I ask for is a corded microphone in a straight stand. This is my emergency microphone, in case something strange happens with my headset mic. I ask for the mic to be muted on the mic, no the soundboard. If I need to use it, I simply grab it and switch it on. I don’t need to ask a sound guy to hand me one or switch it on.
Here’s my emergency mic at a large corporate event sitting behind their projection screen:
I don’t always get a corded mic, less and less venues and sound companies have them. I frequently travel with my own handheld mic with a switch, however I don’t travel with cord. I’m OK with a wireless handheld as an emergency mic, but prefer a corded as if something is causing interference with wireless, I definitely won’t have the same problem with a handheld.
The middle show of the three city tour I did last week was a cabaret show. This show was themed, and the theme was “cults”. I don’t normally do themed stuff, but came up with a way to use cults to get into something that’s normally in my show.
The premise was that my wife and I like cult documentaries. Then I had a list of them, someone picked one and it matched a prediction and that led me into my cat routine.
One of the jokes that I wrote that my wife didn’t like, but I did anyway was the final cult was “blue oyster”. It got a great laugh in the show! I think the demographic of the audience that night really helped it play, and my wife wasn’t really who that joke was for.
It was fun to do a bit of writing for something I don’t normally do. I also kinda like the premise of cult documentaries and I think people relate to them as they’re popular now. I may try to play with the premise a bit more and see if I can come up with something that I can use in my normal show.
Last week I did a little three city tour, in two states over three days. I performed at a casino in Redding, CA, a cabaret in Seattle, WA and a comedy club in Spokane, WA.
The first show in California was a logistical challenge and it really shouldn’t have been. I flew into the Redding airport, however my flight was over 2 hours late, so when I arrived the rental car desk was closed. They said they’d honor my reservation for the next day, unfortunately I was only in town for something like 20 hours and didn’t need a car the next day.
The casino was about a $20 Lyft ride from the airport. After I got checked into my room, I remembered that I needed to go to the store for a couple of props (this is why I rent a car). The casino isn’t really near anything, and the closest store was about a $23 Lyft ride each way. I needed a bottle of juice and two bananas, so a $3-$4 purchase, but $50+ if I figured in the Lyft prices.
I just happened to notice a poster in the casino for their comedy night and comedy night was that night. It had their headliners listed for the month and I knew all of them…except for the headliner that night. Then luck stuck, I happened to walk by the comics as they were checking into their room and I chatted them up. We knew all the same people, and I managed to convince one of them to give me a ride to the Walmart for my props!
This is why you make friends with other performers and put out good energy into the world. You never know when you’ll need to lean on a network of people!
