Horizontal Ambitious Card – 3rd Phase

A few weeks ago I posted about how I’ve started doing the ambitious card effect with the cards spread across the table (read it here). I’ve added a third phase:

The ending with it in the card box is a great third phase.

I have changed the second phase a little bit since I made the video above. I’m putting the selected card second from the top of the deck. What I noticed was happening most of the time was at the second phase, people would very quickly point to the top card. When they do that, I show it’s not there and remove that card. Then I proceed as in the video and it’s getting a great reaction. If the don’t immediately point to the top card, I do the reveal with a double lift and that sets me up for the third phase.

I’ve also made a change to the third phase. I’m setting the card on the table (after the switch) and having them put it into the deck.

-Louie

What’s in a Name…

One thing that magicians frequently complain about is having a generic “magician” on a post and not their name. Here’s a 20 year old poster advertising a fair that I came across:

Look at the listing, at the bottom they list acts by name. There are specific titles and generic ones. For example, Scott Land Marionettes is the name of his show, so the full title ends up on the poster. Then there’s the generic Face Painter. Both of those titles tell the person going to the fair what will be there. A generic face painter may not do good for the face painter’s ego, but it is probably more exciting to a ticket buyer than “Shelby Winters”, unless that’s a prominent person from the community.

Let’s take a closer look at the listing, I circled an act:

I circled Grinn & Barrett, I know what what this act is and know the two people in the act, but 99% of the people going to the fair have no idea what it is. In that place a generic “comedy juggler” or “juggling show” would have gotten more people excited about than the name of the act.

This is something I’ve changed recently with my show. I used to bill it at fairs as Louie Foxx’s One Man Side Show, which is still the name of the show, but I don’t use that at events like fairs or festivals. It doesn’t really tell the audience what they are going to see. I’m now using The Magic of Louie Foxx and since I made that change, I’m seeing bigger starting audiences at my shows. This is nice, as I don’t have to build as hard as I did in the past.

Take a peek at how you’re being advertised in a program and think about if you didn’t know who you are and what you do, would you go see the show? Personally I’d rather be listed as a generic “magic show” in a program than just “Louie Foxx”.

-Louie

Flying with sound

roland street cube EX

Last night I hopped onto a plane to head to a gig and my carry on is my sound system. This PA fits in the overhead compartment, so I don’t have to check it. I do frequently check it inside of a suitcase, however I’m travelling light this trip.

I use a Roland Street Cube EX, what I like about it is that it can run off of battery power. It uses 8 AA batteries and not an internal battery. If it had the internal battery, I’m not supposed to check it. Also if I forget to charge it, it’s easy to replace them. I do use rechargeable AA batteries in the system, so I’m not constantly buying them.



When I bought this, I needed three inputs for my show, however I currently only need two. If I was to buy one now, I’d get the standard Street Cube and save a couple of bucks.

-Louie

The Moisture Festival Podcast – A day at the festival

Today the Moisture Festival Podcast takes you behind the curtain of the 2022 festival! Matt and Louie take you through a day as an artist at the festival and we chat with the volunteers that make the festival happen!!

The moisture festival

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Ink Hole Coin Trick

I just stumbled across a video of the trick Ink Hole and I really like it!

Here’s what the trick has going for it:

  • it’s not a card trick. Yes, I know there are plenty of tricks similar to this with a card and hole. My thinking is the less tricks that I do that don’t use cards, the better. I’m not anti card trick, however for texture in the show, if I can avoid a card, I do!
  • It’s very visual and in a strange way!
  • it happens in front of your body and not on a table.

What I don’t like about it is that there is (as far as I can tell) a requirement that you wear a black shirt. This isn’t a deal breaker, but it is definitely a consideration.

I’m on the fence about getting it, it’s more the wardrobe condition that’s keeping me from ordering it.

Even if I don’t get it, I still think it’s a really cool effect!

-Louie

Library Magic Show

There was a time many years ago when I would do about 75 library shows in a summer. This year I think I’m doing 5, however I’m staying very busy performing in other markets. Yesterday I performed at one of the first libraries that I ever performed at!

The pic was taken as I was setting up and people were trickling in, we ended up packing the place!

One of the great things about library shows is that they normally have a theme each year and you get to create with that theme. It makes creating really easy because you have rules you need to follow. In the case of a library it’s the theme of “outer space” or whatever.

Since I was only doing a handful of them I didn’t offer a theme this year. I do kinda miss writing a 45 minute show every year and taking it from nothing to a a polished show! Those skills have really helped me with creating material for other venues!

-Louie

Vanishing Parakeets!

Oh man, I just got home from being on the road for little while and I had a package from Jonathan Neal waiting for me! This arrived the day after I left and I’ve been anxiously awaiting it! I had ordered two of his parakeets for the vanishing birdcage! These aren’t rubber, they are silk on the outside.

These little guys are amazing looking and collapse into virtually nothing! I like them as they visually have more “pop” than the plain ol’ yellow canary that I had been using.

Unfortunately my cage is in California right now and I’m in Seattle, so I can’t try them out just yet.

-Louie

Vanishing Alarm Clock

A little while ago I agreed to do a school assembly tour next year. I’ll be doing 2-4 shows a day for about 8 weeks. For me doing these tours is about generating new material. Doing 15-20 shows a week, you really can take something and polish it, or know it’s not for you.

I was trying to think of a something to tie a bunch of unrelated ideas together. It hit me the other day, use idioms as the thing that links everything. An idiom is a saying, like “a broken clock is right twice a day” or “keep me in the loop“.

vanishing alarm clock

Those are two examples of things I’m working on right now for the show.

A while ago I ended up with a lot of vintage magic props. One of them is the stand for an old vanishing alarm clock. I went out and ordered an alarm clock with bells that ring and rigged it to work with a remote control. The idea is that alarm clock will come out of a box. It will be covered up with a handkerchief and hang on the stand. It will ring, then vanish. Then there will be ringing from the box it originally came out of and it will be back inside the box!

I’m excited to be able to have a use for a prop like this in my show, as this style of prop doesn’t normally have a spot in what I do.

-Louie

Tape Measure Prediction…

One of the tricks that I’m trying to move out of my preshow and into the main body of my show is my version of Iain Bailey’s Measure For Measure trick. This is a tape measure prediction, you pull out the tape and someone says “stop” and there’s a giant arrow drawn on the back where they stopped. I totally reworked Iain’s gimmick so that it works way better for how I perform and the conditions that I perform in. You can read a little bit about it on this blog post.

The challenge I’ve had with it was getting the effect to really hit. It was getting an “meh” sort of reaction. What fixed it was that I added a phase to the beginning of the trick. This first phase I used a separate tape measure and the person from the audience says “stop”, but misses the prediction and it’s wrong. I tell them they will get it wrong the first time, but will get it right the second time. I think this really sets up what’s going to happen the second time and makes their brain processing the effect much faster.

I’ve managed to get a couple more laughs out of the routine as I’ve been working on it this summer. It’s slowly becoming a more fleshed out routine. I just need to do the work, which is writing, testing and editing.

-Louie

Recreating Sound!

Here’s a little tip for when you’re working a fair or any multi-day gig with a lot of other acts. First of all, don’t touch the sound company’s equipment without asking. What I do is ask if I can have 3 dedicated channels for the week. Usually they say yes, but not always. I do my initial sound check and once that’s done I take a pic of the sound board and note what’s mine.

Now it’s really easy to recreate the same sound by using the picture if things get changed.

I know the sound guy is there for that…well usually they are. The fair where I took this picture had one person running four stages. Since my audio was never supposed to change, he didn’t visit my stage near my show times very often. I’m OK with that, I had his cell number and could text him if I needed him.

Well, one of the community acts later in the day as I was packing up used two channels, a handheld mic and a phone with music on it. At one point there was feedback and the person running music slid down all the levels on the all the channels of the board to make it stop. I should note that the reason there was feedback was the person with the mic stood in front of a speaker.

That person turning down everyone’s channels ruined the preset for the next day. Luckily I have what I need to easily recreate what I had before it got changed! Take a pic of the soundboard, it only takes a couple of seconds and can save you a pain later!

-Louie