I like the idea of doing a chop cup on stage, but it presents some challenges. The main one is on a raised stage, if you work on a table, and the audience is seated below you it can make it hard for them to see things on the table. My first rule of the routine was that there had to be no table. The next rule was that I wanted this to be a solo trick, so no one from the audience onstage. The final rule was that I didn’t want to (openly) to go my pockets or case during the routine.
The first thing I did was go see what was already out there, however most of the existing routines at some point use a table or pockets. When I mention this to other magicians they always mention Axel Hecklau’s routine, but that uses a table, pockets and a spectator onstage. In the past I had one a Ball and Cone routine for a show, so a phase of the trick was definitely inspired by that.
The routine that I’m currently doing now is my second version of the chop cup that follows the three rules above.
I’ve been doing this a bunch this summer and it’s going well!
-Louie
Tag: stage magic
AI still sucks
A few weeks ago I was on Facebook sharing a post about an event I was performing at. At the bottom of the post was a little prewritten question for Facebook’s AI. The question was “Is Louie Foxx a professional magician?”
Here’s what the answer was:
I find it very interesting that Facebook’s AI couldn’t find any info about me as my Facebook page has my public show schedule on it weekly!
Then the logic of me performing “Magic tricks and comedy” suggests that I’m a local performer doesn’t make any sense. This just another reason why I think AI isn’t quite ready for real life.
-Louie
Vanishing Bird Cage in Real Life!
One of the criticism’s of the Vanishing Bird Cage is that it doesn’t look like any bird cage that exists in the real world. Here’s a bird cage I found at a junk shop:
That’s pretty much what the size and shape of a modern vanishing bird cage. So they do exist in the world!
-Louie
Sharing Offstage Space With Other Acts
A few weeks ago I did a post about working with acts that don’t know or understand backstage etiquette. You can read that post here. In that post I made a graphic about 3 rules to sharing an offstage space with other acts. Well I made that graphic into a reality. I had some cards printed!
These are a great way to passively inform people of how to behave around other people’s gear! If you run into me, I will usually have some one me, if you’d like one, just ask and if I have any, I’ll gladly give you one (or more).
It’s really our job to educate people who don’t know.
-Louie
Spiked Punch!
This morning I had an idea for a trick that I think would be called Spiked Punch.
The effect: You show the audience some art you bought. It’s a cardboard box that has a drawing of a boxing glove and spike going through the box. You pull you the spikes and notice the box is upside down. You flip it right side up and remove a full glass of punch!
The trick’s method would basically be like a sword box, with an added bit which is the gimmick from a Wizzy Dizzy Milk.
I think the addition of flipping the box over adds a layer to the trick. Not sure if an audience will notice or appreciate the flip of the box, but it should make it harder to backtrack to figure out the method.
This is something that I’d like to try to make in the future!
-Louie
New Losander Floating Table
A bit ago Losander was pitching a new floating table in social media magic groups. Here’s his post:
I have a few issues with this. First of all, he’s using an AI generated image to show the table, so it’s not the actual product. Also, he’s showing tables that are 3 different dimensions. After people started asking which table they were getting and asking if the pics were AI generated, Losander finally said that he didn’t have the table yet.
OK, I find it crazy that he’s selling a table that he doesn’t have one to take a picture of. At $2,500 (retail) he really should have one he’s tested and knows it actually works. Sure he may have one that he’s used and not in perfect shape for a picture, but people are asking for video and he hasn’t (as of the time he made that post) shared any video.
The final thing is that he’s taking a presale on this new table. If you read the social media groups, many magicians have posted that he’s taken money and doesn’t deliver the product in a timely fashion. Magicians have to constantly bug him for product that he says he has in stock.
Here’s some people’s reported experiences:
Many magicians in these social media groups give the advice that if you want a table, you need to buy one at a convention that he’s at where you can take the table at the time of purchase. I’ve personally never ordered anything from him, the above are the experiences of people who say they’ve ordered from him, and your experience may be seamless.
-Louie
Walter Blaney’s Perfect Vanishing Cage
I finally picked up one of Walter Blaney’s Perfect Vanishing Cages!
It’s really well made, and unfortunately when it arrived, I wasn’t in town to really get to try it out. I do use the Summers/Riser Baby Lindy Vanishing Birdcage in one of my shows, so I kinda knew what to expect from the quality of this cage. It’s got a nice smooth action, but will still stand upright on its own!
This cage reminds me of one of my older Owen Vanishing Birdcages from the 1980’s.
-Louie
Click here to learn more about the vanishing birdcage!
Carry the $10 Adapter
I was working at a fair and there was a local dance group that showed up without any audio equipment. I understand not bringing a PA, but they didn’t bring an adapter to get their phone’s music to the PA. That’s literally a $10 part that’s super tiny and easy to travel with. Because they didn’t have that, they had to do this for their music:
It sounded like garbage and when the dance group is trying to get new students as part of their show, it doesn’t look good.
Personally I travel with all the XLR cords and adapters I need to plug into a standard sound system. Sure there’s the odd time when I run into an unusual sound system that’s really a consumer (back yard) type of speaker and not intended for professional live sound. Those will typically run on 1/4 or 1/8 inch plugs, which I usually have as well.
I should mention that I did have the adapter that they needed, but didn’t let them use mine. I’m not mean, but the first and last time I let a dance group use mine, they took it! That then affected my ability to do my show by helping them do their show. I’ll never let anyone I don’t know borrow things that I need to do my show.
The moral of the story is that if a $10 part is why your show sounds like crap, buy that and carry it with you.
-Louie
Buying a Mentalism Show
I was chatting with a hypnotist friend of mine, who is also a good magician about the new wave of mentalists. These are people who see mentalism as way to “fame” or at least gigs. Many of them are from non-magic styles of performance (like burlesque, or actors) that think they can simply buy some props and do a mentalism show. The sad thing is that they pretty much can and will do fine…until something goes wrong. Their show is literally controlled by a computer chip
I’ve worked with a many of these acts and what they lack is that they’re not passionate about magic or mentalism. They’re not passionate about magic/mentalism, they just know the prop they bought. When that electronic prop doesn’t work, they’re screwed. They don’t have a back up plan.
Someone who loves magic/mentalism knows four different ways to get out of an electronic trick when the gimmick fails or has planned for failure with back up methods.
A good example of this is when I used to do the lottery prediction using Ceseral CUPP. My prediction was two phase, the first was a decent trick and the kicker was the lottery ticket. The reason it was two phase was that when doing the trick if the lottery ticket didn’t print or was a misprint, I simply stopped after the first phase. No one knew the lottery ticket was going to happen, so if I didn’t do that part, it felt like the trick was complete. The first phase of the trick was bullet proof, and really couldn’t fail.
This is where being a student of whatever art you’re doing makes a huge difference! Put the time in!
-Louie
Remote Control Chattering Teeth UPGRADE!
Last year I added an ankle switch to a set of my remote control chattering teeth. That allows hands free operation of the teeth. I’ve used them all summer and they’re working great!
Here’s a quick demo of them:
@louiefoxx I put an ankle switch into a set of Chattering Teeth! #magic #joke #dentist ♬ original sound Louie Foxx
When my summer season ends in a late September, I plan on making a batch of them for sale. Keep an eye out for them!
-Louie