How to be a Good Opening Act!

Recently, I was the headline act for a stand up comedy show at a casino. The show had three acts, and an MC who did 15 minutes, a feature act that did 30 minutes, and then the headliner (me) who did 60 minutes.

Comedy magic

One of the things that many magicians don’t understand is how to be a good opening act when you’re in a show like this. Magicians think they need to go out there and DESTROY an audience almost with a “try to follow that” attitude, and there are places for that, but as an opener in a comedy show, that’s not your job.

The MC’s job is to warm up the crowd, not to crush. The Opener’s job is to keep the energy going so that the headliner has a hot crowd when they step onstage.

I’m not saying you should intentionally be bad, or not give it your all. The thing is that you’re working within a show and the whole show needs to be successful. If you’re constantly blowing the headliner out of the water, and you’re not moving up to that position, you should look at why you aren’t moving up.

Do you have enough A material to fill the 60 mins?


If not, you should be working on that, and not necessarily doing the stuff you know crushes every time.

Are your first 25 minutes any good?

I’ve worked with tons of acts that have an amazing 5-10 minutes, and they close with that. However, everything before that is pretty bad. They close strong, but don’t move up to headliner because the rest of the show sucks.

Is there some other reason?

Are you hard to work with offstage? Do you follow the rules of the venue? These are all things that can keep you from moving up the ladder to the headline position.

How I Learned The Opener’s Job

Many, many years ago, I had a closing bit that crushed. One day, I was on the phone with my stand up agent, and they told me that they didn’t want me doing that bit as the opening act. It really changed the energy in the room and made it hard for the headliner to follow. The agent then explained to me my role, and once I understood that, it made me work harder as a performer to figure out a more appropriate ending to my show for that venue. More importantly, it made me look at my show and really start working on the steps to move up to the headliner spot.

I should point out that you absolutely should do your best, but sometimes a choice of material that’s better for the show as a whole is the right choice.

-Louie