magic show – Page 57 – MagicShow.Tips

Clean Up Your Act…

The last couple of weeks I’ve not had much work as far as show go. This is a good thing, as I do hundreds of shows a year, it’s nice to have some down time. One thing I’ve been doing with my free time is that I’m giving my props some repairs and updates.

One of the things that I noticed was how dirty my handkerchiefs get. I use a yellow one in the show and it was filthy. It tried washing it, and that barely made a difference. I then went to my back up and it was dirty! A quick trip to the magic shop to pick up a couple yellow silk handkerchiefs and that really cleaned up the look of the show!

Take a look at your props, what’s dirty? What can you replace, or touch up? These things slowly wear down, and you don’t notice it until things get pretty gross.

Can’t Stop the Hustle, But Maybe You Should…

Oh man, so recently in an Facebook group for magicians someone posted a news report about them with a streaming TV deal. The problem with post it in a magicians group was mainly that it really served no purpose for that group. It was a “Look at how great I am” sort of post, but … Continue reading “Can’t Stop the Hustle, But Maybe You Should…”

Oh man, so recently in an Facebook group for magicians someone posted a news report about them with a streaming TV deal. The problem with post it in a magicians group was mainly that it really served no purpose for that group. It was a “Look at how great I am” sort of post, but more that, in my opinion it’s all smoke and no fire.

I’ll let you watch it and decide for yourself:

So, do you think it’s relevant in a magicians group? I personally don’t and it’s someone trying to inflate their ego and I’m not a fan.

Here’s the nuts and bolts of this. In my opinion he hired someone to do a news report, as there’s no news company’s logo on the video. So far that’s fine, it’s a promo video. Second the news stories is that he’s “shopping” a show to the major streaming sites, which really isn’t news, but still in some sort of promo that’s fine. Next he tagged all three streaming services on it, which is unusual. I’m not an expert in pitching TV shows, but I’ve heard that once you get to the actual pitch, usually things go on lock down so no one swipes your idea. Once it’s out there, someone with a higher profile, more money or connections can steal your idea and get it made.

The big one is that he’s saying he has almost 40K views, which I’m sure he does. This is what he’s selling hard, that he has 40K views in the post. However personally I’d guess he bought those views. Here’s why I think this, the post only has 70 likes/hearts/etc and 5 comments. His rate of engagement is insanely low for having 40K legit views. With my high school math the rate of engagement from the video is something like 0.0018%! That’s not a good rate.

Maybe in May 2019 when this is on Netflix I’ll be eating my words, and I hope I do.

How is this relevant to being a magician? Pretty simple, if we are supposed to be good at the art of deception, at least think about what you are doing. Look at it from all angles. Don’t just buy views, buy likes and comments. Now look at your tricks from all angles, what do you need to cover? Is there a bad angle to that palm? Can you fix it?

Make your magic better than just “good enough”!

Mic Technique…

Last night I went out and saw a mentalist perform, and one of the things that stood out to me was how much audio can affect a show. I guess what I mean is that audio problems can really affect the show in a negative way. When sound works correctly, you don’t notice it as an audience member, however when it fails it’s very obvious.

Let’s start with one of the things that I hate, and that’s starting a show by saying, “can you hear me?”. That’s the worst opening line ever. You should just start talking and the sound guy, or audience will let you know if that can’t hear you.

The next thing is to be aware of your mic. The mentalist last night wore lapel mic clipped to his shirt (not jacket) at right in the middle of his chest. It was much lower than most people would wear it on their jacket. During the show he kept reaching into his inner jacket pocket and rubbing his arm across it making a loud scratching noise. For people in the audience, this is not comfortable on the ears.

The moral of the story is if you are doing a real show, and charging real admission, then get a real mic and learn to use it. The audience will never notice this, and that’s a good thing!

Magicy Week!

This week has been a very magicy week for me. With going to see Michael Carbonaro, to my friend from Ireland, and tonight I’m going to see a mentalist named Eran Raven. One of the pieces of advice I tell magicians is to go out and see all the shows that you can see. Being … Continue reading “Magicy Week!”

Being exposed to what is out there really contributes to your growth as a performer. You will notice trends, then its up to you to either embrace the trend, or stay away from it. Either way you know what the herd of magicians is doing.

For example one of the big trends in magic right now is having a prediction reveal on a scroll that you unroll. It something that plays really big and is typically referenced during the show. Darren Brown, Penn and Teller, and tons of other magicians use this. Normally it’s used for a confabulation type routine.

Personally I’ve always liked the confabulation premise, but wanted mine to look different. Knowing the scroll reveal is popular, I looked for another way to do it. I ended up with doing an audio reveal from a recording. It’s got a different feel for the audience, so if they’ve seen someone do the scroll reveal, it’s a different trick!

Upgrade Your Show!

This morning I upgraded a prop that I’ve been using for years. Current technology allows me to make part of the gimmick smaller, lighter and slightly more durable. The prop was working just fine, so why upgrade it? Simple, by upgrading now when I’m not in a time crunch, like it broke while I’m on … Continue reading “Upgrade Your Show!”

This morning I upgraded a prop that I’ve been using for years. Current technology allows me to make part of the gimmick smaller, lighter and slightly more durable. The prop was working just fine, so why upgrade it?

Simple, by upgrading now when I’m not in a time crunch, like it broke while I’m on tour allows me to make sure I get it right. I’m making a lateral replacement, it’s an actual upgrade.

As a general rule, upgrading before replacement is required will get you better results. Upgrading along with proper maintenance of your props is essential to avoid them failing during your show.

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.

Michael Carbonaro LIVE

Last night I went out and saw Michael Carbonaro at the Moore Theater in Seattle. It was a great show, and I highly recommend checking it out. The show was a great showcase for his personality, and all of the tricks were solid! I’ve always said one of the things that takes you up a … Continue reading “Michael Carbonaro LIVE”

I’ve always said one of the things that takes you up a level as a performer is tightness. How you get from one thing to another, and Michael did it expertly. There were no slow spots in the show, or down time.

Eliminating downtime between tricks makes your show a show, and not a collection of acts. It’s not easy to come up with transitions that make sense, but the work is worth it!

Ripping Routine Part II

In yesterday’s post I got started with working on a routine for my version of the Split Deck trick. Right now we have the presentation hook for the trick and need to get into writing some jokes for the routine. There are several ways that I typically do this.

1. Write random jokes: This is basically just doing some research on the props and the skill and writing jokes about what turns up.

2. Punch up a basic script: This is where you write a narrative script saying what you have to say, then go back and write jokes to make it funny.

3. Improv it: For this you go out and just do the trick an see what comes up.

4. Workshop it: This is where you get together with a group and brainstorm ideas.

Usually I will use all four of the above methods. I don’t do them in any particular order, I probably should have a system that I follow every time, but I don’t.

One thing that is important for me early on in the process is just to go out and do the trick to see if there’s anything there. You’ll learn a lot by doing the trick once or twice without devoting a ton of time to writing. You may learn that your method doesn’t feel right, or people don’t give a crap about the trick. If you are lucky something major will present it self that will become an anchor for the routine.

Alright, so those are the methods for writing the routine. Tomorrow I’ll start the actual writing (hopefully).

Ripping a Deck of Cards…

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine. Here’s the … Continue reading “Ripping a Deck of Cards…”

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine.

Here’s the bare bones (the deck ripping trick starts about halfway through):

First thing with a routine is what is it going to reveal about “me”. I used the word me in quotes, because it doesn’t have to be the literal me, it can be what I want to portray on stage as “me”. It’s going to reveal that I hang out with some unusual people. My idea for the opening/hook is:

“When I was younger one of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try.
While I lived with him, he helped train me to rip a deck of cards in half”

Another idea for an opening/hook would be:

“I’m always amazed at how many people come up to me to show me a trick they can do. What other profession does this happen in? Imagine after open heart surgery, you wake up and ask the doctor if you can borrow his scalpel to show him that you do a mean amateur appendectomy.”

Both are decent approaches to the presentation of the trick. I think I prefer the first one. I think learning stuff from an old roommate is more relatable than people wanting to show you a card trick. If working at a magic convention, then the second one is probably good.

Ok, so we’ve got the hook, now where to go from there? Tomorrow we’ll start to build the meat of the routine.

Custom Props…

One of the things I’ve been doing over the last few years is getting rid of props that I don’t like, and replacing them with custom versions that are made how I want them. I’m sure you have something that you use, that just not quite right for how you handle it. Maybe you’d like the prop an inch longer, two pounds lighter, or whatever.

Having a 3D printer has made doing a lot of this very easy. I can print something, and if it’s not perfect I can easily tweak the design and reprint it. For example, I 3D printed all the props for my bubble act.

There are a few things that I can’t easily do at home. One of the things is my table top. I love it for when I’m actually working on the table top, but not for stage show where basically just holds props. For my stage show the table top is about an inch too short and I don’t like how everything sits. I just ordered a new custom size table top from Viking Magic:

I got a nice bonus with the table top, besides being the size I want for my stage show, it’s also about a pound and a half lighter than my other table top! That means I can pack a little bit more in my case when I fly.

TLDR: Have props you like!