Whenever I travel I always try to meet up with the magicians in that area! Since Chris Beason and I were in Canada last week to see Harrison Greenbaum’s show, there were a lot more magicians out than if I was just randomly in that town.
Before the show we got to have dinner with many of the the magicians in British Columbia!
Then after the show we got to have second dinner with the Norden’s and Harrison.
And the next day we got to have lunch with Reg Donnelly and Paul Romhany!
Paul knew, but didn’t mention that he had won the literary award from the magic castle! They announced it the next day.
It’s always fun to hang out and swap stories with magicians! If I’m ever in your area, shoot me an note, if I’m available, I’d love to kick it!
For every show that I do, I have a written set list. I know my show, but I always have one. For my main show, it’s taped to the inside of the lid of my case. Recently I was in a show where I did three five minute spots, so the list was written on a piece of paper inside the bin on my table top.
I do this for a couple reasons, for my main show if I’m repacking it, it’s easy to go down the list as I pack to make sure I have all of my props. For unusual configurations of my show, it makes sure I have all the correct props set. It also takes brainpower out of what I’m doing, I can glance at the list and know what to do!
While I was in Canada last weekend I was chatting with some magicians after the Harrison Greenbaum show and someone mention there was a guy about an hour away that was making vanishing birdcages and gave me his phone number. I called him the next day, and was invited over and got to see some of his cages!
These cages are great and since he’s not mass producing them, he’s open to doing custom sizes. The cages have a great action to them and look great!
I’m very fortunate to have gotten to see these cages and I’m on the list for a cage the next time he makes them!!!
Talking to people and then following up on opportunities when they present themselves is one of the biggest secrets to success. Not just in prop hunting, but in life!
Last weekend I drove up to Canada with my buddy Chris Beason to see Harrison Greenbaum‘s show. I had heard a lot about him, but never really have seen him perform. I had seen a version of his lecture at an online magic convention.
In the show he did six tricks in 90+ minutes. That’s about one trick every 15 minutes. He doesn’t get 15 minutes out of the trick in a traditional sense. Before tricks he has stand up comedy that segues from the previous trick to the next trick. This is the way to do it, none of the routines feel like they’re dragging out.
Harrison’s show is also very much in the moment, and he does a lot crowd work (talking to the crowd, ad libbing with them, then using that info in the show). This makes the show feel like you are definitely seeing a unique show that will never happen again.
Watching Harrison’s show is a good lesson in how much you can do with a huge personality and very minimal props. He doesn’t just stand in one spot, he moves all over the stage and really fills the space. It doesn’t feel like a bar show that happens to be on a stage, it feels like a stage show that happens to use smaller props.
In my tech sheet that I send out for stage gigs, one of the things I ask for is a corded microphone in a straight stand. This is my emergency microphone, in case something strange happens with my headset mic. I ask for the mic to be muted on the mic, no the soundboard. If I need to use it, I simply grab it and switch it on. I don’t need to ask a sound guy to hand me one or switch it on.
Here’s my emergency mic at a large corporate event sitting behind their projection screen:
I don’t always get a corded mic, less and less venues and sound companies have them. I frequently travel with my own handheld mic with a switch, however I don’t travel with cord. I’m OK with a wireless handheld as an emergency mic, but prefer a corded as if something is causing interference with wireless, I definitely won’t have the same problem with a handheld.
A couple of weeks ago I went to Disneyland with a bunch of variety entertainers after an event in Anaheim.
One of the things we saw was the piano player at the Golden Horseshow Review.
The format in the show (20ish mins) show was song, jokes, song, joke and that repeated. This is a solid formula for a show and format that’s great for a magician, just substitute tricks for the songs.
Why does it work? It changes him from an ambient act to an engaging show. The jokes also make you connect to him, he’s not just a piano player, he’s a person. That’s the goal with a magic show, to be a human. If you want to learn more about being a person on stage and not just tricks, check out Jon Armstrong’s Masterclass on Vanishing Inc. That master class is really great!
A few weeks ago I wrote a post about Nick Trost’s Mexican Monte packet trick (read it here). I was thinking about it and the end with the card with a different colored back is okay, but I think it needed something a little punchier.
The ending doesn’t play well on camera and from the straight down angle as well as in real life if the change is done by rubbing the card on your sleeve. The Tree of Hearts is think is a more visual ending and having the face change is more of a punctuation on the trick, than the original ending of simply turning the last card over.
The middle show of the three city tour I did last week was a cabaret show. This show was themed, and the theme was “cults”. I don’t normally do themed stuff, but came up with a way to use cults to get into something that’s normally in my show.
The premise was that my wife and I like cult documentaries. Then I had a list of them, someone picked one and it matched a prediction and that led me into my cat routine.
One of the jokes that I wrote that my wife didn’t like, but I did anyway was the final cult was “blue oyster”. It got a great laugh in the show! I think the demographic of the audience that night really helped it play, and my wife wasn’t really who that joke was for.
It was fun to do a bit of writing for something I don’t normally do. I also kinda like the premise of cult documentaries and I think people relate to them as they’re popular now. I may try to play with the premise a bit more and see if I can come up with something that I can use in my normal show.
Last week I did a little three city tour, in two states over three days. I performed at a casino in Redding, CA, a cabaret in Seattle, WA and a comedy club in Spokane, WA.
The first show in California was a logistical challenge and it really shouldn’t have been. I flew into the Redding airport, however my flight was over 2 hours late, so when I arrived the rental car desk was closed. They said they’d honor my reservation for the next day, unfortunately I was only in town for something like 20 hours and didn’t need a car the next day.
The casino was about a $20 Lyft ride from the airport. After I got checked into my room, I remembered that I needed to go to the store for a couple of props (this is why I rent a car). The casino isn’t really near anything, and the closest store was about a $23 Lyft ride each way. I needed a bottle of juice and two bananas, so a $3-$4 purchase, but $50+ if I figured in the Lyft prices.
I just happened to notice a poster in the casino for their comedy night and comedy night was that night. It had their headliners listed for the month and I knew all of them…except for the headliner that night. Then luck stuck, I happened to walk by the comics as they were checking into their room and I chatted them up. We knew all the same people, and I managed to convince one of them to give me a ride to the Walmart for my props!
This is why you make friends with other performers and put out good energy into the world. You never know when you’ll need to lean on a network of people!
I made up three of the self opening cocktail parasols and they easily fit into a thumb tip. I might be able to get one more and still get the thumb tip onto the thumb. However I’m thinking that the thumb tip may not need to fit onto them thumb and it could really just be a holder for the parasols.
I do think it’s fun to produce the little parasols and maybe it’ll be a running gag or something in the show. I’ll keep playing with them, maybe something cooler will come up.
