card trick – Page 9 – MagicShow.Tips

10 Card Deal…

When I was a teenager I remember reading Bob Farmer’s column in Genii Magazine (I think it was Genii) on the 10 card poker deal. I would read about it and work through it, but never did it. I played with the 10 card deal again about a decade later when I was learning a memorized deck, as the Aronson Stack has one built into it, but never really did it.

For about the last year I’ve been fascinated with the 10 card poker deal. It’s really an amazing trick that’s built on a very simple method. I’ve ready a lot of the modern works on it, however it appears a lot of the best stuff is pretty old. Bob Farmer put out a book called the Bammo Ten Card Deal Dossier.

This book is full of the history of the deal and most of the published works on the 10 card poker deal. Within it there are tons of routines. I’ve put together a three deal routine using parts of other routines that make the whole thing feel super fair, and each step gets more fair.

My three phase routine is something that I don’t think would play for a huge group in a live setting for me. It’s really a head to head “competition” with someone. However I am working on a stage version of this trick, but I think it will feel different from most 10 card deal routines.

There are tricks that come in and out of your life, that you dabble in here or there. They just aren’t right for you, or you aren’t right for them a that time. Then one day at the right time, you rediscover it and the trick finally works for you (or you for it). I think this is why it’s important to constantly be learning things and revisiting old things.

No Bad Ideas…

One of the things I try to do is act on most of my ideas. No matter how bad, impractical, or not my style it is. Just working them out is a good exercise for my brain. Most of these ideas will never make it into my show. Here’s an idea I’ve had in my … Continue reading “No Bad Ideas…”

Here’s an idea I’ve had in my head for a little while:

I’ve come up with several methods for it, all of which are very impractical. This one is probably the most usable version of the trick.

The downfall is that the trick isn’t how unpractical the method is, it’s that it’s a small trick. Visually it’s hard to see, and it’s got a very specific spot in a show that at can be. This trick has to be the opening of a card set, or when you introduce an additional deck of cards into a card set.

I’m glad I worked through the methods and got to work out my creativity muscles.

Magic From Non-Magicians…

There are tons of magicians that hate it when people show the magic tricks. Honestly I’m not sure why they’d dislike it. When you watch a trick you are encouraging someone that’s into magic on some level. You are also not being a jerk.

I understand that there’s a common magic trick that people show us and it’s a horrible trick and quite often the person fails to find the card because they don’t practice enough. However you never know when you are going to see something interesting.

Here’s a bartender that saw Chris Beason and I jamming magic tricks and offered to show us a trick:

While the trick was a math based trick, it was something I think I had read as a kid, but had never seen anyone do it. It was an interesting trick and while not the greatest trick in the world, it was worth watching 10 bad tricks to get to one that was fun!

The Shrinking Card…

When I was a teenager there was a trick that came out called Diminishing Returns by Mike Powers. This is a great trick where someone picks a card and the whole deck shrinks except for their card. Then the whole deck grows and their card shrinks. For the finale their card visually grows back to … Continue reading “The Shrinking Card…”

It’s a great trick and I did it for quite a while. Recently I was messing around with some cards and ended up playing with a similar gaff and here’s what I came up with:

This is a fun little sequence for the shrinking of a card. There’s not much to it, and I might write it up for Vanish Magazine in the future.

Not So Close Up…

The tend in magic is the choreographed sleight of hand to music, like what Shin Lim did on America’s Got Talent. It’s style that’s been around for a long time, it’s just popular right now. I think of it as something that was a “magic convention act” in the past, and now is a mainstream act.

A couple of nights ago I was lucky enough to see Shawn Farquhar do his “shape of my heart” card routine at a show. It was really great. It hit all the musical beats, it had good visual magic, and overall it’s a great routine.

This kinda proves the theory that I’ve written about before that this style of close up when put on camera is the new stage manipulation act. I think audiences are getting better with watching a live show on a screen. Personally I’d rather watch it without the screen, however to the general public this is an acceptable way to view a show.

Over the last few months I’ve started to think about what I could do for this style of performing. It’s really not what I do, so I don’t know if I’ll ever come up with anything.

Worst Seat in the House

When I see magic shows, I like watching them from the back of the room. You learn a lot more about how to perform from a bad seat than you do a good seat. In theory your show will play to all areas of the audience and play virtually equally. I get that some things … Continue reading “Worst Seat in the House”

When watching a magic show from the back, it makes you aware of what you can and cannot see. For example I personally can’t read a normal playing card from about the 10^th row. What does that mean, someone in the back of the theater doesn’t know what it is. How do you overcome this? Use jumbo card, use low vision cards, make the card with a big X???

Then colors of props start coming into play. Having a prop that “pops” due to contrast between what you wear or the background becomes important. I’m not saying all of your props have to be neon colors, but it’s important for you to be aware of what’s visible and what’s going to disappear.

Start watching shows from the cheap seats and you’ll soon realize most magic shows are too small!

Work It Out…

One of the things I do when I buy a magic book, is that I try to work through everything that’s reasonable to work through. What I mean by that is that I I’m not going to build an illusion if it’s in the book, but I will build simpler project. I try work through every trick that doesn’t require a crazy gimmick I don’t have.

I think this makes me a better magic creator and performer. It allows me to improvise much better as I’ve already done something a few times, it makes it easier to recreate when the moment occurs. It also makes you look at props differently.

When I travel, I try to make little videos of magic tricks with things found in my hotel room, or in today’s case my state room as I’m performing on a cruise ship this week. This morning when I was brushing my teeth, I noticed the cups in the bathroom were big enough to hold a deck of cards. That then led me to thinking about the trick Everywhere and Nowhere by Hofzinser that uses a glass to isolate a deck of cards. That led me to wondering if a “flap card” would work in a glass. Turns out a flap card works great in a glass, and I like the isolation that the glass adds to the change of the card.

Now it’s got me thinking about how I can use this in a show. In a cabaret show, or a stage show where you have video projection, it would be a great reveal for a tossed out deck. You start with one card in glass as your prediction. The three cards are selected and the prediction changes to three different cards. If they saw their card they sit down. This moves the flap card from essentially a close up trick to something bigger.

Maybe I’ll start to write a tossed out deck routine using the flap card as the premise/ending.

Magically Sound Magic

One of the things about doing magic tricks is that you can do some amazing things and you can do them fairly easily, but that doesn’t make it good magic. What’s got me thinking about this, is that with the internet, magic is very accessible to people that perform other variety acts, and it’s easy to add magic to their show and get a good reaction.

Being able to do a trick, and present it is only part of the game if you want to be a magician. It’s OK to do a magic trick in your show, but once you basically start doing a magic show, it’s time to actually learn how to do magic.

I recently saw a card trick where the performer did the trick in the easiest manner. Fine, but watching I could think of 3 better ways to do it. Three better ways that were more deceptive and none of them that much harder than what he was already doing. He wasn’t in a magic show, he was doing a magic trick within a larger show, so he get’s a pass.

TLDR: if you’re going to call yourself a magician, you need to learn to do magic.

One of the tricks I’ve always loved is the Haunted Deck. It’s an amazing trick, the first one I ever bought as a kid was horrible, half the deck was gimmicked, and you were attached to it, so it wasn’t the most practical version of the trick. It worked, but it could be better.

This is where innovating comes through, there’s are better ways to do the Haunted Deck, and it’s a good thing we didn’t stop at the version I bought as a kid. A similar version is the one popularized by Eugene Burger, which while similar in method, allowed you to use the deck after the trick. This is a huge leap in the method.

Then you have a version using Loops, which allows you to use a borrowed deck, but can be unreliable as the gimmick is fragile. A few years ago I discovered Haunted 2.0, which fit the bill for me. 100% reliable, allowed me to use the deck before and after the trick, it’s great and the version of the trick that I do. However last week at a magic session a friend of mine showed me an impromptu version. It’s at about the 37 second mark of this video:

I think this version looks amazing and the only reason I haven’t switched to it is that in Haunted 2.0 you don’t have to touch the deck, which is one of the strong points of that version.

If we stopped innovating with “good enough” the Haunted Deck would be a trick that I wouldn’t be doing now. So go out there and make good tricks better!

Ripping Routine Part V

The additions to the base script are in bold. EFFECT 1: “Take a card, and don’t let me see it.” “And you’re going to grab one, don’t let me see it.” “On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. … Continue reading “Ripping Routine Part V”

The additions to the base script are in bold.

EFFECT 1:
“Take a card, and don’t let me see it.”
“And you’re going to grab one, don’t let me see it.”
“On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. Ready…One, Two Three.”
EFFECT 2:
“We’re going to make it a little bit harder. We’re going to cut the cards”

“I learned to do rip a deck when I was younger. One of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try “

“The wrist strength to do this is common in every circus strongman and teenage boy.“
“You’re going to take a card and you’re going to take a card. Hopefully your cards will match each other and my card.”
“ Like two turtles, your cards match on the back …”
“The odds of them matching the first time were one in fifty two. Now that there are double the cards, it’s one in fifty two times fifty two. Or one in two thousand, seven hundred and four. There’s also a one hundred percent odd that my math is wrong. ”

“On the front…They match about as much as my mom and my ex-step dad”

“Oh, wait. I put my card here, hopefully it matches one of your cards.”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!”

The ripping routine is now off to a start. It’s brand new, so it’s not the best routine that it can be yet. There is still a lot of work, audience testing and workshopping it.