Many years ago I decided to not use fire in my show. The decision was based on not wanting to deal with regulations that vary from state to state or venue to venue. It was just too much of a challenge to do it in a legal way. I didn’t wan to have an anchor routine in my show that uses fire, then have to cut it because a venue tells me I can’t have fire.
With the shift to virtual shows, I’ve been playing with using fire a little bit. For example I created a “flaming bill change” where you light a one dollar bill on fire, and it changes into a twenty dollar bill. I think this is a great use of fire to enhance the magic moment of the bill change.
I’ve been using my “flaming jalapeno” for a lot of virtual content, and then this week I’ve finally started to use the “fire breather” for my flea circus. I’m having fun using a little bit of fire, however I don’t expect any of it to make it into my live, in person show.
I guess one of the silver linings to doing virtual shows is that I get to explore using fire!
Doing the Full Act…
I got a last minute gig for today doing my full flea circus. I’ve done a greatest hits of the flea circus in some virtual shows, but not the full show. I haven’t really done it in almost exactly a year. A couple of days ago I pulled the props out of the shed and fixed what needed to be repaired. I was amazed that it was in pretty good shape. Normally I have two seasons I do it, summer and two weeks in December. It feels like I usually do a lot of work on it at the begging of each of those seasons.
Here’s it set up after a couple of glue applications:
I also recently picked up a new webcam and I set it up on a tripod that’s at the floor of the circus. I think it’s an interesting view of the flea circus.
Seeing the flea circus from the “ground level” is something that I can’t do in an in perons show. Here’s me playing with the fire breathing flea:
I’m a fan of the low camera. I’m going to use it for a couple of high flea tricks like the trapeze. I like the texture that using this gives me!
Magic Wheel…
Way back in the early summer when my state had first started to reopen after the initial pandemic shutdown, and friend texted me this picture of a game wheel at a thrift store for $2.99.
I drove up and bought it. It needed some work, the whole from was stained, and have some sort of glue residue in it. What I found interested was that it was heavier duty that most of the game wheels that I’d seen before. The wheel is two feet in diameter, and made of thick wood, so it’s heavy. The pole it’s on looked like the top pole of a speaker stand. I took it home and it fit into the base of a speaker stand, that would allow me to use it without a table. I threw away the plastic base in the picture above.
This then ended up sitting in my shed for months, as I didn’t want to deal with cleaning up the wheel. I didn’t have an idea of exactly what I was going to do with it. Then I remembered reading about trick called Wheel of Mind by Amir Lustig and Hiam Goldenberg. I wasn’t exactly sure of the what it did, aside from that it was a force. Hiam puts out some pretty clever stuff, and for $15, I figured why not check it out.
Wheel of Mind uses twelve spaces and my game wheel has 20 spaces. Luckily the trick still works with more spaces. The other challenge is that Wheel of Mind uses both sides of the wheel. It turns out it’s really easy to remove the game wheel I have from the stand and turn it over. Now that I have what I’m going to use the game wheel for, it’s time to clean it up.
The first step was scraping all of the glue off of it. However the actual wheel was stained by whatever pen had been used on it previously. The next step was to remove the pins, and peel off the graphic from the front.
I recovered it with white contact paper on the front and back. Then using electrical tape, I made some lines and wrote the numbers in.
For less than $30 (that’s including buying Wheel of Mind) I now have a fun looking prop that will force something. I probably wouldn’t travel with this, unless I was doing a run of shows. It’s mostly for virtual shows, it’s also a cool set piece to have behind me.
Keepin’ It Real…
Somehow I stumbled up a Hallmark movie that had some magic in it. It’s called the Christmas House. Magic is a big plot line in the movie, and there’s magic sprinkled throughout the movie.
Turns out the magic consultant was a someone I knew. Jason Verners did a great job with the magic tricks being actual magic tricks…or at least magic tricks that are possible. Soo many shows or movie simply make it up, and that’s fine, but I think it’s way more realistic when the tricks have some basis in reality.
Finished Display
The holder I was printing out the other day is finished and works great! I designed this to display to hold an envelope, or jumbo card upright so that it’s more visible than laying flat on a table. I also put a magnet inside of it so that I can simply stick it to the front of my small case.
Here’s the finished holder:
Here it is holding a giant card:
It holds it very securely, the card won’t fall out under normal circumstances.
It also hit me that I could put a magnet behind my virtual backdrop and use it there.
If I end up using it for virtual shows, I’ll need to print out another one to keep with that show’s props. I really dislike moving props around from case to case. That’s a easy way to forget or lose things.
The Moisture Festival Podcast – Dan Shih
Moisture Festival Board Member, Dan Shih, joins Matt and Louie in studio. They talk about what it’s like to serve on the board of directors for the Moisture Festival, what meetings look like and why volunteering is so important in your community. Louie reflects on the time Dan’s daughter scolded him for not recycling and Dan describes how much his kids love attending Moisture Festival Shows.
A great interview with a great glimpse into one of the people who helps make the festival happen.
Podcast: Play in new window | Download
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Pre-Adapting…
Lately I’ve been thinking about what live, in person magic shows will look like in 2021. I’m fairly optimistic that in person shows will happen, however they will look different. I think the majority of them will be no contact magic shows. That means you can’t have people from the audience come up on stage to help with the show.
I’m trying to plan for that now, and not have to adapt a week before a show. One thing I’m doing today is making a display holder for the front of my case. This is simply a tray that I can set flat props into so that they are upright and visible to the audience.
Here’s what the frontside looks like:
It’s currently being 3d printed in black. It is about 4.5 inches wide and 3 inches tall.
There’s a cut out in the back that I’m going to glue a magnet into. There’s already a magnet inside my case that I can stick this to. This is a simple solution as I don’t use a table to hold props I’m actively using.
Planning for the reality of what’s coming is probably better than hoping everything will be back to where it was a year ago. Even if all restrictions are lifted, the bonus is that I’m developing some new material!
The Living Room Sessions…
One of the best kept secrets in magic is Nathan Coe Marsh. All of the material he does is well thought out and super solid! A year or two ago he sold a series of videos called “The Living Room Sessions“. These videos were in depth teaching videos of routines he performs around the world. I just noticed he’s got a special on them right now, and you should check them out:
https://nathancoemarsh.com/black-friday/
All of the routines work in a stand up / stage context and don’t need someone from the audience to physically come on stage. This is going to be a very important condition for at least the next year.
Here’s a sample of one of his routines:
That’s a solid opening routine. He walks out, and gets right into the trick. The trick is good but the kicker is AMAZING!
Cricut Magic…
A couple of weeks ago my daughter got a Cricut Machine which is used for die cutting. I’ve been meaning to start coming up with ideas for magic tricks with it. The first thing I did was have her try to cut a dollar bill. It worked! That lead to my next idea, which is cutting a playing card into a dollar bill. This is a pretty lame idea as far as ideas go.
Most of my ideas were using it to cut reveals into the dollar bill. However I did have one idea, that was a little more inspired. If there was a thought bubble drawn with a marker on it. The thought bubble would go around part of the serial number. The serial number then rearranges itself for a reveal, and the bill could be given out.
Method wise, it wouldn’t be hard to do and I’ve got a few ideas for how to accomplish it.
Zoom Stagecraft…
One thing that I’ve been paying attention to at magic meetings and magic conventions is how magicians are using Zoom. Not from a magic method standpoint, but from using it as their stage. How are thing framing their magic, how are they bringing people from the audience onstage.
Paul Gertner has a really great way of using people from the audience. He has them on a physical screen in his space, and it really gives a feel of the person standing next time. If you get a chance to see him perform, it’s worth it to see what he’s doing. It’s great!
One of the big things that I noticed at the PCAM was the difference in how people performed if they were “Instagram” performers and weren’t doing live virtual shows. The clunky transitions between tricks, and tech transitions (like moving a camera from their face to hands) really highlighted this difference. The people that were live performers really eliminated this dead time, or made it interesting. This isn’t a knock on people that perform on Instagram, it really just highlighted how live performing is a very different skill set.
Just like many live performers have made the switch to Instragram or TikTok, I think people who perform on those venues need to start looking at how to perform live. It’s the logical extension of what they’re doing. Someone sees a video and wants to book you for a virtual show. I understand that live performing is something some Instagram performer have no interest in, and I respect that. However I also think that’s if Ellen asked them to be on her TV show, they’d want to do it.
It’s good to build the skill before you need it!