Tricks – Page 50 – MagicShow.Tips

Are We Still Doing This??

The other day I popped into my social media and it suggested I be friends with this guy. He’s rocking the “Yellowface” to do the linking rings. This a super lazy presentation approach, and definitely not a modern one. He puts on the outfit to do the Linking Rings.

Let’s take a step back and look at him trying to honor Asian culture. He didn’t do any research on it. There’s no evidence that the lining rings came from china (source: Genii online). So aside from the rings being from China, why is he wearing the clothes? Based on this article which reviews him doing the rings, I can’t find any reason why he’s wearing that robe in his presentation. I hope he wasn’t using any of the “I learned this from a great Chinsese magician…Fu Ling Yu” lines.

We as magicians need to move past this sort of stuff. You can do the Linking Rings without putting on robes.

He’s repping the Society of American Magicians in his Facebook cover, which is a bad look for the association.

I will say that I do have an out of context view of what’s happening as I’m just seeing a facebook picture, however the article I read seems to confirm what I’m thinking. In my heart, I hope he’s doing a thought out presentation that’s respectful…

-Louie

NFW Card Trick + Hypnotic Rumba Count

Sometimes the universe hands you something fun. I was cleaning the office and found a set of Gary Freed’s NFW card trick. This is a great trick where four jokers turn into four aces. The provided routine is alright, and when I was younger and working at Market Magic Shop in Seattle I developed a better handling for it that was much better looking than what was in the instructions.

When I found the NFW set last night I immediately recognized that JP Vallarino’s Hypnotic Rumba Count would work really well with the NFW card set!

Using the rumba count makes this a very direct change of four jokers to four aces! I think this would make a great trick for a preshow video as it’s simple, direct and a good trick!

-Louie

Kings to Jokers to Kings

After playing with the Hypnotic Rumba Count yesterday from the book Vallarino yesterday, and coming up with simple Jokers to Kings effect, I found a natural extension of that trick. I took it a step further (backwards?) and the trick has four kings that turn to jokers, then back to kings.

Like jokers to kings from yesterday, I should say that this routine is super obvious with the move and I’d be shocked if it hasn’t been done before. The important thing about creating is that you play with every idea. For me it’s about flexing my brain’s creativity muscles, not necessarily creating something that’s never been done before.

-Louie

Hypnotic Rumba Count

I just stared reading the JP Vallarino book that was put out by Vanishing Inc. It’s all cards, which I’m not opposed to, as I enjoy playing with deck of cards.

The first thing in the book is the Rumba Count. This is a way to show four cards as the same card. The second thing in the book is the Hypnotic Rumba Count, which is a variation of the Rumba count and something that I don’t think I had ever learned in the past.

When I learn a new move, I try to figure out what I can do with that move before I explore what other people have done with it. It’s just a fun creative exercise. Sometimes it leads to new things, but usually I end up recreating the obvious thing with it.

The first thing I came up with is a change of 4 jokers to 4 kings

@louiefoxx Four Jokers Card Trick! From the new JP Vallarino book by Vanishing Inc #cardtrick #magic #sleightofhand #vanishinginc #louiefoxx #cardmagic #jpvallarino #playingcards ♬ original sound – Louie Foxx

This is definitely the obvious thing to do with this move and probably the first thing that JP Vallarino did with it.

-Louie

Human Calendar Stunt…

The other day I was at the Pike Place Market and walked by a street performing pitch and saw this:

Unfortunately Mr. Unity wasn’t there, so I can only form my opinion based on his milk crate stand.

It looks like he does the day of the week birthday calculation. This is something that I’ve personally never understood why is impressive. It’s clearly a math calculation, not a memorization feat (at least when I’ve seen it). And the end result is something that I didn’t know or have any connection to.

I think if it was reversed and you told the magician the day of the week you were born on and the year, and they told you your birthday, it’d be much cooler. However, I’m going to imagine that would ultimately give the magician a 20-25% success rate, unless there some some fishing for where in the month the birthday is.

-Louie

More Take Out Boxes!!!

Woo hoo! The first batch of my Take Out Box has sold out at Hocus-Pocus and I’ve got a new batch of them on the way! Thanks to everyone who has ordered one!

If you don’t know what the Take Out Box is, here’s the video:

What I really like about this prop is that it’s like a classic production box that would have been put out by Abbott’s or Davenport’s, but it looks like something that actually exists in the current world…unlike those older boxes metal boxes, or the ones that have funky Chinese characters on them. However, if you’re into the Chinese characters, you could draw one on it and it would totally make sense on this prop!

-Louie

Audience Interaction Tricks…

Last night I went out to see the band The Interrupters and one thing I noticed was that they use a lot of things to tell the audience what they want them to do. This is something that in my show I try, but subtly. After watching this show, it made me realize that asking an audience to do something isn’t bad. It can be repetitive, but not necessarily bad.

Something like telling the audience how to respond when a trick happens is effective, because sometimes they don’t know how to respond. If you want people to clap along to a song, you need to tell them.

I need to reevaluate my show and look at places where I’m not getting the desired audience response and try to find spots where I can tell the audience what to do!

-Louie

New Book Day!

I’m always trying to expand my knowledge about magic and magic techniques. I just had four news books arrive!

These four books are on vary different things within magic! I think it’s important to be well rounded and know as much as you can about as much of magic as possible. It makes you better in an impromptu situation, and it makes you a better creator.

Knowledge is power and sometimes you can find a technique from a style that’s something you wouldn’t normally do, but can find a way to apply it to what you do!

-Louie

Fiddling Around

Play is important! You should play with magic as a creative exercise. Learning from a book is good, but sometimes just fiddling around with a deck of cards or whatever with no purpose will lead to some fun things.

Here’s what I came up with the other night:

@louiefoxx Quick Card Trick! #cardtrick #cardmagic #sleightofhand #louiefoxx #magictrick #cardchange #aceofspades #bigfoot ♬ Vibes – ZHRMusic

There’s not much to it. I discovered I could drop an outjogged, double card from the deck into my hand below it. Once I kinda figured out the technique, I needed to figure out what to do with it. That ended up my a slightly flourishy card change.

Will I ever seriously use this? No.
Was it fun to figure out? Yes

-Louie

Feature Act Set List

The comedy bar gig I did the other night had a pretty simple set list. It was some stand up comedy, then four tricks and it ran 22 mins. The set list was

Tape Measure Prediction
Choices Routine
Whip Act
Hoop and Cup Balancing

This set list only uses one person from the audience onstage, and that’s for the whip act. This makes for a show that’s much punchier and doesn’t have the dead time of bringing people on and off stage.

The Tape Measure Prediction and the Choices Routine both use people from the audience, but they stay seated. If a persons only job onstage is to pick a card or something very basic like naming a number, I’ve been leaving them in their seats. This saves time if you only need someone to perform a basic task, and breakup up the constant flow of people coming and going from the stage.

Look at your show, are there routines where you don’t need the person physically onstage? Try using them from their seats!

-Louie