Tricks – Page 42 – MagicShow.Tips

Walnut Routine

One of my the routines that I’m working on is a Walnut to Glass routine. My starting point is Pete Biro’s Nutty Surprise. I’ve added a devils hank for one phase and a hat load for the finale.

Here’s a picture of the end of the routine on my normal table:

Working the routine on that table is hard because there’s not a lot of workable space due to the trim on the table. After working on it a few times, I remembered I had a larger table that I could use. And here’s what the end looks like on that table:

The second table is about the same width as the first one, but without the trim, it has more usable space. The second table is also deeper allowing more room once the hat is on the table.

The next challenge or decision I need to make for the routine is whether to use a bottomless glass for the routine, or just a regular glass. I like Mariano Goni‘s version of the bottomless glass in his trick Nut Waltz. I won’t be doing this close up with people on top of the cup, but still a little bit worried about people being able to see it. I guess it’s something I’m going to have to actually try for people and either have it pass or get busted.

-Louie

Wayne Dobson’s Legacy

The new addition to my library is Wayne Dobson’s Legacy. I’ve been a fan of Wayne’s ever since I saw him at the Desert Magic Seminar (It may have changed the name to the World Magic Summit at that point) in Las Vegas.

A while ago I got the book Wayne Dobson – The Definitive Collection. This was most of the stuff that Wayne had put out, plus a few interviews and unpublished things. It’s a great book, but then Wayne Dobson’s Legacy came out, so I figured I should get it.

I suspected when I ordered the new book was that the tricks included were going to be what was in the Definitive Collection book and based on a quick flip through the book, it appears that’s correct. There may be an additional bit here or there or a trick could be completely rewritten, but at a glance the material looks the same. I didn’t buy the book for the descriptions of the tricks, I got it for the biography which is book one of the set.

I’m only about 40 pages into the book so far and enjoying it, and if you’re a fan of Wayne’s I think you will too! If you’re just looking for the tricks, it looks like you can get Wayne Dobson – The Definitive Collection for about $25 as an ebook and I’d suggest you go that route. Either way, Wayne’s material is solid!

-Louie

Self Vanishing Headphones by Ellusionist

Way back in June I put together a quick little sequence with my Airpods. There’s nothing crazy here, it’s a sponge ball sequence and a matrix move. However it’s a solid impromptu sequence.

@louiefoxx Airpod trick! The 10 and 2! #airpod #headphone #appleairpod #apple #trick #10and2 #sleightofhand #louiefoxx #magic #magician #technology ♬ original sound – Louie Foxx

I think that needs more and a while ago at a magic club meeting someone had Ellusionist’s Self Vanishing Headphones. Here’s what the trick looks like:

They are describing the trick as a modern ball vase, however they totally missed what makes the ball and vase great. In the ball and vase you can take the ball out of the vase, you can’t take the airpods out of the case. I altered my case by drilling some holes in it so that it can actually hold the Airpods.

Now I’m able to do the classic ball vase where I take out the Airpods, put them in my pocket, they reappear in the case, then vanish from the case and reappear in my pocket. Now it’s a ball vase. That’s not what I do with the trick, but with the simple addition of adding some holes to it so that it actually holds the Airpods makes the prop soo much more versatile!

Whenever I get a gimmick, I always try to think of how it could be better for me and what I want to do with it. Being able to start my routine with the Airpods in the case is HUGE!

-Louie

Getting Them Talking About My Show!

When I was at an industry tradeshow on Wednesday pitching my show, one of the things I did at my booth was my card routine. This is the meat of the close up magic that I perform. It’s basically a multiple revelation of a signed card. It ends with the signed card as a sticker.

People at trade shows will usually put these on their shirt of badge and wear them all day. They end up being a walking billboard for me. people will ask them about the sticker and they’ll talk about me. I think I originally got the idea for having something visual that sticks around long after the trick from Michael Close. He talked about it in his lecture 20ish years ago and I think did a thing with a bill that turned to a bunny and left that with people.

When I’m at a booking trade show, especially when I’m new to the market, my goal is to get people talking about me. My sticker card trick is a great way to do that!

-Louie

Custom Vanishing Birdcage!

A couple of months ago I had my first custom made vanishing birdcage made. Then a recently the maker reached out to me and offered to tweak it as he found a better way to make part of it and if I sent it back, he’d send me an updated vanishing birdcage!

The new cage came in the mail a few days ago and it looks great! It’s always great when I can have props made to how I want them, not having to work around the “off the shelf” model of props.

Finding this maker was a lot of work! Someone mentioned his name a long time ago, then I made a trip to Canada to see a show and his name got mentioned by another magician. Then a few emails and I got the maker’s contact and arranged a meeting!

I think we get spoiled by how instant and easy things are on the internet, that we forget sometimes you gotta put time in to hunt down people. I’m glad I put in the time!

-Louie

Pete Biro’s Nutty Surpise

Right before I headed to Arizona a couple of weeks ago I came across Pete Biro’s Nutty Surprise at a magic estate sale.

This is a routine where walnuts disappear from you hands and reappear in a covered glass. Then it ends with surprise production of a giant metal nut!
Here’s Pete Biro doing it:

I took the set with my to the fair I was performing at and started playing around with it.

There are some moments in it that I really like and some things that I don’t. I’m not a huge fan of how the large metal nut is hidden. It’s not bad, but it work work for how I work. I also don’t like how the production was from the bag. I changed the load procedure to a body load and load the nut under the glass. I tried two ways of loading the nut, one with the glass covered and one uncovered. I thought the production from the uncovered glass would get a stronger reaction, but it didn’t. The revelation from under the glass while covered was stronger!

I have more ideas with this routine that I want to play with, and this is an interesting set of props that’s worth looking into!

-Louie

Ring and Silk

A trick that I love, that you don’t see very often is the Ring and Silk. This is usually a sequence of a silk magically going on and off of a ring. I think this trick isn’t common is that it’s most common method makes it a better stage trick than a parlor trick and definitely not a close up trick.

If you do a search on this blog you can read about my version of a Silk and Ring routine that uses a coat hanger in place of the ring.

A couple of weeks ago when I was performing at the Moisture Festival I got to work with Steve Owen and he did the trick!

I got to watch it the first time on the TV in the green room, then the second time I got to watch it live. One of the cool things about Steve’s routine is that he uses multiple methods. This makes the trick a lot stronger. I think one of the drawbacks of the standard method is that you use it over and over and if someone catches it early on, the routine is no good for them. But mixing methods can cancel out methods.

-Louie

Generic Kid’s Show

Last week I did a library gig, it was my, first one since last summer and it was a lot of fun. They had me doing a show for kids on spring break and had me do a fun, non themed show.

The show has a very simple set up, just a case, banner and my sound system. The show is my generic kid show.

Here’s a peek into the show’s case. That’s a 45 minute show with about 10-12 minutes of additional emergency material. The emergency material is for when the audience is a lot younger than what the show is designed for. I’ll swap in the emergency material for things that aren’t for kids under 5 or 6 years old.

That material for younger kids is considered emergency as my show is sold as for being for school aged kids. If you’ve worked libraries at all, then you know the audience will frequently skew younger than the suggested age range and it’s important to be prepared for that.

-Louie

Cool Moments in the Show

One of the great things about performing at higher profile gigs is that there frequently great photographers there. That’s one of the cool things about performing at the Moisture Festival, they have photographers who are experienced in taking pictures of variety acts. More than just having experience with variety acts, they usually get to see an act multiple times, so they can figure out where the moments are in your show!

Louie Foxx at the Moisture Festival in seattle — Photo Credit: Sanderling Photography

The picture above was taken right after the guy in the middle guessed the girls card! This is a 6-8 minute routine that I do where someone from the audience guesses another person’s card. This used to be a longer routine with three people, but I’ve shortened it to just two and it’s a much tighter routine.

Another change that I made to the routine a few years ago was switching to jumbo cards.

That makes the end of the routine really pop for the entire audience when the card is finally shown!

-Louie

Poof Too!

A few weeks ago I performed in a show called Poof Too! in Hermosa Beach, CA. This is show with stage magicians and one close up magician. I was the MC in the show and had a performance spot in the show.

It was great performing with David Zirbel, Simone Turkington, Mark Furey, Shawn McMaster and Alexander Great & Pamela! Everyone was super professional and great to deal with as an MC and fun to hang out with! When I was approached to be in this show by Dennis Forel, the first thing I asked was “is it a fun show”, not how much does it pay. Personally a fun show is more important to me than money (don’t get me wrong, I still gotta pay the bills).

I’d been doing comedy gigs before this one and in a comedy club I have a lot of gear. However a show where the illusionist is packing up crates of huge illusions, and I just wheel my case out, I feel like I have nothing!

I love performing with other magic acts. One thing I did years ago (close to two decades ago) was to start to work on a show that I can do when I’m sharing the stage with other magicians and not have to really worry about duplication. Sure there will always be things that no matter how different they will seem the same to an audience. A rope trick will usually feel like almost any other rope trick no matter how different it is. For me, just trying to have unique or less common tricks in the show makes my show much more versatile.

-Louie