Pictures – Page 85 – MagicShow.Tips

Anthony Hernandez and Dawn!

Last week I worked with Anthony Hernandez and Dawn in California. We instantly clicked and I had a blast chatting with them!

They do a great show, they are both very likable on stage. One of the huge advantages of being a duo act is how they run their music. Every act they do in the show is to music and it well chosen. As they hit the end of the trick and the magic happens, the music’s audio bumps up. It’s great!

Another great thing Anthony does is how he sells the effect. He really pauses, and stretches out the magic. It made me realize I still rush the end too much, and I go a lot slower than I used to!

They do a great show, and if you get a chance to see them, I recommend it. I learned a lot from the show and also enjoyed watching it!

-Louie

Cinco De Mayo Trick…

Yesterday I posted about a way to force a fork that used spelling to work the force. Today being Cinco De Mayo, here’s a spelling force that uses that.

Honestly, I’ll probably never do this, so feel free to do what you want with it.
-Louie

Impromptu Magic Idea…

The last week I was at a coffee shop in Santa Maria and realized that if you lay out a fork, knife and spoon with the fork in the middle you can force the fork. While this isn’t the best stand alone trick as it’s a force of one object out of three and there is potentially some process involved, but it’s something that would be handy to have in your brain in case you ever need it.

Ask someone to touch one of them. If they touch the fork, you’re done. If they touch the knife or spoon, you have them spell that item, moving from one item to the next (forward/backwards) to an adjacent item for each letter. Due to the number of letters and how the math plays out it, they will always end on the fork (if they do it correctly).

You’ve now forced the fork, you can use that however you want.

-Louie

Unsigned Cards…

When I’m doing close up magic, one thing that I don’t do is have people sign cards. There’s frequently a strange hesitancy when you ask people, like they aren’t sure exactly what you want them to do. Instead I have people draw a picture on the card.

I say, “Draw a picture on the card, it can be anything…Bigfoot fighting a ninja, so it’d just be a picture of a bigfoot. I won’t judge you…till later. I don’t care what you draw, I’m not your mom…wouldn’t be the first rocket ship I’ve seen today.” That has 2-3 laughs but it also gives them a moment to think about what to draw and I disarm them about worrying about the drawing being bad. It also takes away the incentive for a teenage boy (or drunk adult) to draw a penis as I’ve already gotten the laugh from that.

The other thing this does is gives me a real moment in the show that’s happening now that I can comment on. I can talk about the picture and everyone knows this is real and not preplanned.

Play around with using alternatives to signatures you might like it.

-Louie

In a Puff of Smoke…

If you read this blog, you’ve noticed I reference Gary Oulette every now and then. His Fulminations column in Genii Magazine when I was a teenager had many things that stuck with me, like always producing the card a second time from your wallet.

He put out a manuscript called In a Puff of Smoke which had his system for creating smoke from the hands. This was supposedly used by David Copperfield in the 1990’s in this torn and restored baseball card.

I finally came across the one of the manuscripts at a reasonable price. It’s not a trick I’ll ever do, especially in the over 30 years since he put it out the technology for making smoke has greatly improved.

What I do find interesting is his thought process for putting the gimmick together and making it work. Especially using 1991 (or earlier) technology. I sometimes wonder what crazy stuff Gary Oulette would be putting out now if he was still alive? He was definitely someone who figured out how to make an idea happen!

-Louie

Playing With Others…

Working on the road at fairs allows me two work with all sorts of acts. Last week I worked with Scotty and Rich and Orion. They are all variety acts and with very different styles!

One of the great things is chatting ideas with these different acts. Everyone comes at it with a different background and preferences as to how a show should be done. Talking to other acts and getting feedback often will show you things in your show you didn’t see or thing of.

If you work with other acts, talk to them and use them to help you grow!
-Louie

Magic Shops on the Road..

One of the things that I try to do when I travel is visit magic shops and support them. Last week when I was flying into to San Francisco and driving a couple hours north, I stopped by Misdirections Magic Shop!

misdirections magic shop in san francisco

While I was there I picked up Shrapnel by Kim Anderson.

This is a linking pin type routine that has a lot of phases that use a finger ring. I’ve been doing some stuff for a few years with a finger ring and an Andrus Key Pin, so this was similar something I was already doing.

I really like the smaller pins for the trick. That was the part I was unsure about, I didn’t think I would like using the smaller pins. Kim’s routine is great and the instructions are pretty clear and I had fun learning it. I haven’t tried it out yet, but heading back out on the road in a few days and will give it a whirl!
-Louie

Picture of Sound…

Sometimes when performing at a fair the stage doesn’t really have a sound person. If they’re using professional variety acts, it’s normally not really necessary to have a sound guy there the all day, every day. On the stage I was on there were only two acts, me and a juggling act.

One of the things that I always do is take a picture of the soundboard:

The uppermost three cords are mine. Once the sound tech gets me where they want me, it’s easy to simply reference this picture whenever I show up and plug in. I don’t have to walk all over the fairgrounds to track down the sound guy to set my audio.
-Louie

Do Not Disturb…

For several years I’ve been working on a Silk Thru Coat Hanger trick.

You can read posts about it here

It’s three phases, the silk goes thru the hanger, then two hangers are put on the silk and one that’s selected goes thru the silk, and finally the silk goes from the triangle of the hanger to the hook.

I’m not the biggest fan of the second phase, but the trick really didn’t work as a two phase routine. It hit me while sitting in my hotel room, the Do Not Disturb sign would make a great prop for this routine and fits in with my presentation. The reason I never realized this before was most of the signs have a slit in them to fit over the door handle. The slit makes it useless for the trick, but I’m staying at a hotel that has Do Not Disturb signs that don’t have slits! I took one of the signs to the fair and gave it a try and it works!

I’ll need to play a bit with trying to figure out how to get it smooth. I think the problem is the sign at my hotel is that it’s got a really small hole. A quick search on Amazon and I found some with larger holes. I ordered them and they’ll be waiting for me when I get home.

I’m hoping this is the solution to the second phase of the routine!
-Louie

Show Me a Trick…

One thing that has always bugged me are magicians that won’t do magic for people they run into who ask them to “show a trick“. There thinking is that no one else in any profession gets asked to work. That’s simply not true. Lawyers get asked legal questions, doctors get asked for medical advice, it’s not unique to magicians. It’s unique to professions that have “secret knowledge“. What I mean by that is they have knowledge or understand things that the average person doesn’t.

Looking back in time, all of the great magicians a hundred years ago made reputations doing impromptu magic. Max Malini biting the buttons off of coats or Hermann who pulled the coins out of rolls or eggs at the market. I think most magicians hesitancy is they lack the technical skills and knowledge of tricks to “do a trick” at a moments notice. I’m a huge fan of always having a trick on you. You don’t have to do it, but sometimes it makes a huge difference having something always ready.

The other night someone at the bar where I was having dinner recognized me from my show earlier in the day. They told the bartender that I was a magician and he asked if I could show him a trick. I asked if the bar had a deck of cards, and they didn’t. He handed me a pen and asked if I could do a trick with that, so I swallowed the pen by lapping it. Then I did my Splitting Image (mismade bill) trick, which was a solid end to my “impromptu” performance.

Not relying on what you can find around you, but having something on you that you are guaranteed to kill with is a huge advantage. Planning ahead and keeping a few tricks in your wallet makes a huge difference!
-Louie