Pictures – Page 62 – MagicShow.Tips

The (W)hole Thing

An idea for a presentation of The (W)hole Thing by Daryl came up in my daily writing a bit ago. I managed to fill out the idea a bit and do some writing. While I was in the Bay Area, I had Joe and Misdirections Magic Shop order me a set of the cards in.

One thing I found interesting was that there’s no mention of Emerson and West in the ad copy for the trick. This is essentially Daryl’s routine for the original trick. I’m guessing this is a Murphy’s Magic copywriting thing, as Daryl was pretty good about crediting things.

Here’s Daryl doing the routine:

For the routine that I want to do, I will need to make some custom cards. For now I’m working out the muscle memory for the routine!

-Louie

Still Bending It Like Geller

I’m about halfway through Ben Harris‘s book Bend it Like Geller and it’s a fun read. I didn’t know a lot about David Berglas and Uri Gellar‘s meetings and eventual friendship. It’s a fun read, just for the history of spoon bending.

I really liked Richard Busch‘s essay and while I think I got what he was talking about, it might be worth a reread. The Busch Effect as he calls it, got me to add something presentational to my spoon/fork bending.

One of the cool things about performing at a fair while reading this book is that I have a lot of opportunities to play with the techniques and ideas in this book.

On a side note, it’s been years since I’ve really played around with spoon bending and since then, I’ve learned to do the strongman stunt of ripping a deck of cards in half. That has given me some good hand strength and putting the bends into the spoons/forks is way easier than I remember!

-Louie

How to Write an Introduction

Last week I was doing a stage hosting gig, and I’m amazed at how many acts don’t know the difference between an introduction and a bio. I was frequently handed introductions that were a half of page, or more!

Here’s an example of something I was handed to read:

I had to do some editing to the intro, and it was still a lot longer than it needed to be!

An introduction should be a few bullet points, the idea is to put a little bit of context into what people are about to see…not tell the whole story. You’re going to tell the full story onstage with whatever your act is.

A simple formula for writing an intro is three bullet points:

Where you’re from
Cool sounding accomplishment(s)
What you do

That is then followed by your name. It’s pretty simple. Sure there are reasons to do longer introductions, or more complex ones, however the majority of shows don’t need those.

Also giving tips on how to say uncommon names is super handy for the host/MC.

-Louie

Virtual Shows Are Still Happening…

Last week I think I did my final virtual show…well at least the last one with all the technical bells and whistles. This was lower tech, I didn’t use my ATEM mini, or any production software, just Zoom and a stream deck.

This was a fun show because I did it with Roberto the Magnificent and Dennis Forel at an airBnB while we were performing at a different event.

It’s been a year since a did a virtual show and it’s not worth keeping up with how to run the technology if I’m only doing one virtual show a year. However it’s easy to use Zoom as a camera switcher, and simply play music in the room instead of playing it through a virtual cable on my computer. It’s not as slick as using production software, but doable.

-Louie

Super Short Show Description

About a week ago I ran into a magician and said they had the best children’s show in town. Unfortunately I was unable to make it to their upcoming show, however when I looked up their show, it reminded me of how important it is to have a good short description of your show.

Here’s how their show was described on the event website:

It’s entirely possible that the performer sent them a better show description and that event went rogue and used something other than what was provided.

Personally I don’t think that one sentence description is going to put any butts in seats. I think there’s a lot of wasted space in that, specifically the “solid and fast moving” part. I don’t think that tells me about the show. I’m not sure what “solid” means to people outside of the industry. I think a better line would have been, “Dan’s magic show has amazing magic, and hilarious family friendly comedy“. I’m sure there’s something better than that.

-Louie

Bend it Like Geller

This week I’ve started reading Ben Harris‘s new book Bend It Like Geller. This book is about Uri Geller and spoon/metal bending.

I’m not very far into it, but I didn’t know that according to Ben that Uri Geller was the first person to really bend spoons. That kinda suprised me, Ben mentions that there were spoon bends before Uri Geller, but they were mostly gags, and not bent with your brain power.

This book also goes into routines and methods for different bends. I picked up a few packs of spoons and forks from Costco, so I can work through the book.

I’m enjoying this book so far, and Ben Harris always does a good job with how he lays out the book, and it looks super slick!
-Louie

Never Take a Seat…

When I travel I try to do shows for senior groups. This is a great way to fill a day when I get into a city the day before a bigger contract. I recently did one, and when I arrived the lady at the desk told me to have a seat in the lobby and someone will be there to get me soon.

Personally I never sit down, especially if it’s out of view of the person at the desk. I always stand near the desk.

The reason for not sitting is simple, I frequently get “forgotten” about when I sit out of view. I don’t know why, I guess whoever is supposed to get me gets side tracked, or whatever. When I stand in view, it’s a constant reminder that I’m still waiting. Usually after a few minutes if I’m still there, the person at the desk will follow up with whoever is supposed to get me. When I’m out of view and sitting, there person at the desk won’t know you’re still there and after about 5 mins I have to ask again. That’s time that I could be setting up.

-Louie
PS if you’re interested in performing at Senior Centers and Retirement Communities, check out my book How To Perform For Seniors!

Assistant’s Revenge Illusion

For some reason I’ve never really liked the Assistant’s Revenge Illusion. I think that from a method standpoint, it works exactly how anyone would think it does. If you’re not familiar with the trick, here’s what it looks like:

What the trick has going for it is that it has a nice surprise, where the audience is expecting the magician to escape, but it’s a substitution. I’m going to imagine it packs pretty flat and it plays big. I’m not knocking anyone that does the trick, I just think the trick is just “meh”.

Recently this one popped up for sale:

This pic is what got me thinking about why I don’t like the trick. The chains end up soo loose on usually the female “assistant” that there’s really no reason why the person couldn’t just slip out. If you watch the video above, you can see how loose they are at the end. I do understand that at the beginning they are tight, but that’s not the final image the audience is left with.

The trick would be greatly improved with some sort of handcuff type restraint, but I also think that would make the switch much slower.

-Louie

School Assembly set up

One thing I love it how other magicians have their props onstage. Not what the audience sees, but the magician’s view. A couple of weeks ago when I was doing my Incredible Idiom show, this is what the inside of my prop case looks like.

All of my props are easily grabbed and put away. There’s no fumbling, I’ve cut out all the dead time of bringing props into view.

I’m still amazed at how many magic shows I see where the performer ducks out of view behind their case looking for a prop. This is usually done by magicians who don’t have a firm set list, and simply chose the next trick on the fly and their show’s flow is different every time.

Having a set list will make your show better! You can see mine on the inside of the case!

-Louie

Emergency Audio Solutions

A couple of months ago I wrote a blog post about a gig that I did that had a PA with only one input, where my show ideally would use three channels. Shortly after that gig I bought a small Maker Hart audio mixer that is designed for people to use on computers. I finally got a chance to try it out at a gig where they had a PA, but had a hand held mic and only one input.

The little mixer worked fine, it had a little bit of hiss, but I suspect I was probably the only one that noticed it. Given the choice of using my normal audio set up with a little hiss or using one (or two) less channels, I’ll take the hiss every time.

Sure I could get a better mixer, however this is an emergency mixer for me, as a mixer isn’t something that I normally provide for the venue. If they read my tech sheet, they’d know that I need three channels.

I’m going to give the Maker Hart Audio Mixer a solid rating as it does what I need it to do and doesn’t take up much space for something I hope I never need to use again…but know I will need in the future.

-Louie