Pictures – Page 46 – MagicShow.Tips

Money Paddle Idea

One prop I don’t really like, but spend way too much time thinking about is the Money Paddle. I’m not sure what it’s supposed to be.

Is it an olde tyme drink stirrer?

And if it is, how do you give it context for a modern audience?

One thing that it reminds me of is a strop for sharpening blades.

The strop pictured above is probably 18 -24 inches long, where a money paddle is about 6 inches. That’s a small point to give it context. A knife and a strop belong together, so the props are connected.

I glued some black and white paper to my money paddle and now the next thing is to try to figure out a routine to do with them.

Also on a side note, the only reason I own a money paddle is that some were made out of wood from Houdini’s house in New York. I thought that was a fun thing to own, but since it see it everyday, I want to figure out something to do with it!

-Louie

Chinese Flame Clock

The Chinese Flame Clock is an interesting magic trick. This was invented by Ed Massey and mine appears to have been made by Milson Worth. This style of illusion isn’t really a modern style, however I’m sure there’s someone out there killing with it!

@louiefoxx Chinese Flame Clock! Vintate Magic Trick! #vintagemagic #antiquemagic #vintage #magic #antique #collectiblemagic #louiefoxx #stagemagic ♬ original sound – Louie Foxx

The trick is really solid, I think it’s pretty deceptive. It’s nothing that I would do, but it’s a great example of creating a method to make an effect happen!

-Louie

Changing Card Tricks

Inspired by Vitaly Beckman’s An Evening of Wonders show, I’m trying to think of ways to eliminate playing cards from my show. Not taking the card tricks out, but trying to figure out other things to use and use them in a context that makes sense. One of the tricks that I do is essentially a card prediction done with jumbo cards and the premise of the bit is the choices that I make in life. I think the trick would work with postcards, and could keep the theme of making choices. With travel postcards from different countries, there is a lot of visual contrast between the cards.

These cards are 4X6 inches which is a little smaller than jumbo playing cards. I needed to commit and buy five sets of them to make the gimmick set of cards or the trick.

Hopefully it works!

-Louie

Visual Obstacles

A couple of days I wrote about the podium struggle at a gig, but that’s not the only challenge at the gig. After I had set up, the event planner filled the front of the stage with prizes.

These were to be raffled off after my show. These create a huge visual distraction and barrier between the audience and me. Also, I was standing when I took the picture, so if you were sitting, you’d be looking up at them and they obscure more of performing area.

Not being able to see the whole performer does make a difference. Bob Fitch once told me “Acting is in the feet“, and while I’m not exactly acting, seeing as much of me helps. This is also why you want to try to avoid doing a low show. If you were sitting on stage left, anything I did that was below my belly button wouldn’t be seen.

You can read a post about removing stage monitors I wrote a while ago here.

During the opening of my show, I do something at events like this that no one thinks of. I ask the audience to turn their chairs so they are facing the stage. You’d think that would be instinct if your chair wasn’t facing the presenter, but hardly anyone does that until you mention it. While there’s that minute of shifting chairs, I looked at someone whose view was blocked and asked if they could see. I pretended to hear them say they couldn’t and I told them I’d fix it and started setting prizes on the floor.

Also I have verbal bits I do while people are moving chairs, so the show has started and was able to do them while moving the prizes.

Ultimately you need to know what you need for the show to work and for it to succeed and do your best to create those conditions. There’s nothing worse than a bad show that’s due to conditions that aren’t your fault.

-Louie
PS the show went great!

Magic Mondays in Seattle

In Seattle there’s a monthly magic show called Magic Mondays. It’s been running for a couple of decades (probably longer) that takes place at a bookstore. This show is basically an open mic for magicians. I always try to do the show if I’m available on the night the show happens. It’s a great place to work on new material for a friendly audience.

alakasam, master payne, eric stevens and louie foxx

Normally the show is hosted by Jim Earnshaw, but he had a family emergency, so I stepped in and hosted the show!

The fun thing about last night’s show was the variety in styles of magic that was performed. This show is the best deal magic show deal in Seattle as it’s FREE! You never know who you’ll see, from beginners, to magician on tour that happen to be in Seattle and have a night off and everything in between!

This show happens the 2nd monday of the month at 6:30pm! It’s totally worth checking out if you’re in Seattle!

-Louie

Podium Struggles

Holiday parties are a wild west of show set ups. Many times you have some who isn’t an event planner running things and it’s their first time running an event. I did an event last week where I came in and got set up on the stage.

My first challenge was to get the ballroom staff to move the podium off the stage. As you can see from the picture above, I was unsuccessful. I asked if they requested the podium and was told “no, but everyone wants one“. I told them I can’t do the the with the podium in the middle of the stage. They said they could move it. I told them, “great, so you’ll have staff ready to move it when I’m introduced?” They told me that they didn’t have someone to do that, so I then explained that I can’t start until it’s moved, and the show has a firm end time, so any time hunting down staff cuts into the show and the value the client gets.
That led to the compromise of putting it on the corner of the stage.

In case you’re wondering, no one used the podium.

Why didn’t I move it?

Simple, it’s not mine. I don’t want people moving my gear, and I extend that same courtesy to equipment that’s not mine. Also there is someone on staff whose job it is to move the podium and sometimes there are union issues where I’m 100% not supposed to move it.

This is a case where I can see a potential headache for my show and speedbump for the event. Sure, moving a podium isn’t a huge deal…if there’s someone to move it. When I presented why simply finding staff to move it which doesn’t sound like a big deal, but actually is potentially a big deal.

I guess the moral of the story is explaining why after the initial NO answer can help them see the problem.

-Louie

Putting the Fun in Functional

I was at a gig and another act forgot their stand for their cellphone. They needed a way to prop up their phone so they could see their timer. This was the solution that I came up with for them

Sure I probably could have used a coffee cup or something like that, but this was way more fun! This actually helped the act stay in “in the moment” because it made them laugh whenever they looked at it. It made them have fun within their show.

It’s important to have fun on stage and sometimes little things will help put you in the moment.
-Louie

Damn Good Advice

Way back in October my buddy Mickey O’Connor recommended the book Damn Good Advice. I ordered it on Amazon and read it on the a flight recently.

This book is written by a graphic designer and the advice is really tailored to that industry, however a lot applies to being a performer. This book is an easy read and is broken down into 120 suggestions.

One of the take aways for me is to be willing to walk away from things that aren’t a good fit. For example, I don’t perform in costume for events. It’s not a hard rule and if it’s something simple like it’s a “red” themed event and I have something that fits no problem. However if it’s something like a superhero event and they want me to wear a cape, it’s a hard no…unless they’re will to pay a crap ton of money for me to wear it. My character doesn’t work in most costumes and I know that. By performing in a costume I’m doing a disservice to the client and myself. It’s a no win.

When someone brings in headline entertainment for their event, and asks them to change how they do things, it will effect the quality of the product. Sure you can practice and rehearse with the changes, but there’s no guarantee it will make the product as good as what is before the changes. Also it add a lot more time to practice and rehears, which adds cost and 99% of the time the buyer doesn’t want to pay more for a lesser product.

When you’re starting out as a performer it’s important to say YES to everything to gain experience. However as you become more experienced it’s OK to say NO.

-Louie

How to apply to a festival

In the past I’ve written about how to submit your act to a festival. I’m reviewing videos of acts submitted to one of the two variety arts festivals that I’m on the booking team of. Here are some of the most common mistakes, or things that annoy me as someone who reviews acts:

Have a video that’s at high definition. It doesn’t need to be 4k, but needs to be clear and easy to watch. Someone submitted a video that was 144p! It was unwatchable at such a low level of definition.

Your video is more that just what can be seen. Have good audio as well. The audio your camera pulls is usually bad, use an actual audio recorder to capture the audio. Also if your act uses music, I want to hear what you’ll use, don’t mute the video and play a different song that’s not used in the act. It just doesn’t look right.

Make your video publicly available so I don’t have to request it access to it. I have limited time to watch these and deadlines to when I have to submit my opinions on the acts. That day delay while I try to get access can lead to a NO from me just because I can’t watch your video. Also your video should be streaming, so not something that I have to download. I frequently watch these when I’m out of town performing and may not have the best internet, and downloading your video may not be possible.

For content of your video I want to see your act. I don’t want to see a 50 second introduction. It’s just a waste of my limited time. Have your video start with host saying your name and you starting…or better yet, just you starting. You don’t need to edit your existing video, you can simply send me a youtube link that starts at the 0:50 mark or whatever.

These things aren’t really hard to do, you just need to know to do them.

-Louie

Kidshow Magic Kompendium

While I’m stuck in the office for a few days while I have my COVID isolation, I decided to read a book that I haven’t read yet. The book I grabbed was David Ginn’s Kidshow Magic Kompendium and a little ambitious of a read at over 500 pages!

This book is does a great job of laying out what makes a good kid show trick! You get complete routines with most of the tricks as well. There aren’t necessarily complete descriptions to how the things work or how to build them as there are many dealer items and things that the average person couldn’t make at home. I don’t think this is a bad thing, but just something to be aware of.

If you want a solid foundation of kid show performing and props, this book is great! I’m about 200ish pages into the book and it’s a fun read. David gives you advice and stories from the past.

It looks like this book is $35 on GinnMagicShop.com and for that price it’s a steal if you’re getting into or want to learn more about kids magic!

-Louie