magic show tips – Page 124

Sneaking into a Show with Shimada!

We’re getting ready to move and I found this picture of me with Shimada! It made remember the fun adventure that let to me hanging out with him.

Way back in the mid 1990’s I went to Vegas for the first time. I was a teenager and went to the Desert Magic Seminar by myself. One of the shows that I wanted to see was Lance Burton‘s show at the Hacienda. I walked over there from the Tropicana and was turned away at the box office because the show was sold out.

As I was walking away, legendary magician Shimada was walking in with a big group of people, who were all Asian. Just as they all went into the showroom, and Peter Reveen (who I think was Lance’s manager) stopped me and asked why I was leaving. I was totally confused, and he told me I should go in with Shimada’s group to get seated. He then brought me into the showroom and seated me with Shimada and his group!

Lance Burton’s show was amazing and it was a lot of fun to watch a legendary show with a legendary magician!

Tiny Bible Magic Trick…

Yesterday I posted a dollar bill trick where the dollar was used to produce a tiny bible. The “bible” was one I made was just some paper that was stapled together, covered with duct tape and wrote on it in white pen (These pens are also handy for marking cards!).

The homemade bible is fine for a test run, but the first thing the people I’ve shown this to did was flip through it. That tells me it needs to be a real bible or at least pass the flip test. There are certain things where having the object people want to touch be real and not something that pretends to be real makes the trick stronger. There’s a sense of disappointment if someone realizes that the oranges you use in cups and balls aren’t real. It doesn’t make the trick any less amazing, but it takes them out of the magic headspace there were in. With that in mind I went out and hunted down a tiny bible!

Sometimes it’s the little things that add a lot to the trick. Having it be a real bible makes it more than a sight gag…not much more, but it does elevate the trick!

-Louie

Money Magic with a Bill…

I’ve had an idea in my head for a while to do something with the “In God We Trust” on the back of a dollar bill. I went out and made a bill that doesn’t have it, normally it’s printed just above the giant ONE on the back of a dollar bill.

This one turned out great and it’s got a nice texture and doesn’t feel altered. The next thing was to figure out what to do with it, here’s what I came up with:

Ideally I want to borrow their dollar bill, call attention to a lot of the “hidden” things on a bill, and also call attention to the “in god we trust”. Then I’d do some sort of trick with one of the parts of the bill and during that trick I’d switch the bill for the one that didn’t have “in god we trust” and I’d do the bible production.

The next challenge is going to be figuring out what the first phase would be…

-Louie

Early Bird Gets the Sound Check

One of the biggest tips that I’ve learned about performing is being early to the gig. This is even more important when you are working with other acts in a stage show. Your “tech rehearsal” is soo much easier when you’re not the last person.

When you’re the first one to do their tech, you get the crew’s full attention and your full time slot. As more performers show up, the tech rehearsal always ends up running long and if you’re the last person to do tech, you will probably get an incomplete or rushed tech run through.

The tech needs for my show is pretty simple and when I’m on variety shows the producers like to have me tech last because my needs are simple. I suggest to have me first, to get me out of the way, and since I probably won’t use my full time slot, they’ll get ahead early on, instead of being behind schedule right out of the gate.

Even in situations where I have a later scheduled tech time, I try to show up first and try to be ready to do the tech rehearsal first. That allows me to slip in if an act isn’t ready to go at the start of their time.

Here’s a good example, recently I was in a show and the other act I was sharing the stage with was a band. The event had both of our tech times at the same time. I was there an hour before the shared tech time. I loaded in, got my show set up ran my tech and was done before the shared tech time. The band showed up at the beginning of the tech time. Oh, I should mention the tech time was an hour before showtime, so with doors 15 mins before showtime, the shared tech time was really only 45 mins. By the time the band had loaded in and set up their gear, it was 10 mins to showtime, meaning they were already 5 mins behind schedule. They ended up getting no sound check, and their show suffered.

I realize it’s not always possible to show up early, or get your tech done earlier than your scheduled time and that’s just how life is. For me, getting there early ensures that my show gets what it needs or at least it gives me a good reason for them to hold the doors while I finish my tech!

-Louie

Level Up Your Show…

In a couple days the KAX virtual conference starts, and I’m one of the presenters. This conference is for family entertainers and it’s a lot of fun!

The presentation I’m giving is called Level Up and will teach you how to work on your show. I have Six R’s that I use to work on my show. Each R is a word that’s a task that you can do to improve your show.

In the presentation I also interview other performers about how they work on their shows. There’s a lot of fun insight about how to improve in this presentation.

I’m really excited about this presentation as it’s something I’ve wanted to do for a while. I’m also going to be doing it live in Salem, OR for a group of performers the following week.

It’s not too late to register: https://www.kidabra.org/virtual-kax-2022

Four Ace Production…

Last night I was playing with a deck of cards while I watched the final couple of episodes of Dexter New Blood and came up with a little pop out of a card from the deck. It’s pretty easy to do:

Hold the deck in your right hand in biddle grip.
Swing cut the top half into your left hand into mechanic’s grip
Your left thumb side jogs the top card about half an inch to the right
As your righthand approaches the left hand, the back of the right hand’s middle fingertip contacts the side jogged card. The right hand continues moving forward and slightly up. That will cause the side jogged card to flip face up. When that happens, your right hand moves down to put the two halves of the pack together.

That’s it.
It’s not much, and it feels really familiar. I think it’s a mix of a lot of thing that I already know and that’s what makes it feel like it’s something I already know.

After playing with it with one card, I started thinking about producing a second card. That ended up being a four card production:

While not the greatest or flashiest four ace production, it was fun to come up with last night!
-Louie

Trick with Canadian Money…

A couple of days ago I had a Facebook memory pop up that had a video I made while I was on tour in Canada about four years ago. While I travelled I used to do a videos of magic tricks in my hotel room. It’s been a while since I’ve made one, however I think this was a very interesting video as it uses Canadian money. If you’ve never played with them, they are plastic bills, that don’t easily fold and hold a crease, and most Canadian magicians dislike them. Here’s a cool trick I came up with using them:

What I think is really cool about this trick is that it takes advantage of the hologram and clear spot that’s in the Canadian bill. I don’t know how well this would play in Canada as there’s a discrepancy in the trick that virtually no one outside of Canada would notice.

I think this is a fun social media trick, but really wouldn’t make it into an in person show.

-Louie

Get With the Times…

Ugh, so the idea of “cultural appropriation” in magic has popped up recently in a social media group for magicians. Personally I’m against people using props that depict things they don’t know about. A good example is the classic magic production boxes that have a Chinese character on them. At the very least, know what it actually says.

Yes, there is an artistic choice there use them and not know what they say. However your artistic choice says something about you.

Luckily those boxes and wearing Asian robes have mostly fallen out of fashion for younger performers. Right now it’s the older performers who are the ones that are (still) doing it. I try not to judge the past by modern standards, but if you are in modern times still doing things that may have been acceptable in the past, you need to get with the times.

Someone like Ian Adair who I respect as a creator still sells his Fu Ling Yu trick:

That style of imagery doesn’t belong in a modern magic show. I also understand he lives in a different country and what may be acceptable there may be different from where I live. I also understand he probably had a ton of these made 20+ years ago and doesn’t want to throw them away. I wish he would realize that sometimes you have to let go of the past, that trick really can’t be a good seller anymore.

-Louie

Fun Lecture!!

Last night’s lecture was a blast, it looks like we had 119 magicians attend the zoom meeting! Thanks to Drew Cardella to letting me talk to the group that he hosts every Wednesday.

One of the more fun things about the lecture was towards the end I showed something that was new that I’m working on. It was my Take Out Box production and you can read my previous posts about it by clicking here. That turned into an impromptu jam session with some great ideas. And some ideas that I had thought of and discarded for one reason or another that I’m going to revisit.

During that jam session on the take out production box a well known magician said I should release it soon “before it gets out there and someone else does“. While I agree with why I should release it soon, honestly I don’t like the idea of putting out things before they are ready. It’s a sad state of magic where someone would hear about the idea and rush to beat me to market, however that’s the nature of the business world. I’ve always said magicians need to play business like it’s a real business, that means protecting things with patents, copyright, etc. So it’s really my fault if someone gets ahead of me on putting the Take Out Box Production on the market.

-Louie

Free Magic Lecture…

Later today I’m doing a virtual magic lecture at 7:30pm eastern time. If you want the link to it, send me an email!

I really enjoy doing virtual lectures because I can use video elements for me doing the tricks in actual shows. This allows people to see me do the tricks that I teach in the actual setting they are intended to be used in. I’ve seen soo much good material die in a room full of magicians over the years. I think going forward, if I ever do in person lectures again, I will have a video element of the lecture.

Anyway, shoot me a note and swing by the lecture!

-Louie