Right now some of the only live, in person performing that’s available to do are masked, no contact, socially distant, small group magic shows. These are magic shows for kids. The big challenge with these shows is wearing a mask when performing for younger children (ages 3-5).
One thing that I’ve added to the show is a prop that I built for a show a couple of summers ago, but the routine never played well. The prop that I build are Remote Control Chattering Teeth!
I started out using them as a warm up, which is right out of David Ginn’s book Comedy Warm Ups for Children’s Shows. However, I quickly moved the routine deeper into the show, and it’s not a warm up, but part of a full routine that I was working on.
The teeth are now used in the Silk to Peach routine, and that routine has built out into a 7 minute routine full of laughs! I’m glad I dug the teeth out again and started using them!
Right now I’m a couple days deep into over a week off, no shows until next Wednesday! While enjoying my time off, I came across a video of Doc Docherty‘s routine for the Gozinta Boxes. The Gozinta Boxes were created by Lubor Fielder and the effect is a red box fits inside a black box, … Continue reading “Great Effect for a Bad Trick…”
Right now I’m a couple days deep into over a week off, no shows until next Wednesday! While enjoying my time off, I came across a video of Doc Docherty‘s routine for the Gozinta Boxes. The Gozinta Boxes were created by Lubor Fielder and the effect is a red box fits inside a black box, then the black box fits inside the red box.
Here’s a video of David Ginn doing the Gozinta Box:
What I don’t like about the trick in it’s purest form, is that it’s more of a puzzle than a magic trick and really lacks a magic moment. Then I think Tenyo put out ParaBox which had the production of sponge balls, which I think took the trick from a puzzle to a magical puzzle!
Here’s Paul Daniels doing Parabox:
Comparing the Parabox to the Gozinta Box, I feel it’s a huge leap. The thing that’s lacking with the Parabox is producing sponge balls isn’t a huge production. You are making something that can be squished down appear. A sponge ball is better than no production, but something solid would be much better. Let’s get back to Doc Docherty, and his version called In Through the Outbox, which you can watch below:
The productions of the solid pieces of metal are great and takes the routine to an impossible level. I think it’s a great addition to the trick and really cool! One thing that I’d change with it is the pacing of the productions and do them one at a time. I think it’s be stronger to produce one block get the reaction, prove it’s solid and then produce the second one. Once you’ve established what the first one is, you don’t need to prove the second one is solid. However as is I think it’s a great magic trick.
If my roving consisted of more than an deck of cards, a few coins and the shell game, this is a trick that I’d do!
