Lately I’ve been on a downsizing kick, and cleaning out my office. Some of the things I’ve decided to sell are my duplicate Vanishing Birdcages. I’ve got a several of the same cages in various conditions. Here’s one that I’m selling:
This cage had a bar broken and a previous owner had done a repair. You can see in in the bottom left of the picture below:
This repair was probably in the best place it could possibly be. The lead edge contacts your sleeve a lot less than if it was done on any other corner.
I made a quick video showing the cage in action:
If you’re interested in this cage it’s currently on eBay: UPDATE: it has sold
A couple of nights ago I went to the Tacoma Magic Club’s holiday party. I always try to support the magic clubs in my area whenever I can. It was a fun night and towards the end, people in the club can get up and do some magic. One of the magicians did one of my tricks!
It was a lot of fun to see John Villarreal do my Russian Shell Game! This is a shell game that end with 15 shells on the table. This routine is one of tricks that I wrote in a notebook years ago and have been wanting forever. Then a couple of years ago, I made a set and it took off!
If you do anything that I’ve created and I’m at a magic club meeting, please do it! I love seeing what I’ve created out there in the world being used!
One of the cool things about virtual performing is that if you have something you want to try, there are a ton of opportunities to do it…and you don’t need to leave you house! Yesterday I popped into Kevin Peel’s Open Mic Magic Show on Zoom. The nice thing about this show is that it’s UK based, so showtime is noon in Seattle!
I was looking to try out the Take Out Production Box for an audience, here’s the first attempt at doing the trick:
I think it works, I do need to do some writing to come up with something to say, or some jokes. For a video I like the “travel hack” premise, however for a live show, I think it may need some more meat. I could be wrong…
The idea of using a take out box from a Chinese restaurant for a production box is starting to make some progress…and hitting a wall. The progress that I’ve made is that the box now has a Asian looking logo on the outside. This makes it instantly identifiable from a distance as a Chinese take out box, not just a random box. It also helps make the clear when the box is opened up, that you are showing the inside of it.
Adding the graphic seems like a small thing and it may not have totally been necessary. I think that it makes the trick a little bit more deceptive and play a little bit bigger. It’s that small step further that makes me happy. In one of SH Sharpe’s books he wrote that when you perform with props you made, “the pride you have in making them comes through in your performance” and I do agree. I think using props that I made, I have a sense of pride performing with that I don’t have when using something that I simply bought. Internally, I know all of the work that went into it!
Last week I was in New York City for Christmas. We went to check out some shows, one of them was Stomp NYC.
If you don’t know what Stomp is, it’s a show that’s percussion based and they use “everyday objects” for their instruments and there is no talking or singing.
There’s a lot to learn about performing from this show. For me the huge thing was relatability. The characters were relatable, but the bigger thing was all of the props were relatable. They were things we all see and touch almost every day in our lives. From things like a recycle bin, to a plastic chip bag, everyone has a point of reference for all of the props. This makes the show soo much more relatable than if it used some strange percussion instrument that was invented for and only exists in this show.
When you look at the props in your show, looking at relatability for your props is important. Keep in mind you don’t need to use things that exist in real life, that’s an artistic choice you are making. However when you do, I think they should be things that actually are when they look like, versus things that pretend to be something in real life. Once again this is an artistic choice An example of something pretending to be something real would be an illusion that’s painted to resemble a cardboard box. Everyone knows it’s not a cardboard box, they know it’s a stage prop.
If you look at my two appearances on Masters of Illusion last season, both use “everyday objects” that people have seen or interacted with before.
The first used a paper bag and some toy animals:
And the second used a inflatable dinosaur costume
The props in those two routines were much more relatable than had I used props that were created just for magic tricks. It gives them a simpler feeling than fancy props and that’s the vibe I’m going for. I’m an everyday guy, not someone solves problems with money. In the end it all boils down to your artistic choice for your show. I’ve made some very intentional choices, and while I don’t expect you to make the same choices, I do hope in my heart that whatever you choose to do, it’s intentional.
I frequently say that creating magic is just problem solving. Lately I’ve been writing about using a chinese take out box as a production box. Logistically, I have the hiding of the load and the showing of the box empty figured out.
The challenge is when is “good enough” good enough?
Right now the production from the box works with a box that’s plain white on both sides. I want to have a box that’s plain white on the inside and on the outside it will have the a red Asian looking logo of some sort. That’s the thing that really establishes it as a Chinese Take Out Box from a distance.
I just ordered a bunch of take out boxes and I’m going to play with a couple ideas for being able to show one side plain and the other side with a logo. We’ll see how it goes…
Frequently I’m asked to make little promo videos for events that I’m performing. Here’s one a made for a gig a few days ago:
They wanted me to thank the sponsors and to do a quick trick. One of my “go to tricks” for situations like that are flap cards for a quick color change. I do the first change in the glass (which as far as I know I’m the first to do) which I think adds to the impossibility of it changing. Then the second is just the toss change.
Having a quick and visual trick you can do for things like this helpful. Also essentially having a formula for doing videos for events, so you’re not reinventing the wheel every time. I just grab my glass and card and I’m good to go!
Curt Carlyle is one of the premiere comedy jugglers in the Pacific Northwest. He joins us in the clown basement in Portland and discusses all the things that led him to choose juggling as a job.
He tells us about his early days performing with a partner, how their comedy act of stripping down to speedos opened the door to a plethora of performances in the circus world. We discuss his affinity for tall bikes and what he is excited about moving forward. A great conversation with a fantastic act.
Well, 2021 is coming to an end tonight and it’s been an interesting year. Due to the COVID pandemic still doing it’s thing for most of the year I got to do some unusual shows, from no contact shows, to filming a TV show with no audience to performing for the Amish!
I’ve tried my best to really go with the flow, rather than try to fight the current. Instead of complaining about restrictions on how I could do my show, I looked at it as a challenge as to how to make my show and ultimately my personality work under the conditions I was given.
I’m very curious how 2022 is going to be…so far my summer schedule it looking pretty full and I’ve got some ideas and exciting projects in the works!
Check me out tomorrow in Winchester, VA at First Night Winchester. I really love performing at these First Night arts festivals. The audience and shows are good. If you have a First Night near you, I highly recommend performing at them, they are soo much better than 99% of the normal NYE gigs!
This is a rare east coast appearance, I’m more of a west coast guy. If you’re in the area, send me a note and we’ll hang out!
