Upgrading My Virtual Dice…

One of the things I’m always doing it trying to improve what I currently do. Right now in my virtual show I do a modified version of my Cee-Lo trick, which is a cup and dice routine. This ends with the production of two large dice. The large dice are 1 1/4 inches on each side. To give you some perspective, the picture below is one of the jumbo dice next to a regular die.

Magic dice trick

The reason that the trick uses 1 1/4 inch dice is that for a live, in person show, it makes the loading procedure work. The cup will hold two 1 1/2 inch dice, but the method where the spectator loads the cup for you doesn’t work well with a larger die.

I was cleaning up and found the old set of 1 1/2 inch dice I tried using for Cee-Lo. It hit me, since I’ve changed my loading procedure for virtual shows, and there are no spectators to handle the props, why not move to the larger size dice. To give you an idea of visually how much bigger they are, the pictures below are a 1 1/2 inch die next to a regular die and a 1 1/4 inch die.

That extra quarter inch makes it look massive! The nice thing about how I load the cups for live virtual shows is that the size of the die doesn’t really matter. I’m getting a little more visual impact for no extra work! I’m a fan of that.

Mixology Magic

There’s an old saying, “do what you love and you’ll never work a day in your life” and this has really hit home for me during the pandemic. I’m having a blast making little cooking/mixology videos.

I’m doing one today for the International Brotherhood of Magicians, it’s an IBMfizz! Here’s the magic ad for it:

Here’s the recipe for it:

I think you can watch the video on the IBM’s facebook page.

I’m enjoying making these videos, it’s a fun theme to add trick to!

Slow Mode…

One of the interesting things about right now is that we live in a world where I can do a show that I did months ago. On Sunday I was in a show where my bit was prerecorded, and I just hung out in the chat section. It’s strange chatting about your show with people while they are watching your show.

That said, I’m not a fan interacting through YouTube’s comments. Every time I’ve done it “Slow Mode” comments have been on/enabled and you can’t have decent interactions with people. Any back and forth quickly gets buried in the chat and makes no sense. I think it takes a lot of the fun out of having me in the comments interacting live with people.

Maybe I’m a dinosaur and the idea of interacting with people in real time is a holdover from being a live, in person performer. I hope it’s not, and that people still want that interaction.

Simple Virtual Set Up…

Sometimes I’m doing a quick virtual show spot and it doesn’t really need much set up. For this short spot, I did a simple set up:

It’s a light, camera, mic and an iPad that’s set up as a second screen for my laptop. Not much extra was needed for this gig, and I was just dealing with hand held props.

The softbox light was a great addition to my home studio. It’s super bright and does a great job lighting up my small space. I like it a lot more than the panel LED’s I had been using.

More Wheel Work…

Another day, another change to my wheel. This is a subtle change, but I added colors to the wheel.

confabulation magic trick
mentalism

There’s a very good reason for this, I’ve figured out a way to force a color on the front and an object on the back. I can now do a prediction that will have three reveals with the wheel, the only variable would be the number, which would be the first selection. Once the first number is made, I can pull the prediction from an index and I’m set! It’ll take a lot of the heat off of the switch, as it happens at the very beginning of the routine!

The Big Picture…

A myth I spend a lot of time trying to educate people who ask about virtual shows is that to do them, I simply turn on my laptop and go. There’s soo much more that goes into it. One of the things is your background. Sounds simple, but it’s not.

Recently I was watching a Zoom magic show and this guy didn’t put much thought into what was behind him. He’s got an interesting picture of a lady behind him. She kinda stole the show.

I’m not saying the picture is inappropriate, but if what is behind you is more interesting than you, you’ve got a problem. Unfortunately we’re trying to connect to people on a human level through Zoom. Whatever is behind you is a window to your world.

If any objects are visible, you really need to think it through. I used more of my attention trying to figure out the performer’s relationship to the girl in the picture than on his performance. Was she his wife, pen pal, someone he admires? Is that a pic from 20 years ago, or last week? Is she still alive? Are they still together?

Make your background intentional. If you have things visible, remember it’s a window into who you really are.

Free Beer!!!

Months ago I was texting with one of the groups I brainstorm with and I brought up the idea for this gag. You say, “You’ve been a great group, you know, I’m going to give you a free pitcher of beer!” You then reach into your wallet and remove a card with a picture of beer!

The play is on the picture/pitcher words that can sound similar. This would be a gag card similar to the Pride and Joy or the picture of my two kids.

When I have them printed, I also did a set with and empty pitcher. The idea is that I can also use the Out To Lunch principle and make the full pitcher become empty. I’m not sure if I’ll ever use it that way, however I was trying to be forward thinking. It’s much easier to have them both made at the same time, than having to go back and recreate it to make the empty pitcher.

Wheel of Change…

About a week ago I had a post about the game wheel that I bought at a thrift store. I’m going to be using it with Haim Goldenburg’s Wheel of Mind force. The picture on left is what it looked like in the thrift store and the picture on the right is after I cleaned it up.

The problem with the white wheel is that while it is dry erase, it’s still very hard to clean. Also the white isn’t the best on camera. Learning that, I resurfaced the wheel and coated it with chalk board paint. Here’s what the front and back look like now:

It plays on camera much better this way and it’s easier to change the items on the back. Now I just need to figure out what I’m going to force in the show!

Bad Advice…

Magicians are the worst at giving advice for beginner magicians. Recently in a Facebook group a magician was asking for recommendations for beginner magic books. The majority of people that suggested The Amateur Magician’s Handbook.

This book is garbage for a beginners magic book by modern standards. Sure it started a lot of magicians, but I think it also turned off more people who were interested in magic. Compared to modern magic books (pretty much anything after Mark Wilson’s Complete Course In Magic book) it’s hard to learn from.

The main reason I think it’s still in print is because it’s got a great title.

I still love the book, and it definitely helped form who I am as a magician, but it’s not a great beginners book. It may be by 1950 standards, but not by modern standards.

A Sturdy Base…

When the COVID pandemic hit, a buddy and I built a studio in his garage. Unfortunately he just bought a house in another state and is moving, so I’m working on my at home studio. Part of that is customizing props, one of the things that I’m working on is a table. For virtual shows I like a high table, something that’s just below armpit level. That makes it easier to frame my face.

The table I’m currently using has a pretty small table top. The base it’s on is pretty slim, which means I can’t put a very bit table top on it without it getting wobbly. In my shed I have some old speaker stands that are very heavy duty compared to a typical magic table’s base. These will allow me to move the table up high and still be sturdy.

I designed and printed out a flange:

It pressure fits onto the speaker stand.

It’s attached to the table top by eight screws.

It’s very sturdy! I was amazed, there’s no wobbly in the table. I may try to put a larger tabletop onto a speaker stand to give myself some more performing space!