Pictures – Page 66 – MagicShow.Tips

Solid Background Helps…

The other night I did a corporate gig and before the stage show I did some roving during the cocktail hour. Personally I prefer to do this than not do it at a corporate event, as it basically lets me be my own “opening act”. People start to warm up to me before the show.

When doing roving magic, I’m always looking for miracles to make happen. Things that aren’t part of my normal close up set. Typically these use things that are in the performing environment. The round tables in this room had a table cloth with a square cloth napkin in the middle. I’m assuming a center piece was on the napkin at some point. That led to a miracle!

I was performing for a group. I asked a guy to name any card. He said 10 of Diamonds. I handed him the deck, he shuffled them tossed them in the air so they landed on the table, and his named card ended up under the middle of the napkin!

How did I do it? I remember watching Eugene Burger’s video on Matt Schulien’s Fabulous Card Discoveries.

On that VHS tape he did Matt’s Card Under Tablecloth and that’s basically what I did. I did have to adjust it a little bit for the situation. That’s where having a solid background in different tricks and sleight of hand moves comes in very handy! This trick was the talk of my roving set and was totally worth the risk of trying something I’d never done before.

Last Night I Pulled a Kreskin…

Several years ago I went and saw Kreskin perform a the Pantages Theater in Tacoma, WA. He’s an amazing performer and I highly recommend checking out his show if you get a chance. At the end of the show he got a standing ovation from the audience! He deserved the standing ovation, and he worked … Continue reading “Last Night I Pulled a Kreskin…”

He deserved the standing ovation, and he worked for it. By worked for it, at the end of the show, he stood, arms outstretched and waited. People clapped, eventually some stood. Kreskin didn’t move. Eventually everyone was standing clapping!

That’s something very important I learned from watching Kreskin. You have to wait for them to stand up. They aren’t going to instantly leap to their feet like other performers bragging will make it sound like. Go see virtually any show that gets a standing ovation, it’s a slow burn. Some stand, then others, it’s a wave that takes a few moments. My advice is that if you feel a standing ovation coming, wait for it!

Improvised Card Magic

Last night at the Seattle Magic Club, I got talking about “improvised” card magic. What that means is magic where you don’t have a formal plan and kinda figure it out while you are going. I got into doing this style of trick through some books by Justin Higham. It’s an interesting style, and it … Continue reading “Improvised Card Magic”

The 75% Production and The Trick With No Method

It’s an interesting style, and it works out your brain while you perform. In a nutshell, what you are doing it looking for things you can do while you are doing other tricks. Let’s say you are doing Triumph and when you spread the cards at the end, you notice 3 kings together in the deck, that’s something you may be able to use later in an improvised trick.

The key to this is that you don’t always do something. For example, let’s say I have the three kings at the bottom of the deck, but the 4th never comes up, then I don’t do the trick.

While talking to some of the magicians about this style of performing, one commented that it’s probably hard to think that quick. It is, but the more you do it, the easier it is. Also when you remember that no trick is an acceptable outcome, then you can’t lose!

I recommend you check out Justin Higham’s books on this and try it out!

From an Idea to a Physical Trick in Under 18 Hours

Last week I was hanging out with some magicians and while we were jamming we stumbled upon an idea. What we were doing with this idea at the restaurant wasn’t very sophisticated, but we got the general idea down.

The next morning I got up and made a quick 3D model of what we wanted the trick to look like. I printed it, and it wasn’t quite right. I banged out a Version 2 and it still needed a little bit of tweaking. Within 18 hours of having the idea, and me sleeping about half of that time, I had an ideal working model!

In their current form, they look like a Tenyo Magic product and the next step will be to have them made in metal.

Being able to produce these in a physical form tells me a lot about the idea and how it will actually work. Versus it basically dying in a notebook. Knowing how to use a 3D printer is a game changer for magicians!

Making a Trick My Own…

A few years ago Bicycle Playing Cards changed how they make their playing cards. While they are still the standard, they are crap compared to how they used to be. A deck of cards will last me about 45 mins to an hour when roving, where before they’d last all day.

As a result of this, I ended up having a ton of cards kicking around that I can’t use after a gig. I wanted to figure out how something to do with all of these cards, so I’m learning to rip a deck of cards in half. This isn’t easy. After about a month I can do 22 cards, with best being 28 cards. I’ve got a long way to go to fifty two!

Now that I’m working on this skill, I’m starting to think of what to do with it. Yesterday in the car I thought of a trick. Why not do the split deck, but instead of the stupid patter line, “I asked someone to cut the cards and they did” when you introduce the cards, I can just rip them in half.

This creates a unique trick that very few people can copy. It adds some texture to the trick as well, because I can talk about learning to rip the deck. Also it’s going to be a harder trick for anyone to copy because of the time it takes to learn to rip a deck of cards in half.

All it takes to make a trick better is taking an extra step forward and adding one thing, plus new scripting and you’ve got something unique!

Stage Time is Gold!

When I was starting out performing in comedy clubs when I was 21 years old, a piece of advice I was given was, “whoever gets the most stage time wins”. I totally agree with that, the more you are working, the better you get. It also means that you’ve had more that’s gone wrong and you’ve figured out how to get through it.

One of the first markets I really started working 20+ years ago was the retirement home market. The nice thing about these gigs is that they take place during the day, and they have a constant need for entertainment. You can get a ton of flight time with your show in this market.

I don’t do many of the shows in the senior market anymore, simply because I’m too busy performing in other markets. However I recently just did three shows in one day on a single campus for a retirement community. It was fun, and those three shows added up to some pretty decent money.

If you’re interested in performing in this market, I wrote a book about it. This book is called How To Perform For Seniors.

This book takes you step by step through marketing the show, booking the show and actually doing the show. If you’re just staring out, or looking for a place to break in a new routine, this is a great market to work!

Always Be Amazing…

Last year at the Southern Sideshow Hootenanny in New Orleans, I saw legendary showman Aye Jaye speak. Aye Jaye has been around circuses and carnivals his whole life and is a fun guy to hang around! He always has a trick on him, and he’s always ready to do it. He has a name for … Continue reading “Always Be Amazing…”

Last year at the Southern Sideshow Hootenanny in New Orleans, I saw legendary showman Aye Jaye speak. Aye Jaye has been around circuses and carnivals his whole life and is a fun guy to hang around!

He always has a trick on him, and he’s always ready to do it. He has a name for this, which I don’t remember, but it’s essentially a “gift” he gives people. For the longest time I hated the idea of always having a trick on me. I used to think there was no good reason for it, besides “dancing” like a trained monkey.

As I’ve gotten older, I have had many doors open and opportunities present themselves simple because I could do a magic trick. I don’t force magic tricks on people, but having something you can do is frequently beneficial!

A good example of this was I as having a drink with some performers after a trade show. We ended up chatting with a group that was in a position to book a couple of us performers. Of the magicians I was the only one that could do a trick on the spot. I did my three trick set that lives in my wallet.

Guess what?

I got the gig. I’m not saying that to brag, but when you are in a formal networking situation you 100% should have a trick ready to go. This goes for informal networking, which is pretty much all day, every day.

Think about it, let’s say you randomly meet someone and they learn you are a magician and they mention they need a magician for an event. What do you think will leave a bigger impression, if you hand them your card, or do a trick, then hand them your card?

TLDR: Always be ready to do a magic trick

Coming Full Circle…

The first paid gig I ever did when I was a teenager was an event where I did close up magic lane to lane at a bowling alley. It was a rough gig, and even and a kid after doing it, I knew it sucked. It was a bad show because the event planner was trying to put an activity into an an activity. No one wanted to watch the tricks, I did, they were busy bowling and I as interrupting them.

Over the years I’ve gotten requests to do gigs at bowling alleys and I’ve turned them down. However over 20 years later I finally accepted a roving magic gig at a bowling alley.

Why did I take this gig? I wanted to try it again, and see if I could conquer it. I’m happy to report that last night the show went wonderfully!

What did I do differently 20 years later?

A lot of things have changed. First of all there’s the “David Blaine Factor”, which is that his TV shows have made people aware of what close up magic is. When I was a kid, people didn’t know what close up magic was, and they thought it’d be lame tricks that your uncle Jimmy Does.

This time around I also had over twenty years of performing experience. My close up set was short tricks, nothing too long and drawn out. It gave me a chance to leave if I noticed they were more interested in bowling. Add that to being a much stronger performer than I was as a teenager.

My advice is if you’ve had a rough performing situation in the past that you swore you’d never do again…maybe try it again. I’m glad I did!

Collecting Magic…

Do you collect magic? Many magicians are hoarders and have boxes of stuff that they buy and almost immediately gets put away. Personally I actively try to not have too much magic kicking around. This is partially because of space, and partially because when I die, it simply becomes garbage. I do collect things, however … Continue reading “Collecting Magic…”

Do you collect magic? Many magicians are hoarders and have boxes of stuff that they buy and almost immediately gets put away. Personally I actively try to not have too much magic kicking around. This is partially because of space, and partially because when I die, it simply becomes garbage.

I do collect things, however it’s a little different than “hoarding” as it’s fairly specific. I collect three shell game sets. Here’s the current collection:

You’ll notice in the bottom center there is a space with no shells. That’s the shell game set that use when I’m out performing. I use Leo Smester’s shell game, and I highly recommend it. The only thing I changed was I don’t use his peas, I use the Perfect Pea made by School For Scoundrels.

Personally I prefer the “bowl” type sets. I had been doing the shells for a little while and found some little bowls in Chinatown when I was a teenager and started doing the shell game with them. Those bowls broke a long time ago, however ever since then I’ve preferred the bowl style.