magician – Page 10 – MagicShow.Tips

Desired Reactions…

Recently I worked with an act at a family show that didn’t really have a clue as to how to perform for kids. His idea of a good routine for kids involves them screaming. By screaming, I mean that he told them to scream as loud as they could. It was basically 7 minutes of kids yelling and rolling on the ground. Luckily his act was after mine, so I didn’t have to deal with the aftermath.

The screaming didn’t have any theatrical purpose, other than to make kids scream. There was no reason, like it made the magic happen, it was basically, “hey kids scream and do it whenever you want”. It really gives mixed messages to the kids in the audience for how to behave for the next act.

Some people may defend the performers, saying something like, “if the kids had fun, that’s all that matters”, but that’s wrong. It’s wrong thinking because it there were more than just kids in the audience. There were adults and the adults weren’t happy with it. Essentially the performer rolled back the clock on all of the audience training that this particular audience had gotten over the years. It hurts the venue in the long run, I wouldn’t take my kid back to that.

TLDR: Mindless yelling isn’t a desired reaction from kids.

Making a Trick My Own…

A few years ago Bicycle Playing Cards changed how they make their playing cards. While they are still the standard, they are crap compared to how they used to be. A deck of cards will last me about 45 mins to an hour when roving, where before they’d last all day.

As a result of this, I ended up having a ton of cards kicking around that I can’t use after a gig. I wanted to figure out how something to do with all of these cards, so I’m learning to rip a deck of cards in half. This isn’t easy. After about a month I can do 22 cards, with best being 28 cards. I’ve got a long way to go to fifty two!

Now that I’m working on this skill, I’m starting to think of what to do with it. Yesterday in the car I thought of a trick. Why not do the split deck, but instead of the stupid patter line, “I asked someone to cut the cards and they did” when you introduce the cards, I can just rip them in half.

This creates a unique trick that very few people can copy. It adds some texture to the trick as well, because I can talk about learning to rip the deck. Also it’s going to be a harder trick for anyone to copy because of the time it takes to learn to rip a deck of cards in half.

All it takes to make a trick better is taking an extra step forward and adding one thing, plus new scripting and you’ve got something unique!

Stage Time is Gold!

When I was starting out performing in comedy clubs when I was 21 years old, a piece of advice I was given was, “whoever gets the most stage time wins”. I totally agree with that, the more you are working, the better you get. It also means that you’ve had more that’s gone wrong and you’ve figured out how to get through it.

One of the first markets I really started working 20+ years ago was the retirement home market. The nice thing about these gigs is that they take place during the day, and they have a constant need for entertainment. You can get a ton of flight time with your show in this market.

I don’t do many of the shows in the senior market anymore, simply because I’m too busy performing in other markets. However I recently just did three shows in one day on a single campus for a retirement community. It was fun, and those three shows added up to some pretty decent money.

If you’re interested in performing in this market, I wrote a book about it. This book is called How To Perform For Seniors.

This book takes you step by step through marketing the show, booking the show and actually doing the show. If you’re just staring out, or looking for a place to break in a new routine, this is a great market to work!

Slow It Down…

Whenever I’m critiquing myself the most common note I have is to slow down. What on stage feels like 5 seconds is probably closer to two on three seconds. Time seems to drag on when you are in front of a room full of people that are staring at you. Over the summer I worked … Continue reading “Slow It Down…”

Over the summer I worked at a festival with another magician and each time he did a trick, he only displayed it for a second. Here’s an example, he did a Blendo type trick where multiple handkerchiefs turned into one. However once they became one he only showed it for about a second before he put it away.

The audience needs time to process what has just happened. By displaying for only a few seconds and then putting it away, they don’t get to appreciate what has just happened. You need to hold up the magic, and PAUSE, then put it way. That pause need to be long enough for someone to look at the final picture, then mentally compare it to the initial picture in their memory to understand the final result.

TLDR: Pause to show the effect

The Sooner the Better…

I’m a big fan of getting new ideas for magic tricks in front of people as soon as possible. The sooner you can get something new in front of an audience, that sooner you know if it’s good or not. Even with a rough idea, you’ll get a sense of whether or not there’s anything worth pursuing or not.

Personally, I don’t want to waste my time on an idea that doesn’t connect with an audience. Doing a trick once in front of someone will also let you know technically if you are doing the right thing technically. You’ll know if a certain move or sleight fits the rhythm of the trick.

Obviously you must be able to do whatever moves the trick requires at a passable level. This is where having a background in sleight of hand comes in handy, it will make doing new things much easier, than if you don’t normally use sleight of hand.

Do It Backwards!

When I was about 15 years old, I saw John Carney lecture in Minneapolis. One of the things he talked about was doing the pass. He said the best way to create a new pass was to do an existing one backwards. For example a Herman Pass is essentially a Classic Pass Backwards.

Occasionally when I’m jamming with magicians I’ll start to play with a move or an idea backwards and it will yield interesting results. Recently I was talking to a mentalist and the subject of spoon bending came up. I asked him if anyone had done it backwards. What I mean by that is bending the spoon towards the bowl, instead of away from it.

He mentioned that a lot of the optical illusion parts of bends may not work. He then demonstrated the spoon bends that he does, and he was right about them not working with the bend going the opposite direction. However, this playing around with flipping the bend backwards led me to come up with what I think is a new spoon bend!

TLDR: Try doing it backwards!

Coming Full Circle…

The first paid gig I ever did when I was a teenager was an event where I did close up magic lane to lane at a bowling alley. It was a rough gig, and even and a kid after doing it, I knew it sucked. It was a bad show because the event planner was trying to put an activity into an an activity. No one wanted to watch the tricks, I did, they were busy bowling and I as interrupting them.

Over the years I’ve gotten requests to do gigs at bowling alleys and I’ve turned them down. However over 20 years later I finally accepted a roving magic gig at a bowling alley.

Why did I take this gig? I wanted to try it again, and see if I could conquer it. I’m happy to report that last night the show went wonderfully!

What did I do differently 20 years later?

A lot of things have changed. First of all there’s the “David Blaine Factor”, which is that his TV shows have made people aware of what close up magic is. When I was a kid, people didn’t know what close up magic was, and they thought it’d be lame tricks that your uncle Jimmy Does.

This time around I also had over twenty years of performing experience. My close up set was short tricks, nothing too long and drawn out. It gave me a chance to leave if I noticed they were more interested in bowling. Add that to being a much stronger performer than I was as a teenager.

My advice is if you’ve had a rough performing situation in the past that you swore you’d never do again…maybe try it again. I’m glad I did!

Fantastic Information!

If you know me, you know I’m a huge fan of comedy magician Nick Lewin. He was one of the magicians that I saw as a teenager and his style shaped how I perform. He’s someone that had pretty much done it all as a magician. Recently he was on the The Variety Artist Podcast … Continue reading “Fantastic Information!”

If you know me, you know I’m a huge fan of comedy magician Nick Lewin. He was one of the magicians that I saw as a teenager and his style shaped how I perform. He’s someone that had pretty much done it all as a magician.

Recently he was on the The Variety Artist Podcast and it’s a great interview!

He gives a ton of great advice on all aspects of your show. One of the things that I really liked is he mentioned that comedians and comedy magicians have a different definition of what performing “comedy” means.

Most comedy magicians thing performing comedy in a comedy club means being dirty. That’s couldn’t be further from the truth. Performing comedy in a comedy club should mean you have original material. Jokes that move a plot forward. Yes, you can have limited success doing store bought tricks, but at some point to really progress you need to write material!

TLDR: Listen to Nick Lewin’s interveiw

Collecting Magic…

Do you collect magic? Many magicians are hoarders and have boxes of stuff that they buy and almost immediately gets put away. Personally I actively try to not have too much magic kicking around. This is partially because of space, and partially because when I die, it simply becomes garbage. I do collect things, however … Continue reading “Collecting Magic…”

Do you collect magic? Many magicians are hoarders and have boxes of stuff that they buy and almost immediately gets put away. Personally I actively try to not have too much magic kicking around. This is partially because of space, and partially because when I die, it simply becomes garbage.

I do collect things, however it’s a little different than “hoarding” as it’s fairly specific. I collect three shell game sets. Here’s the current collection:

You’ll notice in the bottom center there is a space with no shells. That’s the shell game set that use when I’m out performing. I use Leo Smester’s shell game, and I highly recommend it. The only thing I changed was I don’t use his peas, I use the Perfect Pea made by School For Scoundrels.

Personally I prefer the “bowl” type sets. I had been doing the shells for a little while and found some little bowls in Chinatown when I was a teenager and started doing the shell game with them. Those bowls broke a long time ago, however ever since then I’ve preferred the bowl style.

Be Presentable…

Last week I was chatting with my agent about acts that she wouldn’t represent. One of the things that help make her decision is how the person looks. Unfortunately it is a factor. It’s more that just what you look like as a human, but what does your “look” say.

If you have a wrinkled shirt and a haven’t shaved in a week, she’s not going to put you on her roster. It’s not to say you need to constantly be combing your hair and wear a tuxedo, but your look must look like something / someone a client wants to book.

Magicians love to give David Blaine and Criss Angel a hard time over how they dress. Both of those guys have a much more defined look than 90% of all magicians. You may not care for their style, but they have a style and it’s been thought out.

TLDR: Your look is more than just wearing a tie!