In the past I’ve written blog posts about how the facebook groups are bad places to get advice. The exception to this is when it’s a curated group of people where you know everyone. Recently in a group someone was asking about where to find some fuse to make a fake stick of dynamite. I’m not sure why you would want that, however that’s a different conversation.
In the comments of the facebook group, someone added this comment:
This is horrible advice. First of all, that doesn’t make flash string. Soaking cotton in lighter fluid makes a wick. It will burn, but not like flash paper. What will happen is the cotton string will light on fire until the lighter fluid burns off, then the string will burn, leaving a lot of residue. It also won’t happen in a flash, it burn like a wick with very little fuel, because that’s what it is.
Be careful out there when you ask for advice on the internet!
This week I’m performing on a stage inside a tent. It’s a nice tent and it solves a lot of outdoor performing problems, it gives the audience shade and cuts down on wind.
The first couple of days of the week I was performing at the front edge of the stage. The shows were doing alright, but I realized I was losing people on the side bleachers. It was a consistent loss of people from specific positions in the audience, so it was something that probably wasn’t my show. To try to fix this I watched another performer’s show from one of those positions and figured out why I was losing them.
You’ll notice there are two poles at the front of the stage and when I was playing too far forward, they people couldn’t see the show. Then there was a smaller problem that when playing too far forward it was hard for some people to see my face as they were almost behind me.
The solution was simple, I just moved my show two steps backwards. Once I did that the change in the show was dramatic! I kept the audience in the spots where I was losing them AND the side were more enthusiastic about the show!
Restarting to do a trick that’s been almost two years since I used to do has some fun little challenges. One of the things that the trick needs is a double walled envelope. I went out and bought some envelopes and gimmicked them:
The first show I realized quickly that these particular envelopes were made differently than I was used to. They start loaded with and item behind the wall and I put something in front of the wall during the show. During the first show I used it in yesterday, I couldn’t get the front compartment open! It was too flush with the front side of the envelope.
The solution was pretty easy, a quick little tear and I was good to go! That little scallop I ripped out allowed me to access the front compartment easily.
The routine that I use this for the audience never sees that side of the envelope until it’s sealed, so it’s not issue having a tear that big.
I frequently tell people that creating and performing magic is 90% problem solving!
At yesterday’s day camp show where I didn’t have music or a microphone, I initially had a bit a “what did I get myself into” moment. I started the show and the kids were really rowdy, lots of chatter and random screaming. The group was 3-12 years old, with the majority in the 3-5 year old range. That meant most of the kids had no concept of magic, or how to behave during a show.
I opened with a warm up, and did the rules bit that I do for school assemblies. It tells them my behavior expectations in a funny way. Once I did that and then my first trick, it really snapped them to attention. 15 years ago when I was a kid, I really would have struggled with this. I would have thrown energy at the kids, instead of keeping more calm (but still have energy). Starting out calm, like I’m the captain of a ship, really brought them to me…instead of me going to them.
The other thing that having no production in the show made me do was work a bit slower and be comfortable holding for laughs or reactions without any “audio spew” in the background. Holding and waiting for a reaction for me is one of the most nerve wracking things in performing.
Today I’ve got a show for a day camp, but it’s slightly unusual. Right now all of my props are in Montana, but I’m a home in Seattle. This isn’t a lost luggage situation, it’s intentional. The show is for about 20 kids, so I don’t need sound and I left my PA and mics with my show.
It’s always strange doing the show without music. Over the years, I have developed a lot of bits that use music in my show and figured out that many of my bits play much better with music. I do have a PA here, but really don’t need to lug it out for this gig. Also it’s a fun little challenge to perform with less production elements. It makes you work a little bit harder to connect with the audience.
I’m a big fan of getting out of your comfort zone as a performer every now and then.
One thing that I hope still sticks around are some magic clubs getting together on zoom. While I think that meeting in person is more valuable, the Zoom ones tend to be more beneficial to me.
I just happened to be passing through Minneapolis on their magic club night. I looked it up and it was on Zoom (not in person). While I would have loved to visit in person, doing it online was OK.
Whenever possible, I try to get to magic clubs. I think they are extremely valuable in growing as a magician. I hope they figure out (as a whole) how to fix sagging membership numbers as they’re something I’d rather not see go away.
Yesterday I got into Colon, MI, which is a day before the Abbott’s Magic Get Together starts. The day begins at 10 am, so I figured it would just be easier to arrive the day before.
Somehow, despite not really knowing anyone here, I got invited to a amish chicken dinner! It was a lot of fun. The dinner was amazing, then we went to an amish farm and did a show for some families.
I was invited to perform, so I did my spoon act and it went over really well! I was worried about a few lines in it, but it played great and I’m glad that’s the act I did.
Today is the first day of the Abbott’s Get Together, and it looks like it’ll be a fun day!
Reflecting back on performing with World of Wonders last week, it really got me out of my comfort zone. Performing in a three minute context isn’t something I really do anymore. When I was starting out I built my show at comedy open mics in 3-5 minute chunks, however it’s been a while since I’ve worked in that format.
The big thing for me is that it’s gotten me to edit. I was cutting out things that really didn’t need to be there. Also when you’re doing a routine as a stand alone bit, you’ll notice what’s a strong joke or bit and what felt like it was a good joke, but it’s just your momentum from the whole show that helps you get a laugh.
I’ve also written some new jokes and come up with some new bits for the routines I was doing.
I’m really glad I did this, it’s not my normal thing. I learned a lot!
One thing I don’t get is performers who wear sunglasses when they perform outdoors. It blocks your connection to the audience. I don’t care if you have a sensitivity to light, it hurts your show. I get that standing in the sun is uncomfortable, but so is sweating in 107 degree heat.
At the ND State Fair, on the stage next to my stage is a music stage. Daniel Kosel is performing, and all week he’s been wearing sunglasses for his shows. I want to note that his show is a lot less of a show than the other acts I’ll be talking about later in this post.
Daniel Kosel performing at the ND State Fair
Daniel is just a guy with a guitar, who stands there and sings. He sings slower songs and mostly older songs. His performance isn’t very dynamic, there’s nothing he does that makes you want to watch him, he’s more of an ambient act, than a mainstage act. While there’s nothing wrong with that, I also don’t think this is the venue for that. He’d be better in a smaller, indoor type venue.
Yesterday on the same stage they had the 188th Army Band of North Dakota. This is one of the Army/National Guard Band, and if you ever get the chance to see any of the army bands, do it! They performers are all super talented and very dynamic. They do upbeat music, and their show is super tight! Any performer can learn a lot about watching these band.
188th Army Band of North Dakota
If you look at the pic of the 188th band above, you’ll notice the guy in the center is wearing sunglasses. While I’m not a fan, I also give him a pass, as he’s not the front person, it’s the lady to the left that’s the signer. The guy in the middle was doing a guitar solo when the pic was taken.
The final show of the day was Sting Rays Jukebox Rock. This show is a high energy show that’s full of production and is a lot of fun. Sting Ray plays oldies, but songs everyone knows. He’s got a great look and a tight show. He does a good job connecting with the audience. He’s very likeable onstage.
Sting Ray’s Jukebox Rock
You’ll notice that no one in Sting Ray’s show is wearing sunglasses. I know this pic was taken after sun down, but at his earlier shows while the sun was up, everyone’s eyes were visible.
I’ve always told performers you can learn more about performing by watching other shows than you can by doing your show. You learn what you like or don’t like, and once you know what you don’t like, you can try to avoid those things in your show.
A couple of years ago I created a original (as far as I know) method for making a fork bend. The cool thing about it is I never touch the fork that bends. This came about when I was chatting with a mentalist about metal bending and asked a stupid question, “does anyone do a spoon straightening routine?” He said that a lot of the optical illusion parts of the method probably wouldn’t work as well with the bend going backwards.
That conversation put the thought in my head, and I ended up creating a method and publishing it in Vanish Magazine called The Perceptive Bend.
In the picture above you see the lady confirming the two forks are exactly the same before one of the forks bends in her hand. I think the method should be pretty obvious if you reread the first paragraph of this post, or you can track down Vanish Magazine issue 57 (I think it’s that issue).
I don’t normally do metal bending in my roving show, however I had a bunch of forks leftover from doing it virtual shows, I took them to the fair to use them up. After doing it live this week, I’m thinking of adding it to my roving at fairs. It gets a really good reaction, and I think I’ve finally figured out how it fits in with how I perform.
