magic show tips – Page 73

What’s in a Name…

One thing that magicians frequently complain about is having a generic “magician” on a post and not their name. Here’s a 20 year old poster advertising a fair that I came across:

Look at the listing, at the bottom they list acts by name. There are specific titles and generic ones. For example, Scott Land Marionettes is the name of his show, so the full title ends up on the poster. Then there’s the generic Face Painter. Both of those titles tell the person going to the fair what will be there. A generic face painter may not do good for the face painter’s ego, but it is probably more exciting to a ticket buyer than “Shelby Winters”, unless that’s a prominent person from the community.

Let’s take a closer look at the listing, I circled an act:

I circled Grinn & Barrett, I know what what this act is and know the two people in the act, but 99% of the people going to the fair have no idea what it is. In that place a generic “comedy juggler” or “juggling show” would have gotten more people excited about than the name of the act.

This is something I’ve changed recently with my show. I used to bill it at fairs as Louie Foxx’s One Man Side Show, which is still the name of the show, but I don’t use that at events like fairs or festivals. It doesn’t really tell the audience what they are going to see. I’m now using The Magic of Louie Foxx and since I made that change, I’m seeing bigger starting audiences at my shows. This is nice, as I don’t have to build as hard as I did in the past.

Take a peek at how you’re being advertised in a program and think about if you didn’t know who you are and what you do, would you go see the show? Personally I’d rather be listed as a generic “magic show” in a program than just “Louie Foxx”.

-Louie

Tape Measure Prediction…

One of the tricks that I’m trying to move out of my preshow and into the main body of my show is my version of Iain Bailey’s Measure For Measure trick. This is a tape measure prediction, you pull out the tape and someone says “stop” and there’s a giant arrow drawn on the back where they stopped. I totally reworked Iain’s gimmick so that it works way better for how I perform and the conditions that I perform in. You can read a little bit about it on this blog post.

The challenge I’ve had with it was getting the effect to really hit. It was getting an “meh” sort of reaction. What fixed it was that I added a phase to the beginning of the trick. This first phase I used a separate tape measure and the person from the audience says “stop”, but misses the prediction and it’s wrong. I tell them they will get it wrong the first time, but will get it right the second time. I think this really sets up what’s going to happen the second time and makes their brain processing the effect much faster.

I’ve managed to get a couple more laughs out of the routine as I’ve been working on it this summer. It’s slowly becoming a more fleshed out routine. I just need to do the work, which is writing, testing and editing.

-Louie

Arrow Production…

I was hanging out with Chris Beason the other day and we were chatting about some tricks with a dollar bill.

One idea I had was that you mention that there are 13 arrows that the eagle is holding on the back of a dollar bill. You then do a double take and notice your bill has 14 arrows and is a misprint. You then pull a full size arrow out of the dollar bill!

It would be pretty easy to do, you’d need a gimmick like an appearing straw, but only about 24 inches long and glue an arrowhead to one end. Or cut the end to a point and paint it silver. It could be kept in a thumb tip, and possibly put a slit in the side of the tip to allow the arrow to be removed from it. The thumb tip is really only there to keep the arrow compress and easier to handle when rolled up.

While not the worlds greatest mystery, it would be a decent sight gag.

-Louie

Always Mic Up!

Sometimes I don’t take my own advice and I regret it. I tell people always use a mic when doing a show for a group. Yesterday I did a summer day camp show for a smallish group and it was indoors. I intentionally didn’t pack my sound system as I didn’t think it was necessary. When I got there, they were a group that was all masked, so I did the show masked.

When you’re masked you lose a lot of the power of your voice when speaking to a group. Also you spend a lot of energy pushing your voice through the mask to project it out to the audience.

Today I have another summer day camp and I’m packing my sound system in case they are also a facility that still requires masking. I should have packed the sound system yesterday anyway and left it in the car if not needed. I was being lazy and it ended up being a bad idea.

-Louie

R Rated Magic Shows…

Last night I did a corporate gig, it was for managers of a chain restaurant. This group was younger and fairly rowdy. This isn’t a bad thing, I’ll take a rowdy audience over one that acts like they don’t want to be there any day. They kept trying to get me to go “dirty” in the show. In the past I’ve done a lot of comedy rooms and I have the ability to do that, however I don’t think it would have been appropriate for me to go there. This was still a corporate gig.

What I did was play along with them and I didn’t try to shut it down, I just wouldn’t go dirty. I did use a lot more innuendo than I normally would at a show, so it let them know I was playing, but had a line. It kept me present in the show and I really had to live in the moment, which is a good thing!

Most performers when they have an audience that wants to go dirty, they go along with them. Honestly, I think in 99% of these shows it’s a mistake. You can play, but you don’t have to get graphic or swear. You have to remember that while the loudest people in the audience are trying to guide you, not necessarily everyone wants to go that way. The two people who don’t want you to go dirty could be the owners of the company. That’s why I try to play it safe.

-Louie

Fork Force Routine…

A couple of days ago I wrote a blog post about a way to force a fork. I’ve gotten a chance to try it out as a triple prediction (most of the time).

I start with the spoon, knife and fork laid out in position for the force. On the back of the fork I secretly drew an X with a sharpie and I have a folded up piece of paper in my hand (but don’t call attention to it) and a second piece of paper hidden.

They touch one and if they touch the fork, the trick is over, have them flip the fork and you reveal the X. If they touch the knife or spoon, you do the procedure to force the fork. For the reveal you open the paper in your hand to show it predicts the first and second objects they picked as well as the third item they didn’t pick.

For the papers you need two, and simply switch the visible paper for the hidden one if necessary to have the correct reveal.

The first challenge I had when doing the force was getting people to move properly. There was too much going on, and people would get going really fast and do a double jump. What I started doing was having me call out the letters slowly and not doing the next letter until the jump was complete. It’s a simple solution to an unforeseen problem.

-Louie

Impromptu Magic Idea…

The last week I was at a coffee shop in Santa Maria and realized that if you lay out a fork, knife and spoon with the fork in the middle you can force the fork. While this isn’t the best stand alone trick as it’s a force of one object out of three and there is potentially some process involved, but it’s something that would be handy to have in your brain in case you ever need it.

Ask someone to touch one of them. If they touch the fork, you’re done. If they touch the knife or spoon, you have them spell that item, moving from one item to the next (forward/backwards) to an adjacent item for each letter. Due to the number of letters and how the math plays out it, they will always end on the fork (if they do it correctly).

You’ve now forced the fork, you can use that however you want.

-Louie

Unsigned Cards…

When I’m doing close up magic, one thing that I don’t do is have people sign cards. There’s frequently a strange hesitancy when you ask people, like they aren’t sure exactly what you want them to do. Instead I have people draw a picture on the card.

I say, “Draw a picture on the card, it can be anything…Bigfoot fighting a ninja, so it’d just be a picture of a bigfoot. I won’t judge you…till later. I don’t care what you draw, I’m not your mom…wouldn’t be the first rocket ship I’ve seen today.” That has 2-3 laughs but it also gives them a moment to think about what to draw and I disarm them about worrying about the drawing being bad. It also takes away the incentive for a teenage boy (or drunk adult) to draw a penis as I’ve already gotten the laugh from that.

The other thing this does is gives me a real moment in the show that’s happening now that I can comment on. I can talk about the picture and everyone knows this is real and not preplanned.

Play around with using alternatives to signatures you might like it.

-Louie

Show Them How…

In mentalism one of the things you can do for the presentation is show them the process. What I mean by that is you show them what you are doing to know what they are thinking. That’s why things like NLP are popular presentation angles in mentalism.

I was at Disneyland a couple of days ago and I’m pretty sure they are using this idea with the lines at the theme parks. You will have someone who works there waving people through a line, then they will suddenly start asking how many people in a group. From my watching, it was usually after asking three groups they would hold the line at that point. I honestly don’t think that person was counting people, because usually the next place the people were moving to didn’t have any capacity issues. There’s a psychological reason they hold and move people and they justify that by showing some sort of process. By asking how many people there are in a group, they are implying that there’s a capacity issue ahead. If they simply said, “Hold here for 5 minutes” that would annoy people, but by showing the people process, we accept it.

Seeing this done in a non magic context really reinforces it’s effectiveness to me. If you do mentalism and aren’t showing process, you are missing out on a great presentation.
-Louie

Picture of Sound…

Sometimes when performing at a fair the stage doesn’t really have a sound person. If they’re using professional variety acts, it’s normally not really necessary to have a sound guy there the all day, every day. On the stage I was on there were only two acts, me and a juggling act.

One of the things that I always do is take a picture of the soundboard:

The uppermost three cords are mine. Once the sound tech gets me where they want me, it’s easy to simply reference this picture whenever I show up and plug in. I don’t have to walk all over the fairgrounds to track down the sound guy to set my audio.
-Louie