Category: Tricks

On The Big Screen…

For a long time I didn’t really use any video projection in my show. Mostly because I didn’t understand how it worked and how to work it. In late January of 2020 I decided I was going to start to figure out how to use it in my live, in person stage shows. Shortly after I started working on using projection, the COVID pandemic hit and any work on in person shows went onto the back burner as I had to figure out virtual shows. Luckily those virtual shows have translated into me starting to understand how to incorporate video elements into my in person show.

Recently I did a theater show and got to start to use video projection. One thing I didn’t like about video was that I didn’t want the audience essentially watching TV. The ideal trick for this is the Three Shell Game. It’s interactive, and fills the screen nicely, but plus it still have whole audience interaction. I chose to use my Russian Shell Game as it has a payoff with the production of a dozen shells.

Here’s my first show using video projection:

It played well, and one of the silver linings to come out of the COVID pandemic is me not being afraid of using video projection/production in my show!

Double Check Your Props!

When doing the full show it’s easier for me to be set up confidently than it is when doing bits of the show out of the full show context. Last week I was recording some bits for a TV show and it was really stressful making sure that I had all that I needed for each routine.

Unlike a live show, you don’t have the freedom to make a joke and then rummage through your case. Sure on TV you can do reshoots, but doing them because you forgot to set a prop is pretty unprofessional.

I only forgot to set one prop for one routine. It was a dry erase marker, and luckily I had a sharpie in my pocket. I used the sharpie and ruined the prop (or at least made it harder to reuse) but the only person who would know is me!

Quarantining With Props….

Yesterday I mentioned that I’m out of town performing. I had to fly to this gig and it’s been a while since I’ve had to fly. Here’s the gear I use to fly:

The Pelican Air 1615 carries my show props, then the suitcase holds my costumes, non show clothes and other personal items. The particular gig I’m out for right now required me to go from the airport to the hotel and quarantine for two days. Then I have to go direct from the hotel to the gig…in addition to passing several COVID tests over the course of about a week.

This has presented some unusual challenges. Normally I would buy a few of the “grocery store” props once I got to the city I’m performing in. That’s not an option for this gig due to the quarantine. I had carry onto the plane some items that are semi fragile.

One of the hard things was travelling with bananas that I intend to use several days later was finding green bananas (that would be nice and yellow in three days). I ended up having to go to a restaurant supply place and had to buy a box of green bananas!

I could have had the production provide the bananas, however in the past when I’ve had them provided for me, they always give me the worst bananas. Same with the crackers…I rarely get exactly what I ask for. The trick is pretty specific to what I need. For example, I use unsalted crackers as they are easier to write on than salted crackers. I’m just trying to eliminate a headache before it happens.

Adding Twists…

In a few months I’ll be doing some bits for the Kids Entertainer Fest which is a virtual online convention for family performers

I was asked to create some “filler” material and will be popping on throughout the convention to show and teach some quick tricks and stunts. I didn’t want to rehash old things that already exist. My goal is to create new things or some interesting twists on old tricks.

One of the things I started playing with making a troublewit out of a dollar bill:

If you don’t know, a troublewit is traditionally a giant sheet of paper that’s folded up to and twisted to make different shapes. Here’s Jay Marshall doing it:

The challenge from scaling down something that big to something very tiny is that it limits what you can do with it. The advantage of it being soo small is that it will allow me to do the magical kicker that I’m planning on doing with it, which is at the end revealing the one dollar bill has changed to a one hundred dollar bill!

Still Working On the Polaroids…

One of the “quarantine” trick I’ve been working on for the last year is the trick with the Polaroids that disappear and reappear under and envelope. A couple of weeks ago I mentioned that I removed one of the pictures, so now it only uses three which really streamlines the trick. I also altered it so it’s not just the same vanish and reproduction three times. Finally I figured out how to make one of them appear face up under the envelope.

Here’s a video of me working on it:

It’s crazy the changes this trick has made in the almost a year since I started working on it. It started out as Goshman’s Cards Thru Newspaper, but now I can say it’s completely it’s own thing. There’s really nothing left of that routine in what I’m doing now…except the under the envelope switch, which isn’t unique to his routine.

When people say to make a routine your own, I think this is kinda what they mean…

Don’t Crowd Source Your Show…

I’m beginning to become an old man yelling at the kids to get off my lawn, but instead I’m yelling at magicians to stop crowdsourcing content on a Facebook groups. The people who do it are usually pretty lazy, and rarely reveal their work first or at all.

This was recently posted:

First of all, anyone who has a remotely original line isn’t going to give it up. But also the original poster didn’t give any context, he’s just trying to build a Milton Berle joke book in the thread. Unfortunately when you ask a garbage question you get garbage answers:

The person who posted the two jokes (?) isn’t the person who wrote them. That person essentially stole two jokes they’ve heard a magician say, then offered the stolen jokes to other magicians. First of all, neither is very funny and the first thing is kind of an @sshole thing to say to someone. It’s a very late 1980’s to early 1990’s stereotypical type thing a magician would say. It’s not modern, but more so it really doesn’t move most magician’s characters forward and that’s the bigger problem, most magicians don’t know who they are on stage, and how using sh*tty lines lines like this doesn’t move the ball forward for them.

It’s also this thinking that’s the reason why people think all magicians all tell the same jokes and do the same tricks. It’s because soo many do the same regurgitated crap. Go out and actually work on your show. Don’t know how? I wrote a post about it recently and you can read it here

Complete Cheapo Copentro

I’ve written about my fascination with the coins to glass magic effect. One version that I’ve always likes is the Jack Hughes Visible Coins To Glass, or in the USA we tend to call it Bob Kline’s Copentro. That’s the version where the coins visually appear in a shot glass that’s covered by a larger glass.

There are other version of the trick where the glass held mouth up with your hand above the opening of the glass. The coins then “drop” into the glass from your hand. Here’s an example of this version of the trick:

The problem with the version with the handheld glass is that it’s pretty obvious to anyone that the coin came from your hand. The glass doesn’t really isolate where the coins are appearing. The glass does add a fun sound when the coin arrives and adds a prop which may make the trick play a little bit bigger. Both of those a great additions, but they are really aren’t additions to the magic effect. They don’t make it more amazing or really any different from a coins across that happens in the hands.

That’s why I think I really like the Hughes/Kline version where the cup is isolated. It is something more than an in the hands coins across.

Over the last 18ish months I’ve worked on several versions of the trick. One that I will probably never use is this one:

The video above is the more complete version of the one I posted back in January (see it here). I wanted to figure out not just how to get the coin into the shot glass, but how to make the whole thing work start to finish. I’m glad I did that and have that version of the trick out of my mind now…until I try to start to work on how to make multiple coins appear in the shotglass…

Take Up Reels are out there!

After about a year of me selling my Take Up Reel via word of mouth, I’ve finally made them available through a magic shop.

If you don’t k now what a take up reel is click here for more info!

take up reel

You can get them from Hocus-Pocus.com. People frequently ask me if I would prefer they ordered from me or them. The nice thing when you order from a magic shop is you are supporting a magic shop, and helping to pay their employees. Sure, I make more in my pocket when you buy direct, but when I agree to sell them a product to a magic shop I’m happy with the terms. The advantage is that they normally have them in stock and can ship quickly. If you order direct sometimes there will be a delay due to me travelling, or whatever.

I’m not saying “do not order from me“, but more trying to show you the advantages and disadvantages of ordering from a magic shop. You can’t complain about them disappearing, if you don’t support them.

X Ray Coin Vanish

Last night I was walking my dog and was thinking about an amazing idea of my friend Bri Crabtree. She uses a green screen spot, which is a genius idea! My idea was to use it as an xray for a vanish. Here’s a rough idea of what I’m think of:

I’m thinking if I get a ping pong paddle that’s green on one side I can make it work. Show the non-green side that says “x ray” then flip it over, show the skeleton of my hand with the coin and d do the vanish.

It’s not the deepest mystery in the world, but it is fun!

Taking Away One…

One of the first tricks that I started working on since the COVID pandemic started a year ago was my Polaroid to Envelope trick. This trick started as Goshman’s Cards thru Newspaper, but then evolved a lot. It’s pretty much been unchanged for months, here’s what it looked like:

Yesterday I was going to work on it some more as I was going to be doing the Nashville Magic Company’s Tricks of the Trade magic open mic in the evening. That’s when it hit me, I don’t need four pictures, I just need three. One of them doesn’t do anything, it cleans up some clutter and tightens up the routine a little bit.

After the open mic they do a little bit of a workshop for the performers to ask other performers for thoughts on what they performed. I got a couple of great suggestions and ideas. Someone asked why the pictures appeared face down, instead of face up. This is a great idea, that because I was building from a another trick, I didn’t think about that.

I started playing with having the pictures face up and I think I got a workable sequence out of it. Having just three pictures is soo much more manageable than four! I’ll probably record a video of the new sequence later today and post it when I get a chance.

If you’re not using these virtual open mics to work on material they are a huge resource that didn’t really exist a year ago. Not only to practice material, but to get specific feedback from other performers.