magic show tips – Page 35

Wireless Video Projection

A while ago I started using video projection in my magic shows. My camera set up is pretty simple, I was doing it with an HDMI cord that went direct from the camera to TV or projector. This worked, but it’s not always possible to do because of where the input is located and how much cord I travel with.

Hollyland Mars 400s Pro II for magic show video projection

I recently bought a Hollyland Mars 400s Pro II, which is an wireless video transmitter. You plug the HDMI from the camera into the transmitter and the HDMI from the receiver to the TV or projector. Now if the HDMI input for the project is across the room, or in an AV room it’s not a problem. I don’t need to run cord or travel with more than a couple of short lengths of HDMI cord.

I’ve used this twice since I got them and both times the production guy at the event commented that Hollyland makes good stuff. In fact the second time I used them the venue was also using them!

So far, I’m a fan of them!

-Louie

Soo Much Trash

One of the questions that I get asked a lot by magician who see my show is “how much does it cost you to do your show?” My show has a lot of disposables, here’s what is thrown away after the show:

When I do my full show, it cost me about $10 to do my show. Sure that adds up over time, but at $10 it’s not that much when you consider everything else it costs to do a show, like travel or hotel.

If your vision for your show costs money each show, but it will help you achieve your artistic vision for the show, then $10 is nothing. If it cost me hundreds each show I may reconsider some stuff, but ten bucks I’m totally fine with.

-Louie

Breaking the Fourth Wall

Last week my wife and I went to see a show called Liberace and Liza, Holiday at the Mansion. The premise of the show is that the audience are guests at Liberace’s house at a Chirstmas party that’s hosted by him and Liza Minnelli.

Liberace and Liza, Holiday at the mansion portland OR

I really had no idea what to expect when I showed up. It was a fun show, and I didn’t expect as much audience involvement as there was in the show. What made it great was there was no “fourth wall” the performers were talking to you, not each other within a scene. This is what a magic show is like, there is no fourth wall (usually) and you are talking directly to the audience.

One of the great things was there were a lot of “call backs” to things that people in the audience did. This makes the show special and unique to the audience at that show. In my magic show, I look for things that I can comment on, then refer back to later in the show. It’s a great technique to create a unique show!

If you’re curious about the show, here’s the promo video for the show:

It was a fun show, and if you pay attention you can learn a lot that will apply to a magic show!

-Louie

Five Flippy Shuffles

Once again I was playing with the Triumph card trick, trying to come up with new sequences. This one uses five shuffles:

@louiefoxx Five flippy shuffles! #cardtrick #shuffletrick #magictrick #magic #shuffle #triumph #cards ♬ Mountain at My Gates – Foals

I think the idea of multiple shuffles has been done many times before, but I like the initial display that I do when I cut the pack into four packets. I think that visually drives home that they will be mixed face up into face down. It’s like Daryl’s Triumph Display, but used before the shuffle instead of after.

-Louie

All American Magic Theater

A couple of weeks ago I performed in a show at the All American Magic Theater in Portland OR. It’s a fun little theater in a magic shop inside of a mall.

It’s always fun to perform in a variety show! One of the challenges for me since I’m used to doing 45-70 mins is doing a shorter 15 min set. A 15 min set is structured very differently than a longer full show. As an act, your opener is less of a “warm up” and you kinda need to get right into the act.

It’s fun to flex that different show length muscle!
-Louie

Making Remote Control Chattering Teeth!

I just finished up making a batch of Remote Control Chattering Teeth. There were two reasons for this batch, the first is that I was out and needed more in stock. The second reason, which to me is the more important reason, I wanted to make a new version of them. I made a batch of six sets of Remote Control Chattering Teeth: Four normal and two experimental!

The thing I’m going to start to test is having them run by an ankle/magnetic switch, instead of a traditional push button remote control.

I’ve already learned a huge lesson when making these teeth. The magnet switches that I had on hand were cased in glass and they broke fairly easily while assembling them. I just ordered a batch of plastic cased magnet switched and will give them a try and see if they work as well as the glass ones!

I’ll be using these in my family/kid shows in December to see how they hold up. If they work well, I’ll probably offer these as an option.

-Louie
PS: If you’re interested in the standard Remote Control Chattering Teeth, you can get them here: https://www.magicshow.tips/remote-control-chattering-teeth/

Strange Four Ace Production

I’ve been playing with a production of three cards, but it really didn’t feel right. There’s hardly ever a reason to produce three cards. One, two and four make sense but three? I guess maybe if you’re trying to wrap up a multiple selection routine, but that would be it.

The solution hit me, have a card picked, then produce the remaining three of that value. Here’s what it looks like:

@louiefoxx Four of a kind! #cardtrick #cardistry #magictrick #aces #cards ♬ Bitter Sweet Symphony – The Peppermint Posse

Here’s how to do it:

Set up: you have an ace at the bottom of the deck and the three other aces in the middle of the deck, with a pinky break below the top ace.

Working: Classic force the ace below the pinky break, and keep the break between the two aces in the middle of the deck. While they are looking at the card, use your left ring finger to pivot the card above the break 90 degrees, so it’s sticking out sideways. This is hidden by your right hand.

Set the selected card (ace) face up on the table with your left hand.

Your right hand does Derek Dingle’s Open Sesame move, with the index finger splitting the deck above the sideways cards and pivoting the card below it 90 degrees as your turn you hand over.

BOOM! You have just produced the three cards of the same value as a selected card in a flourishy way.

-Louie

Portland SAM #59

Last week I visited the Society of American Magicians Assembly #59 in Portland, OR. I love magic clubs, and it’s time for me to formally join this one. I’m currently not a member of the national Society of American Magicians, so I need to do that before I can be a member of the local assembly.

I think that of the barriers to entry with magic clubs is having to join the national and the local magic club. It looks like national SAM dues are $65 and the local club is $35, so it’s $100 to get involved. That’s a lot of money for someone who is just starting out in magic. However I do understand why the money is needed, and there is value to the $100. If someone starting in magic actually read the magazines and went to the meetings there’s more than $100 in value.

Society of American Magicians Assembly #59 in Portland, OR

After the magic club meeting, a few of us went down the street for a beer to keep magic jamming!

I’m a HUGE supporter of magic clubs as they helped me a lot growing up and I want to help them succeed. You should support your local magic club!

-Louie

The Turkey Hand!

Every year I post this trick on Thanksgiving. It’s a good example of adding a theme to a trick that already exists.

The idea for this trick is in a Jim Steinmeyer book. For holidays, look at what you already do and look for logical connections then make the trick!

Another great book with math principles for things like this is Body Mentalism by Juan Pablo Ibañez.

-Louie

Lightbulb Eating Routine

Recently I was in a show with sideshow performer who did glass eating, and that inspired me to write a routine for glass (lightbulb) eating. I should say that I’ve seen this act many times, so I may have accidentally written a line that’s existed before and a couple of the lines are pretty obvious, so might be used by other performers. With that in mind, as far as I know this is an original script for someone eating a light bulb.

To set the scene, let’s the the performer just did a dangerous stunt before this.

That was intense! Let’s do something lighter.
Bring out lightbulb
I’m going to eat this lightbulb and poop out a chandelier! This is a 40 watt bulb, I used to do 100 watt, but I’m on a diet!
Take out spray bottle of glass cleaner and give it a spray and wipe it off with a paper towel.
If anyone wants some after the show, I brought a doggie bag.
Take out paper bag and put the lightbulb into it.
Ladies and gentlepeople, it’s hammer time!
Take out hammer, and break the bulb through the bag.
Mozel Tov!
I remember the first time I did this, I was a kid in my friends basement, listening to ACDC.
What were you expecting me to say…the Electric Light Orchestra?
Take out piece of glass and show it to the audience. Put it into your mouth and dramatically eat it.
Squirt the glass cleaner into your mouth, pause and look at the bottle. Open the bottle of glass cleaner and chug it!
Show your mouth to show it empty!

**DO NOT DRINK REAL GLASS CLEANER** use a safe blue liquid in the spray bottle.
***DO NOT DO THIS ROUTINE, IT’S DANGEROUS*** This was written as a writing exercise for me.

So that’s the routine, it should have a few laughs. It was fun to write and something I’ll never do. I don’t know why, but things like these that aren’t my show are way easier to write for than my actual show.

-Louie