magic show tips – Page 117

Magic Shops on the Road..

One of the things that I try to do when I travel is visit magic shops and support them. Last week when I was flying into to San Francisco and driving a couple hours north, I stopped by Misdirections Magic Shop!

misdirections magic shop in san francisco

While I was there I picked up Shrapnel by Kim Anderson.

This is a linking pin type routine that has a lot of phases that use a finger ring. I’ve been doing some stuff for a few years with a finger ring and an Andrus Key Pin, so this was similar something I was already doing.

I really like the smaller pins for the trick. That was the part I was unsure about, I didn’t think I would like using the smaller pins. Kim’s routine is great and the instructions are pretty clear and I had fun learning it. I haven’t tried it out yet, but heading back out on the road in a few days and will give it a whirl!
-Louie

Picture of Sound…

Sometimes when performing at a fair the stage doesn’t really have a sound person. If they’re using professional variety acts, it’s normally not really necessary to have a sound guy there the all day, every day. On the stage I was on there were only two acts, me and a juggling act.

One of the things that I always do is take a picture of the soundboard:

The uppermost three cords are mine. Once the sound tech gets me where they want me, it’s easy to simply reference this picture whenever I show up and plug in. I don’t have to walk all over the fairgrounds to track down the sound guy to set my audio.
-Louie

Do Not Disturb…

For several years I’ve been working on a Silk Thru Coat Hanger trick.

You can read posts about it here

It’s three phases, the silk goes thru the hanger, then two hangers are put on the silk and one that’s selected goes thru the silk, and finally the silk goes from the triangle of the hanger to the hook.

I’m not the biggest fan of the second phase, but the trick really didn’t work as a two phase routine. It hit me while sitting in my hotel room, the Do Not Disturb sign would make a great prop for this routine and fits in with my presentation. The reason I never realized this before was most of the signs have a slit in them to fit over the door handle. The slit makes it useless for the trick, but I’m staying at a hotel that has Do Not Disturb signs that don’t have slits! I took one of the signs to the fair and gave it a try and it works!

I’ll need to play a bit with trying to figure out how to get it smooth. I think the problem is the sign at my hotel is that it’s got a really small hole. A quick search on Amazon and I found some with larger holes. I ordered them and they’ll be waiting for me when I get home.

I’m hoping this is the solution to the second phase of the routine!
-Louie

Show Me a Trick…

One thing that has always bugged me are magicians that won’t do magic for people they run into who ask them to “show a trick“. There thinking is that no one else in any profession gets asked to work. That’s simply not true. Lawyers get asked legal questions, doctors get asked for medical advice, it’s not unique to magicians. It’s unique to professions that have “secret knowledge“. What I mean by that is they have knowledge or understand things that the average person doesn’t.

Looking back in time, all of the great magicians a hundred years ago made reputations doing impromptu magic. Max Malini biting the buttons off of coats or Hermann who pulled the coins out of rolls or eggs at the market. I think most magicians hesitancy is they lack the technical skills and knowledge of tricks to “do a trick” at a moments notice. I’m a huge fan of always having a trick on you. You don’t have to do it, but sometimes it makes a huge difference having something always ready.

The other night someone at the bar where I was having dinner recognized me from my show earlier in the day. They told the bartender that I was a magician and he asked if I could show him a trick. I asked if the bar had a deck of cards, and they didn’t. He handed me a pen and asked if I could do a trick with that, so I swallowed the pen by lapping it. Then I did my Splitting Image (mismade bill) trick, which was a solid end to my “impromptu” performance.

Not relying on what you can find around you, but having something on you that you are guaranteed to kill with is a huge advantage. Planning ahead and keeping a few tricks in your wallet makes a huge difference!
-Louie

Milk Cap Three Fly

Awhile ago I had picked up some Milk Caps and rigged one up like a split coin so that I could do a Three Fly style routine. Here’s the routine with some patter:

These milk caps are as unusual of an object as something like a silver dollar to anyone under 30 years old. People get hung up on what’s an ordinary object, and a large size silver dollar isn’t an ordinary object. The USA stopped using the large size dollar coins in the late 1970’s or over 40 years ago! The audience has to make a leap in time for either prop. I’d argue that the milk cap is easier to justify because it’s something they haven’t seen before. Where a large size dollar coin is similar to something that exists, but not the same. You can justify the milk caps through presentation, however most magicians don’t justify why they have old coins.

-Louie

Safety Pin Trix

One of the things I’m trying to do is be better with my time while I’m on the road. When travelling and performing in cities away from home, there’s a lot of free time. I usually go out and see the local sights, and hang out with the other acts, however there’s still a lot of down time.

One trick that I do in my close up is the Linking Pins and I use Jerry Andrus’s gimmicked pins, but I’ve never really gone through Jerry’s book. This morning before I headed out to the airport I grabbed my copy of Safety Pin Trix and some regular and gimmicked pins.

I’m planning on going through the book in my hotel room. I’m hoping there will be some things in it that I can add to my current routine!

-Louie

Tina Lenert – Rings and Silk

A couple of weeks ago when I was performing at the Moisture Festival, I did a weekend of shows with Tina Lenert. She did her Rings and Silk act, which is fantastic! Here’s a video of the act:

There is soo much magic that happens in that 6 and a half minutes and it’s all pretty strong magic. I think it has almost as many effects per minute that a manipulation act! My favorite part is when she holds the ring behind her back and drops it onto the silk:

It’s a fabulous act, and if you ever get a chance to check it out, I highly recommend it!
-Louie

Party Popper Idea…

One of the cool things about having a 3D printer is it helps me make my ideas a reality, and do it fairly easily. Last week I got the idea in my head of having a remote control party popper. If you don’t know what a party popper is, it’s a little tube with a string. You pull the string, there’s a bang and and little streamers shoot out.

The mechanism is pretty simple, it’s going to be a motor on a remote control. The party popper needs something to hole it in place, so I designed a little holder for it, with a hole in the back:

The plan is to attach this to a board with the battery, remote receiver and motor. To load it, you’ll put in the party popper, tie the string to the motor and when you’re ready, simply push the on button on the remote.

We’ll see if this actually works once I put it together later today…
-Louie

The Secret to Likability…

The easiest step to being likable onstage is smiling. That’s it. If you can do that you’re soo much closer to the audience liking you.

Smiling makes you look like you want to be there and you are having fun. Yes, there are times you don’t want to smile, and those times should be well thought out. Your default should be a smile.

Many years ago I heard an interview with comedian Neal Brennan on Tom Papa’s podcast Come to Papa. He mentioned that he thought he was smiling onstage, but realized he wasn’t. Onstage you need to smile bigger than you think you need to for it to play to the audience. Hearing that interview really helped my show!
-Louie

Extreme Street Performing…

In Seattle one of the spots that people street perform is at the Pike Place Market. The challenge there is there is a permit system and a lot of rules. However if you cross the street you are still in an area with high tourist traffic and there are no rules.

I was just down there and across the street from the Pike Place Market on the corner, there was a crazy set up for a band doing a street show!

The band didn’t even fit on the corner, they spilled out onto the street. The have their own power supply, five speakers and even a giant umbrella! This is some next level street performing, you can hear them blocks away!

One of the things with most street performers is the ability to be mobile. The time it takes to set up is time you could be performing, I’m going to imagine this set up is a pain to unload from the car and build before you start performing, then you have to take it down at the end of the day. Then you factor in that there are 3-4 people involved and everyone gets a piece of the hat. I’m curious how long they can do this and still be profitable AND how long before they get a ticket for being in the street. They’re set up at a busy intersection.

I do like that they’re doing what they need to do to bring their art to the people!
-Louie