Louie – Page 234 – MagicShow.Tips

Breaking In Tricks…..

Before my show at a library I did some tricks that I’m working on as my preshow. One of the tricks is a dollar production called Sketch Money by Joao Miranda. It’s a drawing of a dollar bill that turns into a real dollar bill and other I did was the gypsy thread. Sketch Money … Continue reading “Breaking In Tricks…..”

Before my show at a library I did some tricks that I’m working on as my preshow. One of the tricks is a dollar production called Sketch Money by Joao Miranda. It’s a drawing of a dollar bill that turns into a real dollar bill and other I did was the gypsy thread.

Sketch Money played better than I thought it would, and I added a switch at the end to get rid of the gimmicked dollar bill. Basically I’m going an “under the box” type switch with the pad of paper instead of a box. It worked well, and I thought there’d be a ton of heat after the dollar production, but there was none. That was very unexpected.

The Gypsy Thread trick from a technical end is fine, I just need to work on selling the end. The trick is missing the magic moment. I think I need to verbally tell them what’s going to happen right before it does happen. I’m doing this trick for kids, and I think the moment of licking the string overshadows the restoration. The string licking is a very funny moment for the kids. I need some more separation between it and the restoration, and to give the restoration a magic moment, like a snap.

I’m happy with how these tricks are coming along and both are for my summer library shows, so hopefully they’ll be solid tricks by the end of the season.

Break In Time…

I’m frequently working on new material, and need places to try it out. that’s the thing with magic, it needs an audience to see how it actually plays. Frequently I break in new material as the “preshow” while the audience is waiting for the show to start.

Yesterday before a show I started breaking in the three ball trick that I’m working on. What’s interesting about the trick is that my method which is a little unusual for the three ball trick seems to work and be deceptive to the audience. Trying out an unusual method for a trick is one of the most stressful things that I do. You never know if people will see right through it, or not. I’m glad I tried it out, I’m going to keep moving forward with the trick.

Taking the leap and putting stuff in front of the audience is very rewarding when the trick plays out. You can learn a lot from a method or presentation that doesn’t. Whenever I”m breaking in new material I try to record it, so I can watch how the audience responds and use that info for future development.

Ball Trick…

One trick that I keep going back to over the years is the Three Ball Trick. It’s a great trick, and personally I really like the idea of these older tricks that are known, but not used as much as something like coins across, or linking rings. The slightly less common ground is good for … Continue reading “Ball Trick…”

There are a lot of variations of this, so it could be a “balls across” or “two in the hand, one in the pocket” type routine. Most routines end with everything vanishing. This for roving magic is good, it signals the end of the routine and doesn’t take up much pocket space. Some routines end with a production of a large item.

The version of this trick I’ve been playing with this week isn’t a close up trick, but for cabaret sized audiences. Unlike most versions of the trick that use a net held by two spectators to catch the balls, my version is just me onstage and no table.

Here’s the routine. Three balls go into the left fist, and one at a time they invisibly travel to the right hand. One is put into my pocket, then it travells back to my hand. All three are put into my pocket and three balls reappear in my hand, but these are large balls!

There’s not much to the routine, aside from the production of three large balls, where most routines only have a single production. I think Fernando Koeps has a routine with multiple large balls appearing. For me the fun of putting together a routine is having something unique, whether in method, or sequence. While I hate to call myself an artist, but that’s the artist in my that doesn’t really want to do someone else’s version of a trick.

Preshow Warm Up…

Before a show, I try to warm up…but what does that mean for a comedy magician? I’ll get to that in a minute. I got started warming up many years ago when I started working in variety shows with other acts. All of the physical acts like trapeze act, or dancers warm up a lot before the show, where the magicians just hung out.

I had a friend Noelle Wood who does an amazing pole dance act, she’d warm up for an hour to do an 8 minute act. One day before a show while she was warming up, she asked me what I did to warm up. My response was, “try to not get too drunk”. This joke answer, was the answer.

Before a show, I like to joke around and be playful, it gets me into the performing mindset of having fun on stage, but also gets my “comedy brain” warmed up. Here’s a quick example of something that happened before a show that helped me warm up:

It’s this playfulness that gets me into “character” and ready for the show. Sure, if I’ve got something new, I’ll run lines before the show, but it’s important for me to play before the show whenever possible.

People Love Magic…

There’s a stereotype that people think magic is for kids, or magicians are nerdy. That’s an older stereotype, and not a modern look at magic at all. David Blaine changed all of that, then people like Cris Angel and shows like America’s Got Talent cemented the idea that magic is good.

Here’s my proof. Frequently when I travel, I try to initially tell people that I meet that I’m a magician. I tell them I’m a performer, or variety act. When they want more specifics, I tell them I juggle, tell some jokes, magic tricks, balance things… They always stop me at magic tricks and ask more about that. That’s how you know the public is interested in it. Not the juggling, not the jokes, the magic.

Your job comes in here. When you show someone a magic trick, or perform, you need to be able to deliver. You should do good magic that’s not cheesy. Give the people a reason to continue to enjoy magic!

Sketch Money…

Right now I’m on the road performing in Alaska and I tend to practice more when I travel than when at home. There are a few reasons for this, but the big one is that I think I just have less distractions. All of the things that I can use to put off practicing at … Continue reading “Sketch Money…”

For my summer show I needed a way to produce a dollar bill and I remember seeing a review of this trick. This is follow up to the trick Sketch, which was a similar production of a card. The one with the dollar bill was also very poorly reviewed, where the card got good reviews.

I think the main reason for the difference in reviews was that the card one was better for close up where the dollar one has a problem, that can really only be solved by distance between you and the audience. I think most of the people that bought it were looking for a close up trick and that’s the why no one liked it.

The solution on the instructional video was for you to simply step back 6 feet from the audience. That’s a horrible solution to the problem, as it’s strange if you are table hopping and doing stuff under the audience’s noses, then step back two meters. This is a platform trick, not a close up.

I did some reworking of the gimmick to make it slimmer, and I’ve got some ideas to improve it even more, however they were beyond what I could make in a hotel room. The gimmick supplied could be made better, however I understand why it is the way it is. It’s got to be made to hit a price point, and make it reasonably easy for the average person to be able to make.

This is where being willing to rebuild something you paid for is a good trait. You can take something and make it better than the mass market version. Your custom version will be better 99% of the time!

Coin Size…

Recently someone asked me about what size coins I use. Personally I use silver dollar size coins, and I believe you should too. The reason is simple, they are bigger and more visible. There’s really no reason to use anything smaller. Sure some things are easier with smaller coins, but if you take that argument … Continue reading “Coin Size…”

Sure some things are easier with smaller coins, but if you take that argument to cards you’ll see it wrong. Poker sized cards are what 99% of magicians use, however there are bridge size cards which hardly anyone uses for magic. These cards are smaller making a lot of card magic easier with them.

Currently it’s easier than ever to get gimmicked coins custom made and they aren’t that much more expensive than standard gimmicked coins. If you wanted a larger size gimmicked coin you can do that. You’re no longer limited to what’s a stock item.

You owe it to yourself and your audience to use dollar sized coins…Unless you are making an artistic choice to use a smaller coin. For example my coin in bottle routine uses a half dollar, but there is a reason I’m using that coin in the presentation. This also doesn’t apply if you are using a borrowed coin for something like coin in ball of yarn.

Borrowed Item Production Before the Item Vanishes…

There’s a trick I’ve always wanted to do, but it’s never played how I want it to. The trick is object in ball of yarn. Over the years I’ve done it in various form, like coin or dollar bill. I know why it doesn’t play (for me) is that once the coin is gone, it’s … Continue reading “Borrowed Item Production Before the Item Vanishes…”

There’s a trick I’ve always wanted to do, but it’s never played how I want it to. The trick is object in ball of yarn. Over the years I’ve done it in various form, like coin or dollar bill. I know why it doesn’t play (for me) is that once the coin is gone, it’s not a surprise where it will reappear when the ball of yarn comes out.

About a year ago I thought, what if the ball of yarn is being unraveled before the dollar disappears? Would that make it more of a mystery when the dollar is on the end? I think it does.

One hurdle I’ve hit is a presentation one, why are they unraveling the yarn in the first place? I played with it being a race, if they could unravel the yarn before I completed a task, they got the dollar. This felt too manufactured.

Another hurdle is how to make the dollar disappear. I don’t use fire, so burning isn’t an option. I dislike the idea of a shredder because the item doesn’t disappear. Ideally the vanish would be subtle. Like the bill is folded up and dropped in a glass, then after the dollar reappears in the yarn, it’s gone from the glass.

I’m not sure the direction this will take, but I think it’s a great idea.

The Dollar Dilemma…

It’s been years since I really borrowed anything from the audience to use in my show. The reason for that is simple, it’s a huge time suck, with no guarantee. Sure you can ask to borrow a dollar, but that does mean you aren’t going to spend three minutes asking for one and never get one. I wrote about one solution to this the other day and you can read that here.

Another solution that I came up with is to have a two dollar bill. I know what you are thinking, “aren’t those rare?”. The government still makes two dollar bills, I get them at my bank, just ask for them. You are going to set up the borrow a dollar that’s sort of like preshow, but doing it openly in the routine before the one where you need to borrow a dollar, so it’s pre-routine.

The trick before the trick where you need to borrow a dollar bill you need to tell the audience that in about five minutes you are going to do a trick with a dollar bill. If you use your own dollar bill, everyone will think it’s a trick dollar, so you’d like to buy a dollar bill off of someone for two dollar. Bring out the two dollar bill and tell them the first person to offer you a dollar bill when you ask in a few minutes gets the genuine two dollar bill.

Offering to buy the dollar bill I think takes away the fear that you will destroy or somehow ruin their money. Giving someone in the audience something more interesting that a dollar bill and an immediate profit should motivate them to give you a buck.

Mentioning you need to borrow the bill before you actually need it gives people time to dig it up. Also the idea that it someone else could get the two dollar bill gives people incentive to get the money out sooner. You could ask to borrow the bill within the same routine that you need it as long as there’s some set up that gives you something to do while people are getting out the dollar bill.

The big problem I think that magicians have is that they don’t realize how long it takes to actually borrow a dollar bill. They then end up with a dead spot in the show, that’s not just a dead spot, but an uncomfortable dead spot.

Promotional Tricks…

Every now and then I get asked by bookers if I can make a promotional video for their event. Usually it’s me saying hi and doing a quick trick. This works fine, however I’m playing with doing slightly more informational promo tricks. Here’s one I did the other day: It’s decent, it has a little … Continue reading “Promotional Tricks…”

It’s decent, it has a little bit of a surprise and has all of the information. The next one I do, I think it’ll have a trick and have the information text cards as a kicker to it. Maybe something like a four ace production, then the text cards.

I think getting requests for promotional videos specific to an event are going to be more common in the future with pretty much every public event doing promo on social media. I think having a generic sequence you do, but having custom information cards would be the best way to do it.