Torn & Restored…

In yesterday’s blog post, I wrote about a torn and restored card I was playing with based on a method by Harry Anderson. I think Harry’s method is really clever, and his full routine takes the trick from a simple torn and restored card to an amazing finish!

Here’s me trying out my version for some magicians the other night:

What’s neat about the tweak I made to the Anderson version is that you are actually tearing up their card, but the restored card you give back is the original card! It would make a fun magic dealers ad:

  • No Duplicate Names
  • No Double Writing
  • You Actually Tear Up Their Card
  • The Card Can Be Given Away
  • Self Contained Gimmicked Card
  • No Latex Flaps
  • No Elastic
  • No Invisible Thread

I’m having a lot of fun with this torn and restored card. I wonder how it will play once we get back to live, in person shows.


The Future Is Sometimes in the Past

Over the weekend I met up with a couple of other magicians and we were jamming and talking about some interesting torn card ideas. Then an idea for a torn and restored card hit me. The particular method allows the card to be signed on the front and back and the signature to be seen while it’s being torn.

This is an interesting development for a torn and restored card. It’s built on a torn and card that’s 35+ years old that Harry Anderson did on the Johnny Carson show. The main difference is Harry’s method only allowed the card to be signed on the face, where the method I’m playing with allows the card to be signed on both sides and the gimmick is a bit more self contained than Harry’s was, but mine is also a bigger pain in the butt to make.

One of the keys to creativity is having base knowledge to pull from. Being well read in magic, or well watched in a more modern context of magic videos is very helpful. I didn’t have to reinvent the wheel to take Harry’s method a step forward. I always tell people that the hard part is designing a card that goes from zero to sixty miles per hour (what Harry did), the easy part is getting that car to go from sixty to one hundred miles per hour (what I did). Learn all you can, even tricks and/or methods you don’t think you’ll ever use. It gives you more knowledge to pull from when trying to solve problems.

Stuff I’d Never Do…

One of the fun things about making short pre-recorded videos for events is that I get to play around with things that I’d never do in my show. Here’s a clip of a trick from one of those videos:

What I really enjoy about making videos like this is getting to play a lot more. When you can try something 20 times, it allows you to take risks you’d never take in a live show.

Go out and play!

Charlie Brown – The Moisture Festival Podcast

This week the Moisture Festival Podcast is back on the road visiting with legendary juggler Charlie Brown! We talk about the Oregon Country Fair, and how he got into juggling!

You’ll also hear about inciting riots in foreign countries!

Move the (sponge) Ball Down the Field…

Lately I’ve been doing a lot of magic lectures and one of the things I talk about is how to move magic forward with your choice of material. In the lecture I really talk down on sponge balls, but they are a perfect example of why they are holding magic back.

Most magicians if you ask why the do sponge balls, they will give an answer like, “they get a good reaction“. That’s an answer, but not an honest one. The answer should be “they are easy to get a good reaction with“, which is a lot more honest. There are people that can get a reaction…an amazing reaction with the lamest tricks. The difference is that the people who can get a good reaction with a lame trick worked on getting the good reaction with a subpar trick.

Let’s do a little history lesson. The inventor of the sponge balls was Jesse Lybarger in the mid 1920’s. That makes the trick about 95 years old. The basic routine was there, but the routine that most people do took about 20 years to become a standard routine in the mid 1940’s when Al Cohn started selling his routine. Now fast forward to today, with a few exceptions the routine is basically unchanged 80 years later. Is the routine that good…or are magicians that lazy?

I’m betting on magicians being lazy. Let’s do an analogy, the car was patented in the mid 1880’s and Ford’s Model T came out in 1908. So it took about 20 years from the first patent to the Model T, which is about the same time to hit it’s stride as sponge balls. One is a fairly complex piece of machinery and one is a ball of sponge.

Let’s fast forward to today, sort of. I’m going to “handicap” the car because it’s about 40 years older than the sponge balls trick. Imagine a car in the mid 1980’s, don’t compare it to today’s cars, but to the first automobile patented and to the Model T. There have been a lot of improvements made, like a roof, or air conditioning and aerodynamics.

Now compare your sponge ball routine to the spongeball routines in the 1920’s and 1940’s, has yours changed much? Let’s see there’s the addition of the purse frame and the Eugene Burger‘s ending with the 30 spongeballs, both of which are over 30 years old!

How has your sponge ball routine pushed magic forward?

Spoiler alert, it probably hasn’t. Sure there are people routines like Ball to Jumbo Square (also over 30 years old) or Sponge Rabbits (almost 80 years old), then there’s the outlier which is something like Bizarro’s Color Changing Sponge Ball, which is fantastic, but definitely not as widely used as the standard sponge ball routine.

So, is the standard sponge ball routine the perfect routine…or is it simply an easy routine?

Push that sponge ball forward.

Moving to the Dark Side…

In the past on this blog I’ve written about how I prefer physical instructions (DVD or whatever) to download/streaming instructions. While I still think something physical is very helpful for people to have, lately my mind has been changing.

I no longer have a DVD player in my computer, it’s been about 18 months since I’ve had one. I bought an external one for DVD’s. It’s a pain to watch anything. I think that DVD’s are going to go the way of VHS soon, and switching to download is the way going forward. I don’t have to like it, but I have to adjust with the times.

You may notice my products switching over to download instructions as I run out of DVD’s. I need to embrace the direction the world is moving.

Gallery View…

A trick I’ve been using on Zoom is having someone think of someone’s name in the zoom room and then telling them who they are thinking of. What I like is that it’s “propless mentalism” and it feels impromptu.

Here’s what it looks like:

What I like is that you are changing the texture of your show when you do something like this. You are taking the focus off of a single screen and moving it to the gallery. During a trick like this, you get to watch everyone, and everyone watches waiting to see if they’re the one that the person is thinking of.

Moving the visual focus from you to the audience gives your show some texture. While something like this may not be for everyone, it’s something you should think about.

The Love Trick…

Lately a trick that’s been going around is people doing The Love Ritual card trick by Woody Aragon. If you’re not familiar with the trick you can watch it below:

This trick has been popularized by Penn & Teller who use it in their live shows and on TV. I’ve also seen a lot of performers mess up the trick. I was at one of Shin Lim’s early theater shows and he totally messed up trick.

Here’s what I don’t like about the trick, it’s a procedural trick, it doesn’t feel that random. I think people in the audience feel that way as well. It’s a puzzle, and a fun puzzle, but not something that’s impossible.

A couple of nights ago I saw The Present by Helder Guimaraes and he does a version of the trick, that blows all the other versions out of the water! It’s series of surprises that get more and more impossible. That’s the standard that all of that sort of trick should be measured.

Clear Differences…

When you’re running a live virtual show, a lot more goes into it than simply turning on the camera on your laptop. Last night I was hanging out on Zoom with some performer friends and normally I just use my laptop’s built in camera, however I decided to set up the studio. I put up lights and hung the blue screen, and it’s amazing the difference it makes!

In the picture below, both images were taken at the same time by different cameras.

The left was my laptop’s built in camera and the right was an external camera placed about an inch above the other camera. It’s crazy the difference it makes. Even if I cropped down the one on the left, it’d still look blown out, and murkier (probably worse).

You need to look at the product you are putting out, is it watchable?

The Present…

Last night I saw Helder Guimaraes‘s show The Present at The Geffen Playhouse in Los Angeles. Well, sort of, it was over Zoom. The show was really great, I loved it. Helder is the first person I’ve seen who really did the “you do as I do at home” type tricks and make they fun, exciting, and most importantly, not feel like a bunch of procedure.

When you buy your ticket they mail you a box a props to use during the show. What’s cool is it’s not just of a box with a deck of cards and some string in it. It’s a box where he very smartly uses the contents. I don’t want to ruin anything is someone has tickets and hasn’t seen the show, but you’ll quickly notice if you’re paying attention with a magician’s eye that there’s more to it than what it looks like.

I think there are a few more shows at The Geffen Playhouse. I think some have the option of just watching and not having the box mailed to you. If you can afford it, I’d recommend getting the box, you should still have a good time without the box.