card magic – Page 9 – MagicShow.Tips

Hiding The Second Card…

A couple of weeks ago I was on an airplane and messing around with some cards. I was thinking that there wasn’t (that I was aware of) a false count like an Elmsley Count or Jordan Count that hid the second from the top card of a face down pile. After playing around a little bit I came up with a count to do hide the second from the top:

Count 1: Push off a double
Count 2: push off a single with the left hand. The right hand buckles the bottom card and when the card from the left hand covers the right hands cards, the the left hand steals the top card of the right hand’s pile.
Count 3: deal one card
Count 4: deal one card

That’s it, pretty simple. There’s not much to it. I think the reason not many people have explored a count that hides the second from the top card is that you have pretty much have to start with a double push off. This isn’t the easiest thing to do…it’s not crazy hard, but hard enough to scare away people.

I will say there are probably better ways to hide the card second from the top of the deck. I will also say it was a fun way to spend some time on a plane!

-Louie

Let Them Show You…

The amount of magicians that complain when people want to show them a magic trick is staggering. I don’t get it, why not let the person show you?
The person will be the star for a minute, and I think that’s where the problem is, most magicians have a ego that won’t let them step away and let someone else into the spotlight.

At a gig the other night a someone wanted to show me a trick and I say “yes”.

They did the trick with the glide where at the end the slap the cards out of your hand and one card is left in your hand and it’s the selected card. When I let her do it, she nailed it! That’s going to be one of the memories from the party for the dozen people that say it, and something they’ll talk about longer than my roving set.

I’m not saying you should 100% always let the person show you the trick. There are times when it’s inappropriate, like in the middle of a ticketed formal show. but if you’re roving or after a show, why not? It’s not going to hurt anything.

-Louie

Roving Magic…

There’s an old piece of advice that (usually older) magicians give newer magicians. That is, “you only need to know 8 tricks” and that you should know those tricks inside and out. While that advice may have be relevant over 100 years ago when it was originally given. I think the story was a kid said to Thurston that he knew over 100 tricks and Thurston replied, “I only know seven” or something like that.

Here’s the problem with that advice, look at every modern successful magician, they all know and do more than seven or eight tricks.

Now let’s apply that to the average magician. Yesterday I performed at a company party for people in healthcare. I was hired for an hour of roving magic, and normally I’ll do the same 5ish minute set over and over for the hour. However, this party spanned several hours and the worker came to it when they were free. When I was there the first 30 mins was busy, but the final 30 mins was just about 8 people (who had seen my set in the first 30 minutes of the party). If I only knew seven or eight tricks, I’d be screwed. However, I have a big toolbox of sleights and tricks, I was able to pull out some things I don’t normally do and to improvise.

In the picture above I’m doing Jack Carpenter’s Mysterious from the book Modus Operandi. This is a trick I’ve done since I was a teenager, but it’s not in my roving set because it uses a table, and some specific cards. When I do roving magic, my deck loses cards very quickly, so I can’t always guarantee that I have the needed cards.

The moral of the story is to fill your tool box, if all you have is a 3/8 inch wrench and a hammer in it, you’re in trouble if you need a phillips screwdriver!

-Louie

Mish Mash Wallet

A few weeks ago I ordered a custom designed wallet that had playing cards on it (you can read about my card wallet here). I had totally forgotten about it, until it arrived yesterday. It was a fun surprise!

Here’s the wallet:

This wallet is essentially Harry Anderson’s MishMash card design, but set up like John Kennedy’s Mind Power Deck! I’m happy with how it turned out, however if I was going to make another one, there are a few small changes. Right now it’s a way to force one of 8 cards, then a fishing procedure to know the card.

I’ve got an idea to then have the card appear in your wallet, with no sleight of hand! I’m going to play with this idea later this week!

-Louie

Sequential Twisting…

Well, I was just on another long flight and I was playing with the Twisting the Aces that uses the false count of four cards that hides the card that is second from the top. I’ve been calling the count the Second From the Top Elmsley Count, but I think I’m going to call it the Runner Up Count as it deals with the “second place”

Click here for the routine for Twisting the Aces

While I was on the flight, I got to thinking about how I bet the spectator doesn’t really remember which aces have flipped over and which haven’t. What I mean by that is if you stopped in the middle of the trick and asked which two aces haven’t flipped over, I think most people couldn’t tell you. That’s a problem with the Twisting the Aces premise, the audience is taking your word at what’s flipped or hasn’t flipped.

While I was on the plane I started to play around with the handling to be able to do it with an Ace – 2 – 3 -4 instead of four aces. Luckily I was able to do that with pretty minimal changes to the handling.

Here’s the handling, and the changes have been added in bold:

You start with an Ace, Two, Three and Four in that order face down in your left hand.

GET READY: Have the cards in a fan and gesture towards a person from the audience. As you do the gesture, your right hand takes the top two cards and the bottom card, leaving the second from the bottom card in the left hand. Your right hand then sets it’s cards on top of the single card in the left hand.

Triple turn over to show the “top card”.
Kill your wrist and turn just the top card over.
-The position of the cards are: face down – face up – face up – face down
Do the “Thru the Fist Flourish”, but don’t flip over the packet.
Do the Runner Up Count and this will show the first face up ace. When you count the fourth card, DO NOT put it on top of the packet in the right hand, but but under the top card.
Do the “Thru the Fist Flourish”, but don’t flip over the packet.
Do a regular Elmsley and this will show the second face up ace.
-The position of the cards are: face down – face up – face down – face up
Do the “Thru the Fist Flourish”, and secretly flip over the packet.
Do the Runner Up Count and this will show the third face up ace.
Do the “Thru the Fist Flourish”, but don’t flip over the packet.
Do the Runner Up Count and this will show the fourth face up ace.
As you do the count, leave the final ace out jogged.
Strip out the final ace and put it on top of the packet face up
Half pass the bottom card as you spread out the packet to show the three face down bottom cards (this is the Asher Twist move)

That’s it, a simple displacement at the beginning of the trick and then one displacement after the first count and it will work with a set of cards in numerical order. While this is essentially still Twisting the Aces, I’m happier with this now that I was a few days ago.

-Louie

Snappy Flappy Card Transposition!

In my virtual shows I started doing a card change with a flap card. I was isolating the card in a glass, then shaking the glass and the card changes to another card. I really like this, as it makes the change really impossible. The method is simple, it uses a flap card and the card it sitting at an angle. The weight of the card keeps the flap from flipping. Then simply shaking the glass allows the flap to flip for the change.

The other night I was watching a hockey game and playing around with using the flap card in the glass as a card transposition. Here’s what I came up with:

Here’s what the trick needs: It needs some scripting to call attention to just one of the cards. Mention that that jack of diamonds is in the glass, so that when it’s appears in your hand, they know something has happened. I think if you mention both cards, it gets confusing.

-Louie

Hanging Out…

Whenever I’m out doing shows, I always try to spend time any magicians that are in the audience. Sometimes I don’t know who is a magician, so I apologize in advance if I don’t hang after the show.

I am still very passionate about magic and really enjoy watching and learning it. If you come out to one of my shows and be sure to mention you are a magician. Sometimes I don’t have time to hang after the show…but if I am available, I always love to jam for a little bit!

A Class Act…

Before I headed out on the road, I was cleaning up and noticed a book that been kicking around my office forever. I’m not sure how I ended up with the book, but I’ve never read it, so I threw it in my car. The book is Class Act: The Magic of Tony Binarelli.

When I was a teenager I think I had seen Tony Binarelli lecture at the Desert Magic Seminar in Las Vegas. At that time he was lecturing on mentalism from his book My Way to Mentalism. Honestly, I don’t remember much of lecture, but I picked up a set of the lecture notes for a friend of mine.

Ok, back to the Class Act book. There’s a lot of hype in the introduction of the book about innovative moves. The first two card sleights are a top palm and second deal, both of which I think predate Tony. However it’s also entirely possible that they are his.

The top palm is a two handed top palm and it’s not very good as written. It’s something that I was doing as a teenager because I couldn’t quite do the one handed top palm. Essentially, it’s a two handed, one handed top palm. In my version I slightly slid the top card forward with the deck held in mechanics grip. Then my other hand pressed down on the outjogged part and the card pops into your palm. In Tony’s version, he slides a lot of the cards forward, it looks strange. The one advantage to Tony’s that they don’t really mention, but kinda hint at is that it makes it easier to palm off multiple cards. You pinkie count them with your ring finger as you push down and they pop up.

The second deal is a turn over deal, you can’t deal face down from a face down pack. I was just chatting with Chris Beason about this second deal technique a few weeks ago. It looks good, but not a natural looking deal.

So far, I’m glad I’m reading the book instead of getting rid of it without reading it.

The A.C.T. Card Trick…

Here’s the second video of me revising a packet trick that I got with a collection of magic that I acquired. Today’s trick is the A.C.T. (another card trick) by Bill Pryor.

Here’s a demo of the trick as written, then how I revised the trick:

The big problem with this packet trick is that the whole effect is a “kicker” without the initial ending. What I mean by that is that you start by asking someone to think of a card, but you never reveal it. You need the initial effect for a kicker to really work. I think at the end spectators will still be thinking, “what about the card I was thinking of?”

Also I don’t think the gags are strong enough to carry the trick past you never revealing the card they are thinking of.

Four Card Monte…

Recently I ended up with a collection of magic tricks and in that collection there were a bunch of packet tricks. Most weren’t very good, but that got me thinking about trying to improve them. The first one that I tried was called 4 Card Monte, and there are a lot of packet tricks with this title, so don’t judge them all by this one.

Here’s the effect as written in the instructions, then the effect reworked by me:

The trick as written is pretty bad, and doesn’t make much sense with the addition of a fifth card at the end. I think my version where there’s only four cards shown the whole time makes more sense. The addition of the kicker ending really adds a punctuation to the end.

One thing I think that’s important when you get a magic trick is to not discard because you don’t like the trick as written. Play with it and see if you can make it work!