Charles T. Jordan Collected Tricks

A few weeks ago at the Potter and Potter auction of Kreskin’s stuff, I picked up a copy of Charles T. Jordan Collected Tricks! I think that it was the cheapest thing that sold at the auction, and luckily I didn’t pay too much more that the going rate for the book, and this one has Kreskin’s autograph on the inside cover!

This book starts with the “controversy” about the tricks published under Jordan’s name. You can read a little bit about it here: https://www.conjuringcredits.com/doku.php?id=misc:charles_jordan_controversy

I’m only a few tricks into the book and the third trick involves a deck of cards and a rubber band. This is one of the tricks where the method is way better than the trick. It’s fun to do, but the trick is just OK. It’s a card that disappears from half the deck that’s got a rubber band wrapped around it and it appears in the other half of the deck. There are better ways to do this, but they aren’t as much fun to do!

Also this book covers much more than the Dover book of Jordan’s card tricks. I’m excited to have this book and to work through it!

-Louie

One thing you have to do is address the “elephant in the room” when there is one. Last night I did a show with light attendance, which was due to an unusual situation. The show was in a big theater, and it was obvious that it was a light turn out. I opened the show … Continue reading “”

One thing you have to do is address the “elephant in the room” when there is one. Last night I did a show with light attendance, which was due to an unusual situation. The show was in a big theater, and it was obvious that it was a light turn out.


I opened the show with a joke about it and it went over well and the show proceeded to do great. I think that when everyone notices something, you need to say something about it, you can’t pretend it doesn’t exist.


A good example was many years ago I saw the Amazing Kreskin perform. He had a light turn out, and he came out before the show, mentioned it, and invited the balcony to move to the floor. That gave him a more tightly packed audience, and really made the show better for him and the audience.


Whether it’s a light turn out, someone having a heart attack, whatever, if it’s on the audience’s mind, you need to address it.

Last Night I Pulled a Kreskin…

Several years ago I went and saw Kreskin perform a the Pantages Theater in Tacoma, WA. He’s an amazing performer and I highly recommend checking out his show if you get a chance. At the end of the show he got a standing ovation from the audience! He deserved the standing ovation, and he worked … Continue reading “Last Night I Pulled a Kreskin…”

Several years ago I went and saw Kreskin perform a the Pantages Theater in Tacoma, WA. He’s an amazing performer and I highly recommend checking out his show if you get a chance. At the end of the show he got a standing ovation from the audience!

He deserved the standing ovation, and he worked for it. By worked for it, at the end of the show, he stood, arms outstretched and waited. People clapped, eventually some stood. Kreskin didn’t move. Eventually everyone was standing clapping!


That’s something very important I learned from watching Kreskin. You have to wait for them to stand up. They aren’t going to instantly leap to their feet like other performers bragging will make it sound like. Go see virtually any show that gets a standing ovation, it’s a slow burn. Some stand, then others, it’s a wave that takes a few moments. My advice is that if you feel a standing ovation coming, wait for it!