sleight of hand – Page 15

Relearing Zarrow…

Sometimes it feels like I’m perpetually cleaning my office. Yesterday I came across the DVD The Zarrow Shuffle by Herb Zarrow. I watched the very beginning and realized that I learned to do this wrong. What I’m doing looks fine, but they first way the Herb demonstrates looks way better!

When I learned to do the shuffle, it was in the context of the trick Triumph. For the Zarrow Shuffle, I slip cut one card. I used that method for other tricks as a false shuffle. If you slip cut a block, it’s soo much more deceptive than with a single card. Also Herb’s way of jogging the cards is much more deceptive than pushing them out with your index fingers.

I’m glad I came across this, but now I’ve got a challenge ahead of me. I’ve got to undo 25+ years of the way that I’ve been doing it. The changes are fairly minor, so hopefully it won’t be too much of a pain.

Recently I did this unlearning and relearning process with how I get a card injogged. I figured out a way when I was a kid by reading something wrong and it worked for me. However I relearned to do it Jerry Andrus‘s way because it looks better.

Don’t be afraid to unlearn thing if there’s a new (to you) way of doing it that looks or works better than what you were doing before. I know it’s a pain to spend time basically learning to do something you can already do, but I think it’s the little things like that that make someone an artist.

Quad-Triumph…

Here’s a video of the Triumph shuffle sequence that I wrote about yesterday. The view is my view, so you can see an angle of the cards that the audience wouldn’t normally get to see.

I kinda like the four shuffles where you flip half over each time, but I still don’t think it’s better than the standard Triumph routine that most people do.

Less Than Triumphant…

Way back in March I was playing with using the old card reveal where you drop the deck on the table and the top card flips over as a clean up for a Triumph type effect.
You can read the post here
It’s an interesting way to clean up a reversed card on top of the deck. You get a little trick that happens that does the dirty work for you.

Last night I was shuffling some cards and came up with a Triumph sequence that left you in position to do the drop clean up. Here’s the sequence:

Card is selected and controlled to the top
Zarrow shuffle with half face up and half face down (selection remains on top)
Strip the face down bottom half to the right, flip them face up. Riffle shuffle by running about 10 cards with your left hand, then shuffling with both hands, leaving about 10 or more cards of the right hands stack to fall on top of the left hands stack. This will put the face down selection about 10 or more cards from the top of a deck that’s face up (the audience thinks they are mixed face up into face down).
Strip the top half to the left, flip them over (face down card will show) and do a Zarrow Shuffle.
Strip the bottom card (face down cards) the right and shuffle the card together. Have the left hand’s packet’s top card be the top card of the shuffled deck.

The order from from the top down is a face down card, then the rest of the deck face up with a selection face down somewhere in the middle of the deck.
Do the drop flip over reveal thing to flip over the top card of the deck.
Spread them out to show all of the cards are now facing the same direction except for their selection.

I’m going to be 100% clear that I think this sequence isn’t the best way to do a this style of trick and is inferior to the common method of a Zarrow Shuffle, Daryl’s Triumph display (Don’t know the name of it) and then openly flipping over half the deck.

It is a sequence that gets me into a position where I can do the drop flip over thingy. It was also a fun exercise to try to figure out how to get the cards where I needed them to be.

Upgrading My Virtual Dice…

One of the things I’m always doing it trying to improve what I currently do. Right now in my virtual show I do a modified version of my Cee-Lo trick, which is a cup and dice routine. This ends with the production of two large dice. The large dice are 1 1/4 inches on each side. To give you some perspective, the picture below is one of the jumbo dice next to a regular die.

The reason that the trick uses 1 1/4 inch dice is that for a live, in person show, it makes the loading procedure work. The cup will hold two 1 1/2 inch dice, but the method where the spectator loads the cup for you doesn’t work well with a larger die.

I was cleaning up and found the old set of 1 1/2 inch dice I tried using for Cee-Lo. It hit me, since I’ve changed my loading procedure for virtual shows, and there are no spectators to handle the props, why not move to the larger size dice. To give you an idea of visually how much bigger they are, the pictures below are a 1 1/2 inch die next to a regular die and a 1 1/4 inch die.

That extra quarter inch makes it look massive! The nice thing about how I load the cups for live virtual shows is that the size of the die doesn’t really matter. I’m getting a little more visual impact for no extra work! I’m a fan of that.

Side Steal…

At night when I’m hanging out with the family watching TV, usually I’m dinking around with a deck of cards. Frequently I’m working on a fancy cut, I try to be able to do a little bit of the cardistry so the kids at magic conventions think I’m less of a dinosaur. Sometimes I work on new card sleights, or just try to keep the rust off of old ones.

The last week or so I’ve been playing with the side steal. It’s a move I’ve done for a long time and can do it, but I don’t do it exceptionally. When I do it in a live performance, it’s an attitude thing, versus a technique thing. Usually when I do it, I use Scotty York‘s method for the side jog, which automatically side jogs the card.

Sometimes I do the proper side steal technique where you push the card into a squared deck, steal the card and either palm it, or move it to the top. I’ve been working on my technique to get it into full palm using proper technique the last week. It’s starting to look a lot better, I still have a studder between the side jog and full palm. I’m working to smooth that out. It’ll take time…

Work in Progress…

One of the current projects that I’m working on is a video from my kitchen. It’s a magical video, and I needed to do a trick with a lime. I had written up a bunch of ideas like:

Lime that moves out of the way when I try to cut it
Lime that cuts itself
Bouncing lime
Finding something needed later inside the lime

While driving to the store to buy some limes, I hit upon this idea:

That’s just a quick snipped taken out of context, but it’s a lemon that turns into a lime. I originally read this in a book years ago that turned a red apple into a green apple as you ate it. I think the method works better with a lemon / lime due to the texture. Also, in theory it’s changing to a different fruit, not just changing color which may make it a better trick from an effect standpoint.

Ultimately the video above didn’t make it into the final project, an expanded version of the trick did that used two lemons and two limes. I’ll probably post it in the future, once it’s used by the group I’m creating it for.

Small Things…

In May I started worked on a trick that was my version of Albert Goshman’s Cards Thru Newspaper. You can search for those blog posts, but it shows how the trick progressed from the original Goshman trick to what I’d now consider an original magic trick/routine.

Essentially the original trick is that four cards appear one at a time and reappear under a folded up piece of newspaper. I took out what I didn’t like, the cards and newspaper and ended up using an envelope and four polaroid pictures. The pictures disappear and reappear under the newspaper.

It’s been five months since I started working on it, and really, it should have progressed further, it’s been slow going, mostly because of laziness on my part and not putting in as much work on it as I should be. I’ve been doing it as “preshow” for some virtual shows, but really I should be out at virtual open mics doing it and working it in.

I did recently make a change. I’ve been using this trick in pre-recorded virtual shows lately and a problem the trick had was the problems is that the Polaroid pictures are soo glossy, that they are hard to see on camera. They reflect too much light, and you can’t see them clearly. I took some brochure paper and printed the Polaroid pictures onto that paper. It’s a semi-gloss paper, so while it’s shiny, it doesn’t reflect nearly as much as the actual Polaroid picture.

The row on the left are the real Polaroids and the right are the copies. When they are side by side you can see the copies are a little less vibrant than the originals. However without a side by side comparison, you really can’t tell.

Keep working on your magic, even if you’ve been doing a trick for years and it’s a polished routine. There’s usually still improvements that can be made. Sometimes these are small improvements that no one will really notice, but these little things add up!

Taking a Pea…

One of the silver linings about having the entertainment industry shut down during the COVID pandemic is that I’m getting play around with making a lot more props. One thing that I’ve wanted to make for a while are peas for the three shell game.

I had some time some the other day and made some molds for the peas. Then I picked up some urethane and made them. The urethane I used was a 40A on the Shore Hardness Scale.

They have a little bit of give, but are pretty firm. I like them so far!

Vintage Louie…

One of the first routines that I really thought out and wrote a script for was my Card to Mouth Routine. I published it a few years ago in Vanish Magazine and I’ve taught it in my lectures for a long time.

Vanish Magazine just put out a collection of the second year of their magazine and my trick is in one of their promo pics for the book!

This is a fun routine and while Card to Mouth might not be a trick that’s currently socially acceptable to do, it’s still worth looking at how I put a frame around the card to mouth premise.

Working On It…

One of the hardest things about creating magic right now is that due to restrictions I can’t really audience test things. I’ve written about my endings to the three shell game on this blog before and one that I’ve started doing post-COVID is the solid shell game.

One way to break things in are on live streams. My buddy was doing a live stream a few night ago and needed a guest, so I popped in, hung out and worked on some material.

Here’s the shell game from that live stream:

It’s coming along, just being able to do for something and not the wall at home makes a big difference! If you’ve got stuff you’re working on, go out and be a guest on someone’s live stream. It’s a much better space that doing your own live stream show, and there’s a lot less expectation for you to carry the show.