Still Bending It Like Geller

I’m about halfway through Ben Harris‘s book Bend it Like Geller and it’s a fun read. I didn’t know a lot about David Berglas and Uri Gellar‘s meetings and eventual friendship. It’s a fun read, just for the history of spoon bending.

Bend it like geller

I really liked Richard Busch‘s essay and while I think I got what he was talking about, it might be worth a reread. The Busch Effect as he calls it, got me to add something presentational to my spoon/fork bending.

One of the cool things about performing at a fair while reading this book is that I have a lot of opportunities to play with the techniques and ideas in this book.

On a side note, it’s been years since I’ve really played around with spoon bending and since then, I’ve learned to do the strongman stunt of ripping a deck of cards in half. That has given me some good hand strength and putting the bends into the spoons/forks is way easier than I remember!

-Louie

Bend it Like Geller

This week I’ve started reading Ben Harris‘s new book Bend It Like Geller. This book is about Uri Geller and spoon/metal bending.

bend it like geller by ben harris

I’m not very far into it, but I didn’t know that according to Ben that Uri Geller was the first person to really bend spoons. That kinda suprised me, Ben mentions that there were spoon bends before Uri Geller, but they were mostly gags, and not bent with your brain power.

This book also goes into routines and methods for different bends. I picked up a few packs of spoons and forks from Costco, so I can work through the book.

I’m enjoying this book so far, and Ben Harris always does a good job with how he lays out the book, and it looks super slick!
-Louie

Paint it Black!

Over the past few months I’ve written about working on my Pitata Magic Time Hacker routine. One thing I noticed in a picture of it was that the gray hands on the white background don’t really pop visually onstage.

I took a black marker and colored in the hands on one of my clocks:

It really makes the hands easier to see and the clock play a few rows further back in the audience. The bigger issue that I think this trick is fighting visibility wise is glare off of the plastic clock face. I don’t think there’s really a reasonable solution, unless there’s an easily applied anti-reflective coating, but even then I don’t know how much that would actually help.

-Louie

Performing For Seniors!

A couple of days ago someone asked in a Facebook group for more info on how to get gigs performing for seniors at things like retirement communities and my book was recommended!


I used to perform 1-2 senior shows A DAY on the weekdays when I was younger, and would go on road trips where I would perform up to 5 seniors a day for a few days in a row!

I still love performing for seniors, however my current performing markets make it hard to do very many of them anymore. But I have a blast when I get a chance to do them!

Here’s a taste of one of my shows for seniors from a few years ago:


You can get the directly from me at:
http://www.magicshow.tips/how-to-perform-for-seniors-book/

Or you can support a family owned magic shop by ordering from www.Hocus-Pocus.com

Have fun out there!

-Louie

Oddities and Curiosities Expo

On Saturday I performed at the Oddities and Curiosities Expo in Grand Rapids, MI. This was a fairly unusual situation for me performing as the audience was standing, there was no seats. For me, the challenge was getting people to stand for 30 minutes. A standing audience is very different from a sitting audience.

It was also a family audience that wanted edgy, which is a very fine line to walk during your show. I was able to do a lot of bits that I wouldn’t normally do in my show as they’re slightly too edgy for a general audience, but worked great for this crowd.

This was an audience that was ready to see a show, and there were great audiences, and we packed the space with people standing. If I ever do one of these again, I’d probably take more tricks that have a lot of build up, and a singular payoff, versus routines that have multiple smaller effects.

For example I brought my object in ball of yarn that’s 8 minutes and has a couple of mini tricks before the final trick a the end. I should have done my blindfold which is also about 8 minutes and has a single reveal at the end.

It was a fun show, and I’d do it again!

-Louie

Visiting with Paul Draper

Last week I performed in the Moisture Festival in Seattle and had a blast. One of the acts that I worked with was Paul Draper. I didn’t know a ton about him, I think we both did a virtual magic convention together a couple of year ago.

Paul Draper and Louie Foxx

It was a blast seeing him, he’s got a lot of energy onstage and is very likable! Being likeable is 99% of the game!

Paul Draper linking rings

One night Paul hosted the show I was in and he’s also a solid host, who kept the show moving. This is an important skill when the show has 9 acts plus the emcee!

If Paul is performing near you, check him out, you can learn a lot by watching him!

-Louie
PS I did interview Paul Draper for the Moisture Festival Podcast and you can listen to his episode here:
http://www.magicshow.tips/moisture-festival-podcast/the-moisture-festival-podcast-paul-draper/

Reducing Mistakes

One of the symptoms of getting older is that my vision is going. One of the tricks I’m working on this week is Time Hacker by Pitata Magic. The device has switches and the functions are molded into the plastic. Unfortunately I can’t easily read this stuff anymore, so I had to add labels the unit and a cheat sheet to the board that the remote is mounted on.

It’s little things like this that make setting up the show much easier and will reduce the chance of mistakes. For example the remote has two modes and two switches, and it’d be easy to forget which is which. Now I really have no excuse to flip the wrong switch.

Look at your show and try to find spots where you can dummy proof or at least reduce the odds you’ll make a dumb mistake.

-Louie

Hockey Magic

hockey magic

The other night my wife and I went to a hockey game and it got me thinking about magic with a hockey puck. The nice thing about them is that they can be big, or fairly small depending on the side you have towards the audience. It’s also a really well known thing, at least in the northern hemisphere.

This morning I wrote a bunch of ideas and found one that I kinda like:

You have five different colored hockey pucks on the table. You ask if someone in the audience played hockey or a sport as a kid. Ask them if they remember their number and using that number you count across the pucks back and forth finally ending on one. Let’s say they ended on the green puck.

You then have a prediction that shows they picked the green puck…but then on the back of your puck has their number on the back!

This is simply Phil Smith’s Quinta Force and a nail writer.

Not much to it. It’s a pretty simple and direct trick. You could use any force like PATEO or the Hot Rod Force, but I personally like that with Quinta you can use their jersey number.

-Louie

The Moisture Festival Podcast – Paul Draper

The Moisture Festival is proud to introduce Paul Draper to the Moisture Festival family! This will be Paul’s first year with us and we’re excited to have him!

In this episode we learn what a house magician is, the ins and outs of hosting a séance and even touch on Paul hanging out with cannibals! This is an enlightening and fun episode!