magic – Page 9 – MagicShow.Tips

Real vs. Manufactured Moments

One of the reasons live entertainment is unique is that anything can happen and each show has the potential to be unique. The problem comes in when you have performers who refuse to go off track, and strictly stick to the script. When you ignore things that come up and don’t, “live in the moment” … Continue reading “Real vs. Manufactured Moments”

One of the reasons live entertainment is unique is that anything can happen and each show has the potential to be unique. The problem comes in when you have performers who refuse to go off track, and strictly stick to the script. When you ignore things that come up and don’t, “live in the moment” you are missing out on a gold mine of stuff that can happen.

One of the things in my show is I have places where the person onstage can have a real moment onstage with me, not a manufactured one. Then I get to play, we can see where it goes. Sometimes it doesn’t go anywhere and that’s the risk, however the reward outweighs the risk.

The only hard part is to recognize when real moment becomes a manufactured moment. This is something that will happen with time. You’ll learn that if you ask a specific question within a certain contex you’ll typically get a handful of answers. Over time you’ll end up with a response to those. That’s when the real moment becomes a manufactured moment. There’s nothing wrong with a manufactured moment. I have a ton of them in my show.

Next time you perform, ask a question and play with the answer you’re given.

The Blow Off

Yesterday I wrote about doing a “spectator as mind reader” type effect and it having to be a clean trick from a method standpoint. The spectator who reads the mind must be unaware of how you get them to reveal what the other person is thinking. Today I’m going to talk about something similar, but the opposite way, where at the end everyone knows how the trick was done. This doesn’t just apply to mentalism, but to magic.

Let’s start with a premise everyone knows, which is paper balls over the head. Personally I dislike this trick, because it has no ending. Sure, you could produce a bowling ball from the tissue at the end or something like that. In its standard for you are basically telling the same joke over and over, there is no punctuation on the trick.

One way some people end it is to reveal the paperballs on the floor to the person. The problem with that is there is a bridge missing, the person doesn’t know how they got there, they just see them on the floor. Did the disappear and reappear there…you miss the moment where they are let in on the gag. Watch Michael Finney do the card on the forehead, it ends when we get to see the person onstage react to the finally seeing the card. You’ll never get the same reaction when the person sees the paper balls, plus they will be turned around looking at them, so we can’t see them.

My point is when you do a trick where everyone knows how the trick works, except one person, you need to completely let them in on the trick. You have to essentially tell them what happened, or they will not react well because they are trying to cross a bridge that’s not there. The challenge is to completely reveal the trick in a second or two. At a glance the person on stage should be able to figure out what happened.

Magically Sound Magic

One of the things about doing magic tricks is that you can do some amazing things and you can do them fairly easily, but that doesn’t make it good magic. What’s got me thinking about this, is that with the internet, magic is very accessible to people that perform other variety acts, and it’s easy to add magic to their show and get a good reaction.

Being able to do a trick, and present it is only part of the game if you want to be a magician. It’s OK to do a magic trick in your show, but once you basically start doing a magic show, it’s time to actually learn how to do magic.

I recently saw a card trick where the performer did the trick in the easiest manner. Fine, but watching I could think of 3 better ways to do it. Three better ways that were more deceptive and none of them that much harder than what he was already doing. He wasn’t in a magic show, he was doing a magic trick within a larger show, so he get’s a pass.

TLDR: if you’re going to call yourself a magician, you need to learn to do magic.

Phone Book in the Google World…

There’s a growing group of magicians that are anti-technology in their magic. The are against using thing that use electronics, and while I partially agree with them, I don’t completely agree. I agree that you need to have a base in sleight of hand, and be able to make the trick happen if the tech fails, but I disagree that you shouldn’t use tech.

If we didn’t use technology, then we wouldn’t have latex or plastic thumb tips, they’d still be made of metal. Technology makes magic grow, otherwise we’d still be doing the tricks out of Discoverie of Witchcraft.

https://upload.wikimedia.org/wikipedia/commons/thumb/1/10/The_Discoverie_of_Witchcraft_%281651%29.jpg/220px-The_Discoverie_of_Witchcraft_%281651%29.jpg

While some of those methods are still valid, a lot of them are antiquated. That’s why embracing technology is a good thing. While you don’t have to use electronic methods, you don’t shouldn’t judge others who do.

Don’t Recycle…

A long time ago I had a friend give me some great advice. Do not recycle patter, jokes or bits used in a routine for use in a similar routine. An example is if I had two tricks that were too similar to be used in the same show, but are different tricks. An example would be a Benson Bowl and cups and balls, they are different tricks, but essentially the same trick.

It’s very easy to take a lot of your chop cup patter and use it in the cups and balls, or vice versa. Things like, a joke about the ball, or doing the bit where the cup is deeper on the inside than it is on the outside. Using these bits is a way to quickly build up the other routine.

The problem comes in where there are contracts where the booker wants two different shows. You cannot repeat a trick, or joke between the two shows. Now your A show and B show where you share jokes is useless. It would be better in the long run to create unique content for similar tricks.

Magicy Week!

This week has been a very magicy week for me. With going to see Michael Carbonaro, to my friend from Ireland, and tonight I’m going to see a mentalist named Eran Raven. One of the pieces of advice I tell magicians is to go out and see all the shows that you can see. Being … Continue reading “Magicy Week!”

Being exposed to what is out there really contributes to your growth as a performer. You will notice trends, then its up to you to either embrace the trend, or stay away from it. Either way you know what the herd of magicians is doing.

For example one of the big trends in magic right now is having a prediction reveal on a scroll that you unroll. It something that plays really big and is typically referenced during the show. Darren Brown, Penn and Teller, and tons of other magicians use this. Normally it’s used for a confabulation type routine.

Personally I’ve always liked the confabulation premise, but wanted mine to look different. Knowing the scroll reveal is popular, I looked for another way to do it. I ended up with doing an audio reveal from a recording. It’s got a different feel for the audience, so if they’ve seen someone do the scroll reveal, it’s a different trick!

Introductions…

Last night I went out and saw a show that a magician friend of mine from Ireland performed in. He’s in Seattle working on some new material. From a performing style point of view, we are very different, however we do some similar stuff. What I found interesting was the way the audience reacted to things he did.

He was introduced as a “mindreader” where I’m introduced as a magician. Right off the bat, the mindset of the audience is very different. Also the “mind reading” stuff that I do is deeper into the show. My friend being initially presented as a mindreader gets bigger impact out of his material than I do.

It’s all context, and in your introduction it sets the mood for your show. A magician that tells you what you are thinking is fun and trick. When a mindreader does that, it’s more, he’s reading your mind!

How does your intro set the initial tone for your show?

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.

Four Dollar Routine…

This week I was on the road performing for a few days. Earlier in the week Barry Mitchell in his Facebook group posted a picture of some kids magic tricks that Target was selling for dollar each. At one point I was at a Target so I picked them up.

Two of the tricks that Target sells are the Ball and Vase and the Burglar Box. The Burglar Box is a clear box that a ball penetrates the bottom of to end up inside. Unlike the Ball and Vase, the Burglar box isn’t the best first trick for a kid as it will take a fair amount of practice to do well.

My initial idea was to buy three of the Burglar Boxes and do some sort of shell game with them. I bought three of them and three Ball and Vases. Here’s the little routine I came up with:

It’s a decent little routine for $4, and a fun little exercise to try to make more out of a beginner’s trick.

Ripping Routine Part V

The additions to the base script are in bold. EFFECT 1: “Take a card, and don’t let me see it.” “And you’re going to grab one, don’t let me see it.” “On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. … Continue reading “Ripping Routine Part V”

The additions to the base script are in bold.

EFFECT 1:
“Take a card, and don’t let me see it.”
“And you’re going to grab one, don’t let me see it.”
“On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. Ready…One, Two Three.”
EFFECT 2:
“We’re going to make it a little bit harder. We’re going to cut the cards”

“I learned to do rip a deck when I was younger. One of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try “

“The wrist strength to do this is common in every circus strongman and teenage boy.“
“You’re going to take a card and you’re going to take a card. Hopefully your cards will match each other and my card.”
“ Like two turtles, your cards match on the back …”
“The odds of them matching the first time were one in fifty two. Now that there are double the cards, it’s one in fifty two times fifty two. Or one in two thousand, seven hundred and four. There’s also a one hundred percent odd that my math is wrong. ”

“On the front…They match about as much as my mom and my ex-step dad”

“Oh, wait. I put my card here, hopefully it matches one of your cards.”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!”

The ripping routine is now off to a start. It’s brand new, so it’s not the best routine that it can be yet. There is still a lot of work, audience testing and workshopping it.