Improvised Magic

As a magician you need to be able to do magic anytime.  It doesn’t mean that you have to do magic whenever someone brings it up, but you should be able to do something.  I’m pretty sure I’ve written about having an impromptu show that you’ve practiced as a show that you always have on  … Continue reading “Improvised Magic”

As a magician you need to be able to do magic anytime.  It doesn’t mean that you have to do magic whenever someone brings it up, but you should be able to do something.  I’m pretty sure I’ve written about having an impromptu show that you’ve practiced as a show that you always have on  you.  I’m not writing about that today, but the ability to improvise magic.


You need to be able to look at a scenario and mentally go through your “toolbox” of sleight of hand, subtleties, or whatever and to make a trick happen. For example last night my family was at dinner with another family and they had a kid who wanted to see a magic trick.  I’m a horrible human if I say no to a 7 year old kid.  Now, this doesn’t mean I need to do a whole show, but a quick trick. 



Looking around the dinner table there was standard stuff like cups, plates, silverware.  What I ended up doing was improvise a little routine.  I told the kid I was going to teach him how to do a trick and then I taught him how to stick a spoon on his nose.  I then told him I was going to make mine disappear off my nose.  I held a napkin in front of my face, wiggled my nose so the spoon fell off, and lowered the napkin to show it was gone.   The kid of course saw what happened…but then he was blown away when his full glass of chocolate milk appeared in my napkin! 

I’ve done the appearing cup in the napkin before, but needed a way to get the misdirection to steal it. The idea of dropping the spoon off my face was something that came to me in the moment and worked out great. It was a funny moment and everyone let their guard down, which allowed me to steal the cup.  



Understanding magic and how it works allowed me to work out this routine at a glace of the table.

Real vs. Manufactured Moments

One of the reasons live entertainment is unique is that anything can happen and each show has the potential to be unique.  The problem comes in when you have performers who refuse to go off track, and strictly stick to the script.  When you ignore things that come up and don’t, “live in the moment” … Continue reading “Real vs. Manufactured Moments”

One of the reasons live entertainment is unique is that anything can happen and each show has the potential to be unique.  The problem comes in when you have performers who refuse to go off track, and strictly stick to the script.  When you ignore things that come up and don’t, “live in the moment” you are missing out on a gold mine of stuff that can happen.

One of the reasons live entertainment is unique is that anything can happen and each show has the potential to be unique.  The problem comes in when you have performers who refuse to go off track, and strictly stick to the script.  When you ignore things that come up and don’t, “live in the moment” you are missing out on a gold mine of stuff that can happen.

One of the things in my show is I have places where the person onstage can have a real moment onstage with me, not a manufactured one.  Then I get to play, we can see where it goes.   Sometimes it doesn’t go anywhere and that’s the risk, however the reward outweighs the risk. 

The only hard part is to recognize when real moment becomes a manufactured moment. This is something that will happen with time.  You’ll learn that if you ask a specific question within a certain contex you’ll typically get a handful of answers.  Over time you’ll end up with a response to those.  That’s when the real moment becomes a manufactured moment.  There’s nothing wrong with a manufactured moment.  I have a ton of them in my show. 

Next time you perform, ask a question and play with the answer you’re given. 

Really???

On an internet group of magicians, someone recently posted about how they did a library show for one kid, then asked if they should put a minimum number of kids for the show to happen. This is crazy, why would you do it that? If I was a booker and I saw that, I’d not … Continue reading “Really???”

On an internet group of magicians, someone recently posted about how they did a library show for one kid, then asked if they should put a minimum number of kids for the show to happen.


This is crazy, why would you do it that?


If I was a booker and I saw that, I’d not book the person. I’d feel that person is going to be a pain to work with. What is the penalty if they don’t get enough people? Let’s say there was a 6 person minimum and if I was paying for it, I’d round up 6 people and make you do the show. The problem with this is you are going to have six people who are completely uninterested in your show watching it. That show is going to be worse than doing a show for one person.


My suggestion would be to play. Do a trick, hang out, improvise. Be an artist, not a craftsman.


I’ve been there, I’ve had to do a show for zero people. The only thing that stood between me and a paycheck was an empty room and that’s what the casino wanted me to do, so I did it. I’ve also done a show for one person that ended up getting me booked to a 22 show tour. Give it you all, and don’t be a pain to work with!