magic show – Page 10 – MagicShow.Tips

Super Short Show Description

About a week ago I ran into a magician and said they had the best children’s show in town. Unfortunately I was unable to make it to their upcoming show, however when I looked up their show, it reminded me of how important it is to have a good short description of your show.

Here’s how their show was described on the event website:

It’s entirely possible that the performer sent them a better show description and that event went rogue and used something other than what was provided.

Personally I don’t think that one sentence description is going to put any butts in seats. I think there’s a lot of wasted space in that, specifically the “solid and fast moving” part. I don’t think that tells me about the show. I’m not sure what “solid” means to people outside of the industry. I think a better line would have been, “Dan’s magic show has amazing magic, and hilarious family friendly comedy“. I’m sure there’s something better than that.

-Louie

Never Take a Seat…

When I travel I try to do shows for senior groups. This is a great way to fill a day when I get into a city the day before a bigger contract. I recently did one, and when I arrived the lady at the desk told me to have a seat in the lobby and someone will be there to get me soon.

Personally I never sit down, especially if it’s out of view of the person at the desk. I always stand near the desk.

The reason for not sitting is simple, I frequently get “forgotten” about when I sit out of view. I don’t know why, I guess whoever is supposed to get me gets side tracked, or whatever. When I stand in view, it’s a constant reminder that I’m still waiting. Usually after a few minutes if I’m still there, the person at the desk will follow up with whoever is supposed to get me. When I’m out of view and sitting, there person at the desk won’t know you’re still there and after about 5 mins I have to ask again. That’s time that I could be setting up.

-Louie
PS if you’re interested in performing at Senior Centers and Retirement Communities, check out my book How To Perform For Seniors!

ChronoForce Pro

Last week I was in the Bay Area and swung by Misdirections Magic Shop to visit Joe. One of the things I picked up was ChronoForce Pro.

I haven’t put it on my phone yet, however I like the idea of using it to force the fractions of a second. I have an idea for it…I want to have a breath holding contest with person from the audience and ultimately the game tied down to the fraction of seconds. This would be revealed by a prediction that is revealed in stages.

I haven’t gotten to play with the app yet, so my opinion may change once I actually use it.

-Louie

Seven Things I’ve Learned…

Last week my wife and I had a tourist day in Seattle and part of it we went to see Ira Glass‘s talk called Seven Things I’ve Learned.

At the beginning of it he talks about the title and it’s really just a frame to write a talk around. That was interesting to hear him say that, because essentially that’s what every school assembly magician is doing when they put together a themed show.

At one point during the show, there was an interruption. Someone got up and started yelling that we shouldn’t be laughing when there were people dying in Sudan. I’m not going to call this person a heckler, because it wasn’t really related to what was happening onstage or the performer, it was someone shouting their message. It was unclear whether the person bought a ticket or somehow snuck in.

Ira handled this interruption in an amazing manner! The whole thing felt like it took 5 minutes, but in reality it was probably closer to 90 – 120 seconds. What Ira did was say that the guy is right, that people dying in Sudan was important and that it doesn’t get as much news coverage as it should. He was diffusing the situation. At one point people in the the audiences started booing the guy that interrupted, however Ira kinda shut that down. That’s the right tact, by encouraging the audience to boo, the guy would have gotten louder and louder. Towards the end of the interaction Ira said something like, “I agree with you, the media needs to do better…” and eventually the guy was escorted out.

Then to get the audience back, he did said “I’ve done stories about that…but didn’t feel it was appropriate for a saturday night crowd” and that got a laugh and tension started to leave the room. Then someone in the crowd yelled, “Welcome to Seattle” and Ira replied, “Thanks, so all of your shows have a guy yelling about Sudan…” this got a HUGE laugh and really got the rest of the tension out of the room.

That’s the thing with someone who is interrupting the show with an unrelated matter, no amount of heckler stoppers will do anything. Ira was right by diffusing the situation and not escalating it. Magicians are really bad about escalating their interactions with hecklers or interactions instead of deescalating it. It’s really the better choice in most scenarios, give it a try!

-Louie

Not Borrowing Props

Currently I do several shows for different venues or audiences. Each of these shows has its own case, however there are some props that I only have one of, so I need to move that prop from case to case. I’m in the process of building or acquiring the multiples of that prop.

While I was putting the remote controls into the Applause Please V2‘s that I’m building, I wired up a second alarm clock with a remote control.

I use this prop in my Incredible Idioms school assembly show and in my general kid show. By not having to move it from case to case, it saves me time and I don’t have to worry about it not being in the case!

If you do multiple shows, having a dedicated case and props really saves a lot of time as there’s no packing to do the show, just grab the case and go!

-Louie

Street Performer in New Orleans

In the French Quarter in New Orleans I ran into a street performer. He was doing standard stuff in a pretty standard way. It wasn’t bad, but for me it was just “meh”.

He closed with the cups and balls. If you look at the picture above, you can see the table top. The above picture was taken with the camera held above my head.

I also took a picture of with the camera at my eye level:

I was in the 3rd row and couldn’t see a thing. The busker had trouble building past the second row, and that’s because you couldn’t see what he was doing.

I know I write about this a lot on this blog, but most magicians would learn a lot about what’s visible if they saw a picture of their show from the audience’s eyeline.

Have a friend take a picture of your show and check out your audience’s sight lines, it’s eye opening!

-Louie

Magic Show Set List

Every show that I do, I write out a set list. This helps me with packing, set up and general planning, like not having similar effects back to back in the show.

Here’s a recent set list for a 60 min corporate holiday show:

I also have notes as to who to thank during the show. By the end of the show, I’ll probably won’t remember the names of anyone helping me out without a note.

I’m always amazed when I work with people that don’t use set lists. But those are usually people who don’t really have a set show and just go up and “wing it” every time. Personally I know my show, but the are many different configurations of the show, I’m not always doing 60 mins for adults, the show length and audience make up changes.

-Louie

MC Technique…

Last week I was at an event an MC’d one of their shows. When I’m an MC, my goal is to keep the show moving and not do time myself…but to be memorable. This is different from the advice I frequently be hear which is, “an MC should be invisible.” I think the MC should be the host at the party, and you should know the host if you’re attending the party!

When I MC, I have an opening warm up bit, a few bits for emergencies, and notes, lots of notes. I have the introduction for the act and ideas for jokes based on watching video or my past experience with their act. Then during their act I will write jokes based on what I see.

As I use up a note or joke, I crumble it up and leave it on the table.

The reason I leave them on the table is sometimes I need to reference something I’ve written before. By leaving a messy table, it gives me access to everything I’ve written.

At the end of the show, I have a table of crumpled up papers. I really enjoy working as an MC, however it’s a lot of work compared to just being an act in the show.

I think the key is to not make the show about you, but at the same time it’s your show!

-Louie

Going Rogue…

One thing I believe in is that when everyone is good, it’s better for everyone who performs in an industry. I was at a conference last week and there’s not a lot of content for the performers who want to get better. A buddy and I came up with the idea of a problem solving session. It wasn’t on the official program or even endorsed by the conference, so I had some flyers made and we distributed them and made it a word of mouth thing.

We had a great turnout, my picture below is about half of the room:

What was really cool is that a lot of the people who book entertainment showed up. They were able to hear what our challenges were, and able to have a dialogue with use about how to solve them!

There are some people who have asked me why I’m helping my competition, and the answer is simple:

We’re all on the same team.

I don’t look at anyone as competition. Not because I’m better than anyone, we’re all on one big team. When people hire good entertainment that’s easy to work with, they want to hire entertainment more and that’s more work everyone!

-Louie

Video Introduction

I just wrapped up showcasing at a booking conference. Usually at these the MC isn’t the best, so a couple years ago my agent started having her acts use video intros which play right after the MC intros the act.

Here’s mine:

It really does a lot more to set the tone and energy for the showcase. I’m really glad I started using a video introduction!

-Louie