Category: Tricks

Still Working On the Polaroids…

One of the “quarantine” trick I’ve been working on for the last year is the trick with the Polaroids that disappear and reappear under and envelope. A couple of weeks ago I mentioned that I removed one of the pictures, so now it only uses three which really streamlines the trick. I also altered it so it’s not just the same vanish and reproduction three times. Finally I figured out how to make one of them appear face up under the envelope.

Here’s a video of me working on it:

It’s crazy the changes this trick has made in the almost a year since I started working on it. It started out as Goshman’s Cards Thru Newspaper, but now I can say it’s completely it’s own thing. There’s really nothing left of that routine in what I’m doing now…except the under the envelope switch, which isn’t unique to his routine.

When people say to make a routine your own, I think this is kinda what they mean…

Don’t Crowd Source Your Show…

I’m beginning to become an old man yelling at the kids to get off my lawn, but instead I’m yelling at magicians to stop crowdsourcing content on a Facebook groups. The people who do it are usually pretty lazy, and rarely reveal their work first or at all.

This was recently posted:

First of all, anyone who has a remotely original line isn’t going to give it up. But also the original poster didn’t give any context, he’s just trying to build a Milton Berle joke book in the thread. Unfortunately when you ask a garbage question you get garbage answers:

The person who posted the two jokes (?) isn’t the person who wrote them. That person essentially stole two jokes they’ve heard a magician say, then offered the stolen jokes to other magicians. First of all, neither is very funny and the first thing is kind of an @sshole thing to say to someone. It’s a very late 1980’s to early 1990’s stereotypical type thing a magician would say. It’s not modern, but more so it really doesn’t move most magician’s characters forward and that’s the bigger problem, most magicians don’t know who they are on stage, and how using sh*tty lines lines like this doesn’t move the ball forward for them.

It’s also this thinking that’s the reason why people think all magicians all tell the same jokes and do the same tricks. It’s because soo many do the same regurgitated crap. Go out and actually work on your show. Don’t know how? I wrote a post about it recently and you can read it here

Complete Cheapo Copentro

I’ve written about my fascination with the coins to glass magic effect. One version that I’ve always likes is the Jack Hughes Visible Coins To Glass, or in the USA we tend to call it Bob Kline’s Copentro. That’s the version where the coins visually appear in a shot glass that’s covered by a larger glass.

There are other version of the trick where the glass held mouth up with your hand above the opening of the glass. The coins then “drop” into the glass from your hand. Here’s an example of this version of the trick:

The problem with the version with the handheld glass is that it’s pretty obvious to anyone that the coin came from your hand. The glass doesn’t really isolate where the coins are appearing. The glass does add a fun sound when the coin arrives and adds a prop which may make the trick play a little bit bigger. Both of those a great additions, but they are really aren’t additions to the magic effect. They don’t make it more amazing or really any different from a coins across that happens in the hands.

That’s why I think I really like the Hughes/Kline version where the cup is isolated. It is something more than an in the hands coins across.

Over the last 18ish months I’ve worked on several versions of the trick. One that I will probably never use is this one:

The video above is the more complete version of the one I posted back in January (see it here). I wanted to figure out not just how to get the coin into the shot glass, but how to make the whole thing work start to finish. I’m glad I did that and have that version of the trick out of my mind now…until I try to start to work on how to make multiple coins appear in the shotglass…

Take Up Reels are out there!

After about a year of me selling my Take Up Reel via word of mouth, I’ve finally made them available through a magic shop.

If you don’t k now what a take up reel is click here for more info!

take up reel

You can get them from Hocus-Pocus.com. People frequently ask me if I would prefer they ordered from me or them. The nice thing when you order from a magic shop is you are supporting a magic shop, and helping to pay their employees. Sure, I make more in my pocket when you buy direct, but when I agree to sell them a product to a magic shop I’m happy with the terms. The advantage is that they normally have them in stock and can ship quickly. If you order direct sometimes there will be a delay due to me travelling, or whatever.

I’m not saying “do not order from me“, but more trying to show you the advantages and disadvantages of ordering from a magic shop. You can’t complain about them disappearing, if you don’t support them.

X Ray Coin Vanish

Last night I was walking my dog and was thinking about an amazing idea of my friend Bri Crabtree. She uses a green screen spot, which is a genius idea! My idea was to use it as an xray for a vanish. Here’s a rough idea of what I’m think of:

I’m thinking if I get a ping pong paddle that’s green on one side I can make it work. Show the non-green side that says “x ray” then flip it over, show the skeleton of my hand with the coin and d do the vanish.

It’s not the deepest mystery in the world, but it is fun!

Taking Away One…

One of the first tricks that I started working on since the COVID pandemic started a year ago was my Polaroid to Envelope trick. This trick started as Goshman’s Cards thru Newspaper, but then evolved a lot. It’s pretty much been unchanged for months, here’s what it looked like:

Yesterday I was going to work on it some more as I was going to be doing the Nashville Magic Company’s Tricks of the Trade magic open mic in the evening. That’s when it hit me, I don’t need four pictures, I just need three. One of them doesn’t do anything, it cleans up some clutter and tightens up the routine a little bit.

After the open mic they do a little bit of a workshop for the performers to ask other performers for thoughts on what they performed. I got a couple of great suggestions and ideas. Someone asked why the pictures appeared face down, instead of face up. This is a great idea, that because I was building from a another trick, I didn’t think about that.

I started playing with having the pictures face up and I think I got a workable sequence out of it. Having just three pictures is soo much more manageable than four! I’ll probably record a video of the new sequence later today and post it when I get a chance.

If you’re not using these virtual open mics to work on material they are a huge resource that didn’t really exist a year ago. Not only to practice material, but to get specific feedback from other performers.

Making Some Take Up Reels…

One of the magic products that I put out and that I’m the most proud of is the Take Up Reel that I created. What a Take Up Reel is used for is to shorten a length of string and was popularized by Billy McComb and Tommy Wonder in their Vanishing Birdcage routines.

As far as I know I’m currently the only person / company that makes a Take Up Reel for sale. I’m working on a batch of them this week. It takes about a full week to make one from start to finish. Here’s one of the locks coming out of my 3D printer:

Magic is being revolutionized by 3D printing, especially stage magic. It allows you to affordably make soo many custom props that would have cost tons of money to have fabricated 5 or 10 years ago.

If you’re not out printing stuff, I highly recommend learning how. It’s pretty easy, and you don’t even need to own a 3D printer as there are companies you send the file to and they’ll make it for you.

Click here for more info on my Take Up Reel!

Am I Old and Surly?

I’m trying to decide if I’ve become an old curmudgeon, or if some other people are simply idiots and the internet is highlighting this. Recently in a facebook group someone was asking for a good way to vanish or produce a die. Anyone with basic knowledge of sleight of hand knows how to do this. I’m going to assume the original poster asked in case there was something strange that they had not thought of.

Then they get this response and you can see my response below it:

Am I being an old a$$shole…or does this the person who responded have no idea what they are talking about?

as far as I know a shuttle pass pretends to move a coin or coins from hand to hand. It is neither a production or a vanish. It may set you up for the production of vanish, but it’s neither of those*.

Why would you suggest a shuttle pass?

My only guess is you don’t know what you’re doing. This is why crowd sourcing your knowledge instead of going out and getting a working knowledge of sleight of hand hurts you. It feels like a short cut until you realize you’ve driving around the same block four times.

My advice is to go out and learn the basics and try to figure it out on your own, that way you won’t be chasing leads that have zero merit.

*Yes, I do understand that from a technical standpoint it’s both a production and a vanish to create the illusion of passing an object hand to hand, however to the audience it’s neither of those.

Vertical Three Shell Game

Last night I was playing with a set of mini cups and balls that I have. This particular set was made by Leo Smesters. These are a great little set, however honestly I don’t have much of a use for them. When I originally bought them I had an idea, but haven’t done much with them.

I had the idea of doing a vertical three shell game. The ball would switch places vertically while the cups were stacked. Here’s a quick video of the basic idea:

There’s a little bit more to the full idea I have. Right now the cups are ungimmicked and they will stay that way. However the balls have magnets in them and they stick to each other through the cup. So the cups can sort of function like a chop cup or regular cup depending on the positions of the two balls.

My idea is to have one ball with a very strong magnet in it and then two others with smaller magnets in them. The audience is only aware of one ball. You will steal the ball with the strong magnet and use that magnet like you would a use thumbtip with a magnet inside of it. That will give much more options with what you can do with the cups.

Now I just need to make the balls…

Working Around Video Lag…

Well I think I jinxed myself yesterday. I was chatting on the phone with a magician friend of mine and mentioned that I’m just getting to the point where virtual shows aren’t stressing me out all day. I think I would have reached that point a lot sooner if I had a dedicated space to perform virtual shows in. I’m having to build and take down the virtual theater each show. I’m just now getting comfortable with the show and doing all of that.

Yesterday right before showtime I was running some new cues with my daughter who runs the production end of my show and we noticed my video was lagging. My video would freeze, then speed up to get caught up to real time. I then spend an hour stressed out trying to diagnose what what going on.

I never did figure it out. If you have any ideas of what may have been causing it, let me know!

However being aware of the problem really helped. We found out that my audio was constant, it was just an issue with video, so every one could hear me the whole time. I ended up having to time the magic moments around the freezes. How I did this was go fairly slow and almost wait for the lag before the magic happened. Once the video froze, then sped up I have at least 15 seconds of good video, so I would make the trick happen then. It worked and the booker was happy with the show. I also made them aware of the problem during the check in before the show.

This is a good example of why being comfortable with the material in your show really pays off. My brain was working overtime working around the tech issue, that if I had to think much about my show, it would have been a really tough show to do. I’m not saying doing “easy” or “self working” magic tricks is the way to go, I’m saying being comfortable with your material. I do a couple of technical things in the show, and I’ve practiced and done them a ton, I don’t need to devote brain power to them if I don’t need to.