Tricks – Page 120 – MagicShow.Tips

Wild Card…

One of the ways to create new methods or routines for magic tricks is to take an existing trick and remove what you don’t like about it. We’ll start with a trick that I don’t like, and that’s Peter Kane’s Wild Card. There’s a lot I don’t like, it mostly is how redundant the trick is, and it lacks an ending. It goes, and the ending is all the cards have changed to the same card, but there’s not punctuation on it.

In Jon Racherbaumer‘s book, The Wild Card Kit, there are a couple of interesting premises. More importantly there are a couple of interesting moves and sequences that take the trick past it’s most basic level.

One notable exception is Eric DeCamp’s version of Wild Card called Jokers are Wild Are Wild. In this version the cards values end up being a blackjack hand and for a finish the cards turn into money. This puts a theme on the trick and a finish that punctuates the routine.

So…what am I going to bring Wild Card?

I’m not sure.

What I don’t like about wild card is:

How redundant the sequence is
How it uses a packet of all the same card
How it doesn’t have an ending

The first two things I don’t like are an easy fix, however the third one will take some work. For the first two, I’ll vary the moves a little bit and for the second I can make a packet of the gimmicks that use different cards, not all the same values. However an ending that makes sense might be harder…

Finally Trying a Trick…

One of the best books on stand up magic as far as tricks go is Jim Steinmeyer’s The Conjuring Anthology. It’s full of mostly stand up style magic, there are other things in there as well, like stage illusions. This book is a tremendous resource.

The Conjuring Anthology by Jim Steinmeyer

Recently I was making a bunch of videos for a client and needed some inspiration. I was flipping through this book and there’s trick that uses confetti in it that’s caught my eye in the past. Essentially loose confetti turns into a full sheet of tissue paper.

I went out, got the stuff to build the prop and got two work on it.

The first thing that I noticed was that this trick is a great lead in to the torn and restored tissue. If you put the two tricks together you’ve got a 3-4 minute routine that takes up virtually no space in your case, or could easily be made in a hotel room.

I’m glad that the project I was working on had me go back and flip though that book. I also think that if I had played with that trick at another point in my life I may not have had the same results as I did.

About Masks…

In the past I think I’ve written about this, however there are a few instances recently that got me thinking about using face masks and hand sanitizer in magic routines. First of all, it’s no longer the elephant in the room that needs to be addressed. It was in March and April, but not now.

If you’re shoehorning in a mask to your show to try to be topical, it’s lazy creativity. Simply swapping out a silk or a drink coaster for a face mask and having not other context to it, then you’re fooling yourself into thinking you’re being topical. I think an audience can feel when someone changes a prop for no reason other than to try to make it topical.

If you’re doing a bit with a mask that actually has purpose or a point of view, I’m 100% for that. For example if you linked the ear loops of a mask, that’s using the property of the mask, you aren’t simply finding a place to substitute a mask into your show.

Personally I’d love to see a mask bit by an anti-masker, I think that would be very interesting. Using the mask and magic to show how masks don’t work would match well with and having things pass thru the mask. Of course you could do the opposite and show how the mask protects the wearer by not letting things through doing some indestructible type tricks with the mask. However thing like that take actual thinking and work to do well. It’s not easy to do, which is why you don’t see much of it.

Spicy Magic!

Currently I’m working on making a bunch of video content for a group and I got to make a fun prop. In the video I’m talking about nachos, and needed a sight gag, so I made this:

I probably put way too much effort in to this 15 second video. Enjoy!
Posted by Louie Foxx- Magic and comedy on Thursday, September 3, 2020

For the gag which lasts less than 10 seconds, I probably spent too much time building it, however it was fun and it’s a fun prop!

The actual build is pretty simple:

The hardest part was driving around town to find the striker. There’s a specific type of lighter that has a striker that can be removed. Once I had source that, I had to figure out how to attach it to either my hand or the jalapeno. I was going to 3d print something, but then tried stabbing it into the pepper and it worked perfectly! Sometimes the simplest way to do things is the best.

Creating Digital Content…

Lately I’ve been busy creating digital content for events. This is different from virtual or live stream shows. I’m creating tricks and routines specifically for their groups and they are using them to promote their online events. It’s fun, and very much a different mindset than performing.

Here’s a practice video for one of these videos:

Ultimately we didn’t use the final trick, however this is a good example of having fairly well rounded knowledge of magic techniques comes in handy. Personally I never thought I’d be doing any illusions at this point in my career, but know a little bit about them has come in pretty handy lately!

Encore Episode!

Looks like I’m back on another encore edition of The CW’s Masters of Illusion tomorrow (9/11/20) night!

The trick that I do in this episode was my opener for corporate and theater shows for a long time. The trick does a good job of setting the audience up for what they are going to see for the next 45 – 60 minutes. It tells them that what they are about to see isn’t a traditional magic show. It also established me as a “talker” and that the show is going to be joke based, but not your typical magician-y jokes.

This trick has gotten me a ton of work whenever I use it at showcases, it quickly becomes the talk of the event!

Let There Be Light!

When you’re doing virtual shows, a lot goes into them. More than just the tricks. Someone recently posted their “promo video” for virtual shows. There are some good elements to this, like the people reacting, then some bad elements, like everything else.

Here’s the video:

The big problem with the video is the guy’s lighting is horrible! Yes, I understand that some of the effects he’s doing require special lighting, but he’s not even doing that right, you can light the effect correctly and make it not look like you’re performing in a closet.

Here’s a screenshot from the above video:

Does that look like something you’d pay money to watch?

Not me.

Does that mean it’s a bad show?

Not necessarily.

Right now we all need to learn about lighting, video production, etc and we all need to learn the basics about all of it.

Is It Worth It?

Your opening is important, and that hasn’t changed with shows moving over to Zoom. Recently I was performing on variety show that took place on zoom and one of the acts opened with a “frozen screen gag” where it looked like his screen was frozen, but he was really just holding up a picture of himself in front of the camera. I guess, it’s funny, it’s not a particularly clever gag (Mario’s card gag with a frozen screen is way better and very clever).

Here’s the problem with the gag, if you do it and you’re really having technical difficulties it’s not good. Most of the issue’s I’ve noticed with zoom variety shows are right out of the gate when you first pop on screen. Doing a technical difficulty gag at that point is rough if you are actually having technical difficulty. The act I worked didn’t have their audio on, and the guy running the tech had no way to give that info to the act.

It was awkward.

Had the act not done the frozen screen bit, it would have gotten resolved much quicker. Just imagine if he did have tech problems with audio (which was real) and if he had planned to do the frozen screen gag later in the show, but then pulled that out, it would have played 10 times better and been super funny.

Your opening is soo important, it’s a risk vs reward thing. Is the risk of doing a frozen screen gag before you’re aware that you aren’t having tech problems worth the reward of a laugh or two?

I don’t know.

It’s an artistic choice the performer has to make. Every trick is a risk vs reward scenario.

Feeling Like A Non-Magician!

Sometimes there are moments when as a magician, you get to feel like someone who isn’t a magician. I was having a magic jam with a couple of other magicians and Jonathan Friedman did this:

Magic can be cheesy! Check out my man Louie Foxx’s reaction! That’s pure cheese!!!
Posted by Jonathan Friedman on Monday, August 24, 2020

What you see me expressing is complete surprise of the trick. It was great. He gave me all the clues in the set up as to what the pay off would be, but I didn’t see it coming. It worked out like a great joke.

How can you get that level of surprise from your audience and still have the trick make sense?

Impromptu Zoom Magic!

About a month ago I added a new trick to Zoom that’s been doing really well. It’s an interactive trick, where someone thinks of someone in the Zoom room and I tell them who they are thinking of. It’s a pretty good trick because it’s so customized and uses what’s happening now. It’s “propless mentalism” in a zoom room!

What I do is make a progressive anagram for the first names of the people in the Zoom room and have someone think of a person. I then go through the flow chart and tell them who they are thinking of! It can be instantly repeated, and if people join later, you can simply add their names. It’s great!

One of the advantages of doing it people’s first names in a zoom room is the person thinking of the name is looking right at the name. That makes if very difficult for them to misspell it!

Give it a try, you’ll like it!