Small Changes…

In the past on this blog I’ve written about progressive anagrams and fishing as a great methods for virtual shows. Here’s another video of me using the Mind Power Deck by John Kennedy.

The small change that I have made in this trick from the video I posted a few weeks ago is that I’m revealing the card before I ask them what card they are thinking of. I think it’s a way stronger trick because I’ve committed to the prediction before they reveal what they are thinking of.

Yes, there are risks doing it this way, but I think the benefits outweigh the risks.

Make It Work…

In my different shows I have many different table tops, but only one main base. It’s a Collector’s Workshop table base and I just screw the correct table top to the base for the show I’m doing. In my small group, no contact, socially distant magic show, I’m using the base on my small case.

A friend of mine saw what I was doing a he had an old base from a Jumbo Sidekick that no longer exists that he gave me. Unfortunately at some point Collector’s Workshop changed the diameter of the pole that screws into the flange that’s attached to the table.

To fix the problem, I made the flange out of clay with threads that match the larger pole. I then made a mold of this flange and cast it in resin.

Here’s the two flanges:

What I made took about an hour to make, and cost only a few bucks in material. It’s probably not as durable as the metal flange is, however the case isn’t heavy, so it works.

It’s nice to not have to keep moving around the table base. The show that uses this case doesn’t have a table, so now the case is totally self contained!

No Contact, Socially Distant Magic Shows…

This summer I’ve managed to save a few gigs by converting them to in-person, small group, no contact, socially distant magic shows. I’m doing multiple shorter shows for 10 kids instead of one large show for all of them at once. It’s a difference in thinking when doing these.

I’m learning I need to pack a bit differently. The nice thing about doing a 20 minute show instead of a 45 minute show is that I can fit everything into a pretty small case.

Here’s the gear I’ve been bringing:

When it comes to material selection, I need stuff that resets really quick. In the past reset wasn’t a concern as I don’t normally do shows back to back with only 5 mins between them. The shift in thinking from “whatever to make the trick work” to “I’ve gotta reset the whole show in 5 mins” is an interesting mental challenge. Making me think differently is one of the silver linings of not being able to do my show how I’d normally do it.

Elements of a Virtual Guest Spot

Yesterday’s blog post had video of me performing the Three Shell Game as a guest on a live stream. What the camera sees is pretty simple, however what’s actually going on behind the scenes is bit more complex.

There’s more going on that just putting a table in front of a camera. In the next picture I’ve circled some of the things that goes into my online appearances:

Here’s what I’m using:

  • Purple: iPhone as a camera
  • Orange: Microphone
  • Yellow: iPad to show the person I’m interacting with
  • Green: Laptop which is running my production software
  • Blue: Table that’s not visible on camera to hold props
  • Red: Working table that will be on camera

I honestly wish doing a live stream bit from home was as simple as opening my laptop and using its built in mic and camera. Instead I need to essentially set up a studio and take it down afterwards. There is a noticeable difference in quality when done this way.

Working On It…

One of the hardest things about creating magic right now is that due to restrictions I can’t really audience test things. I’ve written about my endings to the three shell game on this blog before and one that I’ve started doing post-COVID is the solid shell game.

One way to break things in are on live streams. My buddy was doing a live stream a few night ago and needed a guest, so I popped in, hung out and worked on some material.

Here’s the shell game from that live stream:

It’s coming along, just being able to do for something and not the wall at home makes a big difference! If you’ve got stuff you’re working on, go out and be a guest on someone’s live stream. It’s a much better space that doing your own live stream show, and there’s a lot less expectation for you to carry the show.

Tooth Trick!

When I had gotten my wisdom teeth pulled a while ago, I kept the teeth that were removed. For years they’ve sat on my shelf doing nothing. Well I did donate one of them to a friend’s oddity museum, but other than that they just sit there.

While not the greatest trick, here’s something I did yesterday:

I had some black paper on my desk, then saw the teeth and decided that would be a good trick to do. I think I may reshoot it and put it out on social media at some point.

It’s just a silly little thing.

Zoom Fishing…

One of the biggest challenges right now with all of the Social Distancing is breaking in new material. Personally I tend to try to work out things on stage. I try them, I ad lib, I tweak and adjust. Right now some in-person venues are starting to open up and this is great and will make working on new material much easier.

Here’s an early version of a trick that I wrote about a month ago on this blog. It’s using “fishing” along with a physical prediction for the trick.

The big change that I made was that I’m pulling the card out of the envelope before the card is named. I’m taking a risk that the person can totally screw my ending by lying about the card that they saw. However the questions leading into the reveal makes it hard to lie, they just can’t make up a card at the last moment as they’ve already confirmed things about it. That’s not going to stop an asshole from just saying a different card, but it does make it harder.

The Trick I Can’t Do…

There’s one trick that I’ve been fascinated by for decades and it’s the Himber Pail. Here’s a video of Richard Himber doing it on Don Alan’s Magic Ranch:

I love this trick, the effect is good and it’s got a ton of suprises and hits all of the beats! The problem is that the are hard to find and when the pop up at auctions, somehow I always miss bidding on them.

Then a few years ago, I set out to make a version of the trick. Here’s what I came up with:

The technical end of how it works is completely different than Himber’s method, but the effect is the same. Himber’s method is way more practical than mine. Also my method wasn’t 100% where his is.

This is a trick I revisit very now and then, and still have yet to come up with a practical way to do it. Himber’s method doesn’t scale down to a cup size very well. Eventually I’ll come up with a way…

Being Present…

Frequently something cool will happen to me and my wife will say, “how do things like that always happen to you?” The answer is simple, I’m present in life. I look at things, I talk to people and an generally aware of what’s happening around me.

Here’s an example of being present, I was at a history museum in New Mexico and saw this medical display. Can you spot the juggler’s prop that was put in there?

Here’s a closer loot at it:

It’s a diabolo! It even says it on the edge of it. How did it end up there? I’m guessing it belonged to a doctor and whoever was putting the display together just assumed it was medical.

Noticing this wasn’t a huge life changing thing, but it’s being aware of the things around you. When you are creating magic, or performing being aware of the situations around you can lead to some great discoveries!

That Was Cute…

For the last twenty years or so, I’ve tried to have a show that people don’t call “cute”. I want what I do to have some edge or be amazing, and not simply cute. However recently a show producer called something I did cute and I was excited for that comment! I was doing my new routine to my Polaroids to Envelope trick that I’ve written about on this blog.

What makes the trick “cute” is the story, it’s a personal story about my family. It’s a real, honest and true story. It’s also something outside of my comfort zone. I do joke based magic tricks, and while I do reveal personal things about my life, this is the first thing I’ve written that was more about the story than the jokes.

The show producer commented that she had a kid and the story was really relatable. Maybe it’s me getting older, but that comment really warmed my heart. Performing is about connecting with people. Usually I do that through fart jokes, but I did it through parenting this time. This routine took me out of my comfort zone and it paid off.

Is my show going to have a huge shift because of this one success? Nope. This trick does add some texture to my show and I will continue to explore writing like this in the future.